A bird's eye view controlled through the window
The viewer dominates the caloges and sees their roofs more than their sides. This height makes the beach readable as a tight space, organized by passages and hulls.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Étretat · 1885 · W1024
Seen from a room at the Hôtel Blanquet, Étretat beach is occupied by several caloges, old boats turned over and covered with tarmac boards, used as shelters. Behind them, four colorful fishing boats wait at the edge of a green sea agitated by the rain. Painted in 1885, this oil on canvas measuring 66 × 82.3 cm is kept at the Art Institute of Chicago under number 1947.95. It corresponds to Wildenstein 1024.

Look at the work
Three large caloges occupy the foreground, their dark roofs forming steep triangles. Their overlap and differences in scale build a very short depth. The clear paths of the beach run between them, up to the wall of a building cut by the right edge.
Beyond, four boats with red, green and yellow hulls are arranged almost parallel to the shore. Their very fine masts cross the strip of sea and reach the sky. The pastel colors of the wet sand, planks and water connect these elements despite the opposition between the heavy masses of the foreground and the hustle and bustle of the open sea.
On November 24, 1885, Monet wrote that he worked in his room on his caloges during the rain: meteorological constraint became the very point of view of composition.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The viewer dominates the caloges and sees their roofs more than their sides. This height makes the beach readable as a tight space, organized by passages and hulls.
Their reduced size facing the shelters shows that the caloges are not simple cabins. The bright colors of their hulls then draw the eye towards the boundary between land and sea.
Purple, pink, gray blue and sea green are found in the sand, roofs and sea. Contrasts exist mainly in hulls, which maintains a humid atmosphere without making the image monotonous.
Reference image
The single image comes from the official Art Institute of Chicago file, whose native scan measures 6,050 × 4,824 px. It is limited to 3,000 × 2,392 px, without enlargement, then encoded as a real WebP.
Large dark triangles regulate the structure of W1024. Their angle and overlap must remain accurate so that the high viewpoint is immediately noticeable.
Red, green and yellow are not added accents: they differentiate boats and organize the shoreline in gray weather.
The beach mixes pinks, grays, lilacs and whites with noticeable areas of canvas. A uniform flat beige would remove rain and traffic around the caloges.
Documented benchmarks
The Art Institute of Chicago documents Boats on the Beach at Étretat, oil on canvas from 1885, 66 × 82.3 cm, inventory 1947.95 and catalog Wildenstein 1024.
The notice directly links the painting to the letter of November 24, 1885 addressed to Alice Hoschedé. Monet describes his work on the caloges from his room during the rain.
The two canvases share the palette, subject and view from the window. One shows shelters and stranded boats; the other captures the activity of departures on the shore.
The work, signed "Claude Monet" at the bottom right, bears the number 1947.95. It is exhibited in gallery 240 of the Art Institute of Chicago.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Boats on the beach in Étretat W1024 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1885 |
| Original technique | Oil on canvas |
| Dimensions | 66 × 82.3 cm |
| Orientation | Horizontal |
| Conservation | Art Institute of Chicago, Chicago, United States |
| Inventory | 1947.95 · Wildenstein 1024 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This maritime scene is suitable for a living room, office or library. A pearl gray, sea green or mineral pink wall and a dark wooden frame highlight the colorful hulls and rain atmosphere.
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