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Water Lilies, Gunma Museum W1794 - Claude Monet

Water Lilies, Gunma Museum W1794 - Claude Monet

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Water Lilies, Gunma Museum W1794 - Claude Monet

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Water Lilies, Gunma Museum W1794 - Claude Monet
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Water Lilies, Gunma Museum W1794 - Claude Monet

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Claude Monet · 1914 -1917 · Gunma 2383 · W1794

Water Lilies, Gunma Museum W1794hand painted reproduction

Large blue-green leaves float in the lower half, while the top opens with pink and blue highlights. In this vertical canvas from 1914 -1917 kept at the Gunma Museum, the surface of the pool completely fills the field. The water no longer separates the patterns: it brings together leaves, flowers, sky and reflected vegetation.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water lilies, Gunma Museum W1794 - Claude Monet - full view
Water Lilies, Gunma Museum W1794Claude Monet · 1914 -1917
1914 - 1917Dating
131.5 × 95.5 cmDimensions of the original
Oil on canvasOriginal technique
2383 · Wildenstein 1794Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The large leaves rise from below in blue, green and pink water where all depth remains mobile

The water lilies in the foreground are wide, irregular and sometimes cut by the lower edge. Their green varies from turquoise to olive, with purple covers. A few pink and white flowers bring points of light without forming an alignment.

Higher up, the shapes disperse and the reflection becomes dominant. Blue and green vertical gestures cross a gray pink background, then break on contact with the leaves. The composition thus alternates dense areas and colored breathing.

The pool is no longer a mirror placed under the landscape: it becomes the entire landscape, crossed by several depths at the same time.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A surface without shore or direct sky

The museum emphasizes that, in Water Lilies after 1905, water can fill the entire composition. Here, no external reference points set the distance; only the leaves allow space to be measured.

02

Large shapes anchored at the bottom

Nearby leaves are wider and more contrasting. Their scale sets up the foreground, while smaller patterns and light reflections move the top back.

03

Mixed colors without losing their direction

Blue and green often follow vertical gestures; pink circulates in the intervals. Preserving these orientations avoids a uniform decorative surface.

Reference image

Read this specific version

The single reference documentary image measures 864 × 1,200 px. It was converted into a real WebP without artificial enlargement; no false details were created for the zoom.

Composition01

An open vertical composition

The 131.5 × 95.5 cm format raises the gaze from nearby leaves to a lighter area. The gaps between the patterns are essential for this progression.

Color02

Blue, green and pink in balance

No color should dominate alone. Cool tones give depth, while pink warms the water and distinguishes flowers from reflections.

Matter03

Impasto concentrated on the patterns

Leaves and flowers require more material than water passages. This difference gives relief without transforming each shape into a thick outline.

Documented benchmarks

Three pieces of information specific to this work

This information concerns the Water Lilies of the Museum of Modern Art, Gunma, resource 2383 and Wildenstein 1794.

Identification01

Gunma 2383, Wildenstein 1794

The museum dates this oil on canvas from 1914 -1917 and gives dimensions of 131.5 × 95.5 cm. The catalog raisonné records it under number 1794.

Collection02

The Museum of Modern Art, Gunma

The work belongs to the Gunma Prefectural Museum in Takasaki. Its collection base identifies it with resource 2383 and documents its original technique, oil on canvas.

Atelier03

Workshop stamp lower right

The national Art Platform Japan sheet indicates a workshop stamp in the lower right corner, consistent with the posthumous provenance of several large late paintings.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of Gunma, resource 2383 and Wildenstein 1794
  • The vertical ratio of 131.5 × 95.5 cm
  • The large leaves at the bottom preserved distinct from vertical reflections
  • The balance between blue, green, pink and purple without excessive saturation

Work sheet

Title Water Lilies, Gunma Museum W1794
Artist Claude Monet (1840 -1926)
Date 1914 - 1917
Original technique Oil on canvas
Dimensions 131.5 × 95.5 cm
Orientation Vertical
Conservation The Museum of Modern Art, Gunma, Takasaki, Japan
Inventory 2383 · Wildenstein 1794
Your reproduction Handmade oil painting on canvas
Consult the official notice - The Museum of Modern Art, Gunma

Presentation in your interior

A palette designed with the room

Water blue, turquoise green, olive, mist pink and soft purple give this vertical reproduction a fresh atmosphere. It goes well with a contemporary interior, light oak or ecru walls.

Water Lilies, Gunma Museum W1794, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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