Saule pleureur de Claude Monet, 1920–1922 – musée d’Orsay RF 2000 21, Wildenstein 1942
Weeping willow, Giverny - Claude Monet
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Weeping willow, Giverny - Claude Monet

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Weeping willow, Giverny - Claude Monet

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Weeping willow, Giverny - Claude Monet

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Weeping willow, Giverny - Claude Monet

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Claude Monet · 1920 -1922 · Musée d'Orsay · W1942

Weeping willow, Givernyhand painted reproduction

The trunk disappears behind a tangle of green, yellow, red and purple branches. In this vertical canvas, Monet transforms the Giverny willow into a cascade of gestures that descends to a thin strip of orange water.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Weeping Willow, Giverny - Claude Monet - full view
Weeping willow, GivernyClaude Monet · 1920 -1922
1920 - 1922Dating
110 × 100 cmDimensions of the original
Oil on canvasOriginal technique
RF 2000 21 · Wildenstein 1942Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A tree without outline, built like a fall of color

The branches start from the top in large emerald green and acid yellow loops, then extend into darker verticals. On the left, reds and blacks thicken the shadow; in the center, a few whites and yellows open bright gaps.

The lower half becomes more purple, blue and red. The gestures remain suspended before a horizontal orange, pink and dark blue band which suggests water. This opposition between vertical fall and low line gives all its tension to the composition.

The willow is not described leaf by leaf: its weight, movement and light are condensed in the direction of the brush itself.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Weeping Willow, Giverny - Claude Monet
01

Arabesque branches

The large loops at the top should remain distinct from the hanging verticals. They give the initial momentum of the entire composition.

02

A color organized by tension zones

Greens dominate in the center, reds reinforce the left, and purples accumulate at the bottom. This distribution avoids uniform polychromy.

03

A thin line of water that stops the fall

The horizontal orange and blue touches at the bottom are essential. They give a visual soil to the tree without transforming the scene into a traditional landscape.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The green and yellow arabesques - detail of Weeping Willow, Giverny - Claude Monet
Green and yellow arabesquesThe detail shows the thick loops that build the top of the willow, mixed with black, white and red passages.
The purple fall and the water line - detail of Willow Weeping, Giverny - Claude Monet
The purple waterfall and the water lineAt the bottom, the blue and purple verticals meet an orange and pink horizontal band which maintains the relationship with the pelvis.

The best exact public view measures 913 × 1016 px. The two details of 760 × 430 px are direct cropping of the same W1942 file. No enlargements were applied; all three images are real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

The RF 2000 inventory 21, Wildenstein 1942 catalog

The Musée d'Orsay preserves this oil on vertical canvas measuring 110 × 100 cm, dated between 1920 and 1922. A "Claude Monet" stamp appears at the bottom left.

Acquisition02

The Philippe Meyer donation

The work belonged to Philippe Meyer until 2007. Accepted by the State in 2000 subject to usufruct, it effectively joined the Musée d'Orsay after its renunciation of usufruct.

Last Monet03

A matter close to abstraction

The canvas belongs to Giverny's late research. The thick gestures, the acidic contrasts and the erasure of the trunk make the plant motif an almost autonomous structure.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version RF 2000 21, Wildenstein 1942
  • The large top curls kept free
  • The distribution of reds, greens and purples respected
  • The thin strip of water held at the bottom edge

Work sheet

Title Weeping willow, Giverny
Artist Claude Monet (1840 -1926)
Date 1920 - 1922
Original technique Oil on canvas
Dimensions 110 × 100 cm
Orientation Vertical
Conservation Musée d'Orsay, Paris, France
Inventory RF 2000 21 · Wildenstein 1942
Your reproduction Handmade oil painting on canvas
Consult the official notice - Musée d'Orsay

Presentation in your interior

A palette designed with the room

This vertical reproduction becomes a very expressive focal point. Its acidic greens, purples and reds match a cream, plum, deep green or warm gray wall, with a side light revealing impasto.

Weeping willow, Giverny, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

L’œuvre et sa reproduction

Saule pleureur
peint pour votre
intérieur

Découvrez l’histoire et l’atmosphère de cette œuvre, puis choisissez une reproduction à l’huile réalisée à la main selon vos dimensions.

01

À propos de l’œuvre

Saule pleureur, par Claude Monet

Claude Monet · 1920 -1922 · Musée d'Orsay · W1942

Weeping willow, Givernyhand painted reproduction

The trunk disappears behind a tangle of green, yellow, red and purple branches. In this vertical canvas, Monet transforms the Giverny willow into a cascade of gestures that descends to a thin strip of orange water.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Weeping Willow, Giverny - Claude Monet - full view
Weeping willow, GivernyClaude Monet · 1920 -1922
1920 - 1922Dating
110 × 100 cmDimensions of the original
Oil on canvasOriginal technique
RF 2000 21 · Wildenstein 1942Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A tree without outline, built like a fall of color

The branches start from the top in large emerald green and acid yellow loops, then extend into darker verticals. On the left, reds and blacks thicken the shadow; in the center, a few whites and yellows open bright gaps.

