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Oat field W1260 - Claude Monet

Oat field W1260 - Claude Monet

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Oat field W1260 - Claude Monet

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Oat field W1260 - Claude Monet
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Oat field W1260 - Claude Monet

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Claude Monet · Giverny · 1890 · W1260

W1260 oat fieldhand painted reproduction

An oat field dotted with poppies stretches under a wide open sky, while a clump of dark trees closes the composition on the right. This oil on canvas of 66 × 92.7 cm, signed and dated Claude Monet 90, is kept at the Harn Museum of Art under number 1999.6 and corresponds to Wildenstein 1260.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Oat field W1260 - Claude Monet - full view
W1260 oat fieldClaude Monet · 1890
1890Dating
66 × 92.7 cmDimensions of the original
Oil on canvasOriginal technique
1999.6 · Wildenstein 1260Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

An expanse of flowers held by a single large clump of trees

The field occupies more than the lower half and progresses without path or character. Distant trees remain low to the right edge, where much denser foliage enters the frame and balances the vast, luminous opening of the sky.

Poppies are touches of coral and red scattered in greens, blues and pinks. At a distance, the field appears continuous; up close, each color retains its autonomy and produces an almost woven texture.

W1260 transforms the maturity of an oat field into an experience of color: the red of the flowers, the cold greens and the light of the sky vibrate without a closed drawing.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A voluntary asymmetry

The large group of trees is thrown against the right edge. Its dark weight prevents the immense light field from becoming uniform and directs the gaze towards the smaller groves placed in the center of the horizon.

02

A landscape organized by bands

The flowered field, the low line of the trees and the sky form three horizontal zones. Monet connects them with repeats of blue, pink and green so that the planes remain atmospheric rather than geometric.

03

The exact version of the Harn Museum

The format of 66 × 92.7 cm, the 1999.6 inventory and the Wildenstein 1260 reference distinguish this canvas from other fields of oats and poppies painted near Giverny in 1890.

Reference image

Read this specific version

Only one reference image is used. Exact high definition scanning of W1260 is converted to true 3000 × 2148 px WebP, without artificial enlargement.

Composition01

A depth without linear perspective

The reduction of red touches, the cooling of the field and the tightening of the groves are enough to create a retreat. Their progression must remain subtle to maintain the openness of the landscape.

Color02

Complements that make the field sparkle

Reds and corals gain intensity on contact with greens and blues. A reproduction that is too uniformly green would lose the luminous effect sought by Monet.

Matter03

A deliberately unvarnished material

The Harn Museum recalls that the glossy varnish added after Monet was removed in 2005. The matte variations, impasto and texture of the canvas therefore directly contribute to the reading of the work.

Documented benchmarks

Three pieces of information specific to this work

The Harn Museum of Art preserves Oat Field, oil on canvas from 1890, 66 × 92.7 cm, inventory 1999.6 and Wildenstein 1260, gift from Michael A. Singer.

Location01

Les Essarts near Giverny

Oat and poppy fields were in the vicinity of Monet's house. In the late summer of 1890, mature vegetation provided a surface where light and color became the main subject.

Provenance02

Durand-Ruel from October 1890

Paul Durand-Ruel bought the painting directly from Monet in October 1890. In April 1891, it passed through Desmond Fitzgerald for the collection of John Nicholas Brown in the United States.

Conservation03

A precisely documented restoration

The museum stabilized fine cracks, consolidated the edges and cleaned the surface before an international loan. This intervention preserves the differences in texture desired by Monet.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version 1999.6, Wildenstein 1260
  • The large dark foliage that enters through the right edge
  • Coral poppies scattered in blue-green oats
  • The matte material and the small touches visible from the surface

Work sheet

Title W1260 oat field
Artist Claude Monet (1840 -1926)
Date 1890
Original technique Oil on canvas
Dimensions 66 × 92.7 cm
Orientation Horizontal
Conservation Harn Museum of Art, Gainesville, United States
Inventory 1999.6 · Wildenstein 1260
Your reproduction Handmade oil painting on canvas
Consult the official notice - Harn Museum of Art · 1999.6

Presentation in your interior

A palette designed with the room

This large horizontal landscape is suitable for a living room, bedroom or office. An ivory wall, light wood and some sage or coral green textiles extend the palette without weakening the contrast of the tree bed.

W1260 oat field, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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