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The Saint-Siméon farm road in winter W81 - Claude Monet

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The Saint-Siméon farm road in winter W81 - Claude Monet

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The Saint-Siméon farm road in winter W81 - Claude Monet

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The Saint-Siméon farm road in winter W81 - Claude Monet

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Claude Monet · Snowy road between Honfleur and Trouville · Private collection

The Route de la ferme Saint-Siméon in winter W81hand painted reproduction

A snowy road curves up between the trees of the Côte de Grace. Two figures advance side by side in the foreground, while the buildings of the Saint-Siméon farm appear at the bend of the path. Monet combines the pink whites of the snow, the greens still visible from the embankments and the purple grays of the sky to capture a humid winter landscape, very far from a uniform white.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Route de la ferme Saint-Siméon in winter W81 - Claude Monet - full view
The Route de la ferme Saint-Siméon in winter W81Claude Monet · 1867
1867Dating
49 × 65 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 81Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Clear path curves between two masses of trees and leads towards the farm

The wheel and footprints open several gray lines in the snow. The wooden railing follows the climb on both sides, then tightens around the walkers dressed in blue and dark tones. Their small scale accentuates the height of the trees and the depth of the path.

On the left, dense foliage retains deep greens under the snow; on the right, the bare trunks form a more vertical and transparent screen. Between these two areas, the road, the buildings and the pale sky come together in a clear mist which softens the distance.

Snow becomes a revealer of light: it unites the path, the sky and the branches while allowing an astonishing variety of colors to breathe.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A perspective guided by the road and the guardrails

The curve of the path constitutes the main axis of the composition. The wooden barriers highlight the edges, but their irregular intervals avoid any rigidity and advance the gaze to the buildings of Saint-Siméon.

02

Two sides treated in opposite ways

The left grove is compact, low and dark; the right curtain of trees is high, openwork and punctuated by the trunks. This asymmetry frames the central passage without closing the landscape.

03

One of Monet's first snow effects

Sotheby's places the work among four landscapes painted after a heavy snowfall in early 1867. Monet works directly outside and is already exploring the colorful reflections that winter makes particularly visible.

Reference image

Read this specific version

The visual corresponds to La Route de la ferme Saint-Siméon in winter, listed Wildenstein 81. The source of 2,200 × 1,517 px was preserved in its native definition then encoded in real WebP, without artificial enlargement.

Composition01

The snow white remains warm and irregular

Roses, beiges, blues and grays appear according to the traces and shadows. Reserves of earth and grass must remain visible to preserve the relief of the path.

Color02

Distant trees dissolve in the air

Their branches become thinner and less contrasting near the farm. Strengthening them evenly would reduce the atmospheric depth that distinguishes the center of the stage.

Matter03

The two walkers serve as a measure

Their silhouette remains simple, but their blue and gray clothes detach them from the path. Their precise position gives the scale of the road and the direction of travel.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1867, this oil on canvas measures 49 × 65 cm. It belongs to a private collection and bears the number Wildenstein 81.

Location01

The road to the Saint-Siméon farm near Honfleur

The path linked Honfleur to Trouville via Mother Toutain's inn. Boudin, Jongkind, Bazille and Monet worked there willingly, making this site an essential center of Norman open-air painting.

Series02

Several views of the same path between 1864 and 1867

Monet already knew this motif when heavy snow covered the region in 1867. This version is distinguished by its horizontal format, the curved climb, the two walkers and the farm placed in the center of the distance.

Provenance03

From Jean-Baptiste Faure to Georges Clemenceau

The work notably belonged to the baritone and collector Jean-Baptiste Faure, then to Georges Clemenceau. It has been presented in numerous exhibitions devoted to Monet and the beginnings of impressionism.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Preserve the upward curve of the path.
  • Vary the whites according to the sky, shadows and earth.
  • Differentiate the left grove from the right trunks.
  • Maintain small ladder and walkers direction.

Work sheet

Title The Route de la ferme Saint-Siméon in winter W81
Artist Claude Monet (1840 -1926)
Date 1867
Original technique Oil on canvas
Dimensions 49 × 65 cm
Orientation Horizontal
Conservation Private collection, Work documented during the Sotheby's sale in 2008
Inventory Wildenstein 81
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Sotheby's - lot 36, London, February 5, 2008

Presentation in your interior

A palette designed with the room

This horizontal landscape is suitable for a quiet living room, bedroom or office. A light oak, pearl gray or deep green frame accompanies winter tones; a very pale ivory or blue wall reveals the nuances of snow.

The Route de la ferme Saint-Siméon in winter W81, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
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