Saint Jerome - Leonardo da Vinci

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Saint Jerome - Leonardo da Vinci

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Saint Jerome - Leonardo da Vinci

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Saint Jerome - Leonardo da Vinci

Choisissez le tirage Fine Art, le canvas imprimé, la peinture à l’huile ou la version numérique.

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Trois rendus pour une même œuvre

Leonardo da Vinci · around 1480 -1482 · Transition Florence -Milan

Saint Jerome
Leonardo da Vinci

A hand-painted oil reproduction that recreates the pattern, depth and light transitions of the composition. Saint Jerome, emaciated and kneeling in a rocky landscape, holds a stone to strike his chest while a lion lies in the foreground.

Hand paintedOil on canvasPhoto validationPossible alterations
Saint Jerome - Leonardo da Vinci image 1 painting painted in oil on canvas
Saint Jeromearound 1480 -1482 · Unfinished religious composition
around 1480 -1482Dating the original
Leonardo da Vinci · unfinished workAttribution or status
VerticalComposition
Vatican Pinacoteca, Vatican CityLocation or status of the original
Real paintingNo digital printing on the web.
Artisanal creationEach copy is painted individually.
Validation before sendingYou receive photos of the finished painting.
Possible alterationsRequest adjustments before shipping.

The subject of the work

Gestures build the meaning of the scene

Saint Jerome, emaciated and kneeling in a rocky landscape, holds a stone to strike his chest while a lion lies in the foreground.

The saint's anatomical twist carries the main tension. The lion stretches the scene in the foreground and the rocky diagonal opens towards the landscape.

Composition, light & sfumato

A depth built without hard contour

Leonardo organizes space through gestures, looks, perspective and gradual passages between shadow and light.

Composition and light of Saint Jerome
01

The motive

Saint Jerome, emaciated and kneeling in a rocky landscape, holds a stone to strike his chest while a lion lies in the foreground.

02

The construction of the gaze

The saint's anatomical twist carries the main tension. The lion stretches the scene in the foreground and the rocky diagonal opens towards the landscape.

03

The palette and the light

Very attenuated earths, ochres, browns and blues alternate with areas of preparation that remain visible, testifying to incompleteness.

Landmarks on the work

Three keys to looking at it better

These landmarks distinguish the autograph work, the participation of the workshop, the known versions and the compositions now lost.

Context01

Transition Florence -Milan

This landmark places the composition in Leonardo's Florentine, Milanese or late journey.

around 1480 -1482
Attribution02

Leonardo da Vinci · unfinished work

Status is formulated with caution when the workshop, a copy or a discussed assignment occurs.

Unfinished religious composition
Conservation03

Vatican Pinacoteca, Vatican City

Oil and tempera on panel

Documentary reference

Your reproduction

A real painting, made for you

The painter adapts the level of detail to the format ordered, then submits the finished painting to you before shipping.

Features

Original composition Leonardo da Vinci · unfinished work
Dating around 1480 -1482
Period Transition Florence -Milan
Reproduction technique Handmade oil painting on canvas
Original support Oil and tempera on panel
Orientation Vertical
Gender Unfinished religious composition
Location or status of the original Vatican Pinacoteca, Vatican City

From order to shipping

1
PreparationStudy of composition and format.
2
Oil paintingManual production, layer after layer.
3
Photo validationControl of the table and possible retouching.
4
Protected shippingCareful packaging and shipping with tracking.

Presentation tips

Bring Leonardo’s depth to life in your interior

This vertical composition naturally finds its place on a narrow wall, above a console or between two openings. Soft, side-side light reveals glacis and transitions without producing frontal reflection.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and variations in material are part of the rendering.

Why does the medium sometimes differ from the original?

Several originals are painted on a panel or directly on a wall. The reproduction transposes their composition onto a canvas intended to be installed in an interior.

Can I check the result before shipping?

Yes. You receive photographs of the completed painting and can request edits before validating the shipment.

Which location is best?

Its vertical orientation is particularly suitable on a narrow wall, above a console or between two openings.

A composition by Leonardo, painted especially for you

Order your reproduction of Saint Jerome and validate the result in photos before shipping.

Oil on canvas · Hand painted · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Compare the finishes

Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

Same artist

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