A diving framing without horizon
Monet places the viewer above the edge of the pool. The ground, shore and water overlap; this ambiguity must be preserved rather than clarified by invented contours.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · 1914 -1917 · private collection · W1819
Orange-red daylilies appear at the edge of the pool, surrounded by long acid green leaves. Behind them, the water mixes blue, purple, green and brown without revealing a clear edge. In this large square canvas from 1914 -1917, Monet brings the gaze so close to his garden that the vegetation and the reflection become the same field of color.

Look at the work
Three groups of plants structure the canvas: a dark tuft at the bottom left, a wider mass in the center and another on the right. Their long, curved leaves rise towards the water, then merge with the blue and green gestures of the reflection.
The flowers are few in number but very intense. Vermilion red, orange and some yellow accents detach them from the surrounding purple blue. Their irregular distribution prevents the composition from becoming decorative and guides the eye throughout the square format.
The bank and the water no longer oppose each other: the same gestures pass from the leaves to the reflections, while the orange keeps the flowers on the surface.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
Monet places the viewer above the edge of the pool. The ground, shore and water overlap; this ambiguity must be preserved rather than clarified by invented contours.
Hot daylilies vibrate on contact with blues and purples. A few accents are enough: too much red would weaken the plant balance of the canvas.
The long leaves are not described one by one. They are born from rapid curves, sometimes repeated in yellow or blue, which give each tuft its movement.
Reference image
The single reference image measures 1413 × 1413 px. It has been converted to true WebP at its native resolution, without artificial enlargement.
The plant tufts frame an area of calmer water in the middle. This breathing prevents the two square meters of canvas from becoming uniformly dense.
The palette is bold but remains linked by intermediate olive, turquoise and mauve tones. Transitions matter as much as sharp contrasts.
The keys cross and leave their directions visible. Oil reproduction must preserve these differences in thickness without smoothing the surface.
Documented benchmarks
These landmarks concern Daylilies at the water's edge, private collection, Wildenstein 1819.
The catalog raisonné dates this oil on canvas from 1914 -1917 and gives it the number 1819. Its square format measures 200 × 200 cm.
Orange flowers are daylilies, perennial plants grown at the edge of the Monet basin. They appear here with their long arched leaves.
Through its scale, its framing without horizon and its ample touch, the canvas belongs to the monumental research that Monet carried out from 1914 around his water garden.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Waterfront daylilies W1819 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1914 - 1917 |
| Original technique | Oil on canvas |
| Dimensions | 200 × 200 cm |
| Orientation | Square |
| Conservation | Private collection, Work documented by the catalog raisonné |
| Inventory | Wildenstein 1819 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Bright green, purple blue, turquoise, orange and olive give this square reproduction an energetic presence. It is suitable for a clear wall in a living room or entrance, with dark wood or natural materials.
Custom order
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Your reproduction is hand-painted entirely in oil.
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