The lower half becomes more purple, blue and red. The gestures remain suspended before a horizontal orange, pink and dark blue band which suggests water. This opposition between vertical fall and low line gives all its tension to the composition.

The willow is not described leaf by leaf: its weight, movement and light are condensed in the direction of the brush itself.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Weeping Willow, Giverny - Claude Monet
01

Arabesque branches

The large loops at the top should remain distinct from the hanging verticals. They give the initial momentum of the entire composition.

02

A color organized by tension zones

Greens dominate in the center, reds reinforce the left, and purples accumulate at the bottom. This distribution avoids uniform polychromy.

03

A thin line of water that stops the fall

The horizontal orange and blue touches at the bottom are essential. They give a visual soil to the tree without transforming the scene into a traditional landscape.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The green and yellow arabesques - detail of Weeping Willow, Giverny - Claude Monet
Green and yellow arabesquesThe detail shows the thick loops that build the top of the willow, mixed with black, white and red passages.
The purple fall and the water line - detail of Willow Weeping, Giverny - Claude Monet
The purple waterfall and the water lineAt the bottom, the blue and purple verticals meet an orange and pink horizontal band which maintains the relationship with the pelvis.

The best exact public view measures 913 × 1016 px. The two details of 760 × 430 px are direct cropping of the same W1942 file. No enlargements were applied; all three images are real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

The RF 2000 inventory 21, Wildenstein 1942 catalog

The Musée d'Orsay preserves this oil on vertical canvas measuring 110 × 100 cm, dated between 1920 and 1922. A "Claude Monet" stamp appears at the bottom left.

Acquisition02

The Philippe Meyer donation

The work belonged to Philippe Meyer until 2007. Accepted by the State in 2000 subject to usufruct, it effectively joined the Musée d'Orsay after its renunciation of usufruct.

Last Monet03

A matter close to abstraction

The canvas belongs to Giverny's late research. The thick gestures, the acidic contrasts and the erasure of the trunk make the plant motif an almost autonomous structure.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version RF 2000 21, Wildenstein 1942
  • The large top curls kept free
  • The distribution of reds, greens and purples respected
  • The thin strip of water held at the bottom edge

Work sheet

Title Weeping willow, Giverny
Artist Claude Monet (1840 -1926)
Date 1920 - 1922
Original technique Oil on canvas
Dimensions 110 × 100 cm
Orientation Vertical
Conservation Musée d'Orsay, Paris, France
Inventory RF 2000 21 · Wildenstein 1942
Your reproduction Handmade oil painting on canvas
Consult the official notice - Musée d'Orsay

Presentation in your interior

A palette designed with the room

This vertical reproduction becomes a very expressive focal point. Its acidic greens, purples and reds match a cream, plum, deep green or warm gray wall, with a side light revealing impasto.

Weeping willow, Giverny, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Idéal pourSalonEntréeBureauHôtel
01

Peinte à la main

Une peinture à l’huile sur toile réalisée entièrement à la main, sans impression numérique.

02

Validée en photo

Vous recevez des photos détaillées et pouvez demander des ajustements.

03

Réalisée à votre format

Les dimensions sont calculées pour respecter les proportions de l’original.

Un doute sur le format ou les couleurs ?

L’atelier vous conseille avant de commander.

Parler de mon projet

From order to delivery

How does your order take place?

You remain in control until your final validation reproduction.

1

Choose your format

Select the dimensions appropriate to the proportions of the work.

2

Your painting is hand-painted

Production at painting at oil on canvas by a specialized artist.

3

Validate your reproduction in photo

Receive detailed photos and request up to 7 sets of edits before validation.

4

Protected and tracked delivery

Your canvas is rolled in reinforced packaging, with tracking until delivery.

Frequently asked questions

Before ordering your reproduction

Everything you need to know about creating, retouching, validating and delivering your painting.

Is it actually hand-painted ?

Yes. Every reproduction is carried out at the painting at theoil on canvas by a specialized artist. This is neither a print nor a digital transfer.

Can I order a custom format?

Yes. Choose one of the formats offered or contact us for a particular dimension adapted to your wall and the proportions of the work.

When will I receive validation photos?

When the painting and the drying is complete, we send you detailed photos before any shipment so that you can validate the result.

How many touch-ups can I request?

You can request up to 7 sets of edits from the photos received, before giving your final validation.

How is the canvas packaged?

The canvas is shipped rolled, frameless, in reinforced packaging designed to protect it during international transport.

How to track delivery?

Upon shipment, you will receive a tracking number to track the delivery of your reproduction until its delivery.

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An artwork changes
the whole room.

The reproduction keeps the original proportions, so you can choose the scale that feels right for your wall.

Weeping willow, Giverny - Claude Monet
Woman shown as a height reference
170 cm5 ft 7 in

Preview only. Frames are not sold on this website. Your painting is delivered as rolled, unframed canvas.