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Les Tuileries W401 par Claude Monet, 1876, musée Marmottan Monet

The Tuileries W401 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Paris seen from the fifth floor by Victor Chocquet · Musée Marmottan Monet

The Tuileries W401hand painted reproduction

From an apartment on rue de Rivoli, the gaze plunges into the paths, ponds and groves of the Tuileries gardens. The Marsan pavilion stands on the left, cut by the edge of the painting, while the town extends into a thin clear frieze under the sky. Monet transforms the regular design of the French park into a mosaic of ochres, greens, blues and pinks.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Tuileries W401 - Claude Monet - full view
The Tuileries W401Claude Monet · 1876
1876Dating
54 × 73 cmDimensions of the original
Oil on canvasOriginal technique
4016 · Wildenstein 401Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A bird's eye view where the paths order the crowds and the foliage

The Marsan pavilion occupies the left edge like a large stony vertical crossed by blue shadows. At its feet, walks and statues are reduced to light touches. The very high horizon line reserves the majority of the canvas for the garden.

Ponds, flowerbeds and paths form successive curves and axes. The tiny figures punctuate the paths, while the trees are built in green, yellow and red-brown masses. In the distance, the roofs and monuments of Paris vibrate in a bluish mist.

The regularity of the garden provides the framework; the touches of color give each tree, statue and walker its moment of light.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

An exceptionally high point of view

Diving allows you to simultaneously see the routes of the park and the city. The characters lose their individuality and become accents that measure the scale of the paths.

02

The pavilion as an architectural edge

The facade is not centered: it enters from the left and acts as a vertical upright. Its mass balances the horizontal extent of the park without closing the perspective.

03

A palette from the mid-1870s

Blonde ochres, varied greens, blues and pinks are juxtaposed in short touches. The museum compares this range to that used by Monet in his scenes in Argenteuil at the same time.

Reference image

Read this specific version

The reference corresponds to the 4016 inventory of the Marmottan Monet museum, Wildenstein 401 version. The exact file available measures 1,120 × 825 px; it was converted to WebP at its original definition, without artificial enlargement.

Composition01

The horizon remains very high

This proportion is essential for the bird's eye view. Lowering the city would reduce the importance of the design of paths and groves.

Color02

The sculptures are clear accents

Their succession orders the walks, but they must not be overdefined in relation to the characters and foliage.

Matter03

Trees combine several seasons of color

Dark greens, yellow greens, reds and pinks coexist. This diversity prevents the beds from forming a single uniform layer.

Documented benchmarks

Three pieces of information specific to this work

Dated 1876, this oil on canvas measuring 54 × 73 cm is kept at the Marmottan Monet museum under inventory 4016 and classified Wildenstein 401.

Viewpoint01

198, rue de Rivoli

Victor Chocquet makes his fifth floor apartment available to Monet. This height gives the painter an unusual bird's eye view of the Tuileries and the roofs of Paris.

Together02

Four views of the same garden

The stay inspires four paintings. The Marmottan Museum describes its version as the most accomplished, particularly for the balance between the pavilion, the skyline and the order of the park.

Collection03

The Donop de Monchy donation

Eugène and Victorine Donop de Monchy gave the painting in 1940. The work, signed lower right, today bears the 4016 inventory.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Keep diving and horizon line very high.
  • Hold the flag cut by the left edge.
  • Distinguish between ponds, paths, sculptures and lawns.
  • Paint the figures like little colored touches.

Work sheet

Title The Tuileries W401
Artist Claude Monet (1840 -1926)
Date 1876
Original technique Oil on canvas
Dimensions 54 × 73 cm
Orientation Horizontal
Conservation Marmottan Monet Museum, Paris, France
Inventory 4016 · Wildenstein 401
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Marmottan Monet Museum - 4016

Presentation in your interior

A palette designed with the room

This view of Paris brings depth and movement to a living room, dining room or office. A matte gold, light oak or gray blue frame accompanies the stone of the pavilion and the diversity of foliage.

The Tuileries W401, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
The Tuileries W401 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

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1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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