The trunk is an assembly of colors
White gray, moss green, yellow and black come together in vertical bands. These variations give the wood a rough material without resorting to a smooth pattern.
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Préparation de la sélection…
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3 · Mise en situation
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Comprendre les formats
Vincent van Gogh · November 1885 · Nuenen, Netherlands
An isolated tadpole willow stands in front of a very low horizon. Its white trunk, its large black sizes and the long shoots that rise out of the frame transform the tree into a monumental portrait.
Look at the work
The trunk starts from the lower edge and divides halfway up into several thick branches. The old cuts form dark knots from which green, yellow and red-brown branches spring.
Behind him, the countryside is reduced to three bands: grass in the foreground, hedge or dark field, then creamy blue sky. This simplicity gives room to the irregular silhouette of the willow.
The Willow F195/JH961 is a 42 × 30 cm oil on canvas painted in Nuenen in November 1885. It belongs to the Van Lanschot Kempen art collection and was registered on loan under number 99.459.
Composition, touch and color
Van Gogh treats the tree like a standing figure. The bottom remains thin and calm, while the trunk is constructed by layers of white, green, brown and black that make every wound and regrowth visible.
White gray, moss green, yellow and black come together in vertical bands. These variations give the wood a rough material without resorting to a smooth pattern.
Each cutting point appears as a black mass around which the branches divide. Their repetition punctuates the rise of the gaze in the tree.
Pale blue and cream pass between the branches. These clear intervals prevent the crown from becoming compact and emphasize the height of the format.
Documented benchmarks
Catalogs F195/JH961 identify this willow from November 1885; its recent history also includes theft followed by recovery.
Regular trunk pruning causes suckers at the same level and creates this characteristic gnarled head. Van Gogh makes it a recurring motif in the Brabant countryside.
The painting belongs to the Van Lanschot Kempen corporate collection, based at 's-Hertogenbosch. A loan is reported under number 99.459.
The work disappeared from the bank's offices in May 1999. It was recovered in March 2006 and returned to its owner after almost seven years.
Your reproduction
The copy must preserve the vertical format, the black knots of the old sizes, the light bands of the trunk, the branches that come out of the frame and the very low horizon behind the tree.
| Title | The Willow, F195 |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | November 1885 |
| Place of creation | Nuenen, Netherlands |
| Original technique | Oil on canvas |
| Dimensions | 42 × 30 cm |
| Inventory | F195 · JH961 · loan 99,459 |
| Conservation | Van Lanschot Kempen Art Collection |
| Your reproduction | Handmade oil painting on canvas |
In your interior
Patinated white, moss green, black brown, faded yellow and light blue give this willow a strong verticality for an entrance, bedroom, office or narrow wall.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The best available reference of 1410 × 1932 px replaces the old image of 490 × 684 px; it was converted into a real WebP without artificial enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
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