The motive
Saint Jerome, emaciated and kneeling in a rocky landscape, holds a stone to strike his chest while a lion lies in the foreground.
2 · Exemple de la sélection
La photo principale correspond à la couleur de cadre choisie. Chaque couleur est illustrée par une œuvre d’exemple différente.
Préparation de la sélection…
Ces médias montrent uniquement la réalisation, le support, la texture et les finitions. L’œuvre commandée reste celle affichée dans les blocs bleus.
3 · Mise en situation
Reproduction d’art premium
Choisissez le tirage Fine Art, le canvas imprimé, la peinture à l’huile ou la version numérique.
Trois fichiers JPG haute résolution : le fichier original, une version optimisée pour l’impression et une version optimisée pour les écrans. Jusqu’à 7 680 px sur le côté long, 300 DPI et sans filigrane.
Imprimez l’œuvre chez vous ou auprès de l’imprimeur de votre choix, ou utilisez la version écran sur ordinateur, tablette et téléphone.
Produit numérique uniquement : aucun tableau ni cadre physique n’est expédié.
Après votre commande, les trois fichiers sont contrôlés puis envoyés manuellement par e-mail.
Comprendre les formats
Leonardo da Vinci · around 1480 -1482 · Transition Florence -Milan
A hand-painted oil reproduction that recreates the pattern, depth and light transitions of the composition. Saint Jerome, emaciated and kneeling in a rocky landscape, holds a stone to strike his chest while a lion lies in the foreground.

The subject of the work
Saint Jerome, emaciated and kneeling in a rocky landscape, holds a stone to strike his chest while a lion lies in the foreground.
The saint's anatomical twist carries the main tension. The lion stretches the scene in the foreground and the rocky diagonal opens towards the landscape.
Composition, light & sfumato
Leonardo organizes space through gestures, looks, perspective and gradual passages between shadow and light.

Saint Jerome, emaciated and kneeling in a rocky landscape, holds a stone to strike his chest while a lion lies in the foreground.
The saint's anatomical twist carries the main tension. The lion stretches the scene in the foreground and the rocky diagonal opens towards the landscape.
Very attenuated earths, ochres, browns and blues alternate with areas of preparation that remain visible, testifying to incompleteness.
Landmarks on the work
These landmarks distinguish the autograph work, the participation of the workshop, the known versions and the compositions now lost.
This landmark places the composition in Leonardo's Florentine, Milanese or late journey.
around 1480 -1482Status is formulated with caution when the workshop, a copy or a discussed assignment occurs.
Unfinished religious compositionOil and tempera on panel
Documentary referenceYour reproduction
The painter adapts the level of detail to the format ordered, then submits the finished painting to you before shipping.
| Original composition | Leonardo da Vinci · unfinished work |
|---|---|
| Dating | around 1480 -1482 |
| Period | Transition Florence -Milan |
| Reproduction technique | Handmade oil painting on canvas |
| Original support | Oil and tempera on panel |
| Orientation | Vertical |
| Gender | Unfinished religious composition |
| Location or status of the original | Vatican Pinacoteca, Vatican City |
Presentation tips
This vertical composition naturally finds its place on a narrow wall, above a console or between two openings. Soft, side-side light reveals glacis and transitions without producing frontal reflection.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and variations in material are part of the rendering.
Several originals are painted on a panel or directly on a wall. The reproduction transposes their composition onto a canvas intended to be installed in an interior.
Yes. You receive photographs of the completed painting and can request edits before validating the shipment.
Its vertical orientation is particularly suitable on a narrow wall, above a console or between two openings.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Explore the topics and styles associated with this reproduction.
Compare the finishes
Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose this option if you want to arrange your own framing.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
A slim, traditional frame that keeps attention on the artwork.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose a Box frame for a deeper profile and a more pronounced presence on the wall.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A framed canvas with visible depth. Choose the frame colour and canvas edge in the configurator.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
Not ready to hang: have it stretched or framed locally before displaying it.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A clean, frameless canvas presentation. Choose the canvas edge finish in the configurator.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Your painting is delivered rolled. Arrange stretching or framing locally after receipt.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
Your selected artwork
Preview only. Your three files are prepared after purchase.
Files only · no physical delivery
Receive your selected artwork as three high-resolution JPG files, prepared to suit its orientation. Use them for printing or displaying the artwork on a screen.
Choose digital if you want to organise your own printing or use the artwork on a screen.
Same artist
Continuez avec des œuvres connues du même artiste, sélectionnées pour comparer les sujets, les formats et les ambiances sans mélanger avec les styles génériques.