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Meules à Giverny W902 par Claude Monet, Pola Museum of Art

Grinding wheels in Giverny W902 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Giverny · 1884 · W902

Grinding wheels in Giverny W902hand painted reproduction

Three millstones occupy a recently cut field in Giverny. The largest advance in the foreground, heavy and golden brown, while two smaller shapes retreat towards a row of poplars. Above, the stretched clouds and agitated peaks give the landscape a mobility that the stable mass of the millstones retains. Painted in 1884, this oil on canvas measuring 66.1 × 81.3 cm is kept at the Pola Museum of Art under number 006-0207. It corresponds to Wildenstein 902.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Grinding wheels in Giverny W902 - Claude Monet - full view
Grinding wheels in Giverny W902Claude Monet · 1884
1884Dating
66.1 × 81.3 cmDimensions of the original
Oil on canvasOriginal technique
006-0207 · Wildenstein 902Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Well before the great series of 1890 -1891, Monet already transformed the millstones into volumes capable of measuring light and depth of field

The composition is based on three sizes and three distances. The large millstone on the right almost cuts the line of the trees; the one on the left remains lower, and the third, placed between the two, marks the passage towards the bottom. This triangle arrangement avoids alignment and makes the expanse of the meadow felt without resorting to a drawn perspective.

The field is never a uniform green. Lemon yellows, tender greens, ochres and small pink touches intersect around the millstones. The trees combine deep greens, blues and whites, while the sky receives long cream streaks. The contours remain open: straw, grass, foliage and cloud are defined by the direction and density of the key.

The Art Institute of Chicago's scientific catalog places W902 among three landscapes from 1884 devoted to millstones. This painting therefore precedes the twenty-five millstones of 1890 -1891 by several years and shows that Monet had already identified the full potential of the motif.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The large millstone creates an almost monumental foreground

Its top extends beyond the center line and its right edge approaches the frame. It appears close without being isolated: the colors of the field rise in the straw and the blue-green shadow of its base connects it to the ground.

02

The poplars form an irregular curtain

Their thin trunks and spaced crowns build a vertical bottom, but the height changes with each tree. Sky gaps prevent this plant border from closing the landscape.

03

The sky and the field share the same energy

The long pale touches of the clouds respond to the yellow and green gestures of the grass. The composition contrasts the round volumes of the millstones with an environment that seems to be traversed by the wind.

Reference image

Read this specific version

The single image exactly represents inventory 006-0207. The official Pola Museum of Art file measures 1,500 × 1,214 px; it remains at its native definition, without artificial enlargement, then is encoded in real WebP.

Composition01

Respect the three distances

The difference in scale between the grinding wheels must remain clear: a large shape on the right, a second on the left and a small one in the center. Their hierarchy constructs the entire depth of W902.

Color02

Preserve the bright greens of the field

The meadow combines yellow, green, ocher and blue. A homogeneous green would eliminate variations in sunlight and the colored continuity between grass and straw.

Matter03

Keep the material free of the grinding wheels

Browns, reds and oranges must remain fragmented. Too smooth contours would transform these piles of straw into closed objects and suppress their vibration on contact with air.

Documented benchmarks

Three pieces of information specific to this work

The Pola Museum of Art documents Meules in Giverny, oil on canvas from 1884, 66.1 × 81.3 cm, inventory 006-0207 and Wildenstein catalog 902.

Timeline01

A milestone before the famous series

Monet had already painted millstones in 1884, 1885 and 1886. W902 belongs to the first known group, six years before he systematically took up the motif according to the times and the seasons.

Location02

The fields around the new house in Giverny

Monet moved to Giverny in 1883. Nearby crops, poplars and millstones immediately became a repertoire of shapes where he could observe changes in light without leaving the surrounding countryside.

Collection03

A work now preserved in Hakone

The painting is numbered 006-0207 at the Pola Museum of Art. The museum confirms its date, technique, format and exhibition in the gallery dedicated to its Western collections.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Wildenstein version 902 and inventory 006-0207
  • The large millstone placed on the right in the foreground
  • The two smaller wheels arranged in depth
  • The row of poplars crossed by the gaps in the sky

Work sheet

Title Grinding wheels in Giverny W902
Artist Claude Monet (1840 -1926)
Date 1884
Original technique Oil on canvas
Dimensions 66.1 × 81.3 cm
Orientation Horizontal
Conservation Pola Museum of Art, Hakone, Japan
Inventory 006-0207 · Wildenstein 902
Your reproduction Handmade oil painting on canvas
Consult the official museum notice - Pola Museum of Art · 006-0207

Presentation in your interior

A palette designed with the room

This horizontal landscape brings plant light to a living room, dining room or office. A cream, sage green or gray blue wall and a light oak frame accompany the yellows of the field without weakening the deep greens of the trees.

Grinding wheels in Giverny W902, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Grinding wheels in Giverny W902 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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