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The Ravines of the Creuse - Claude Monet

The Ravines of the Creuse - Claude Monet

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The Ravines of the Creuse - Claude Monet

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The Ravines of the Creuse - Claude Monet
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The Ravines of the Creuse - Claude Monet

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Claude Monet · Fresselines · 1889 · W1220

The Ravines of Creuse W1220hand painted reproduction

Two rocky slopes plunge towards the Creuse, reduced to a blue ribbon at the bottom of the ravine, while a clear path crosses the opposite slope. Painted in Fresselines in 1889, this oil on canvas measuring 65.5 × 81.5 cm is kept in the museum Beaux-Arts de Reims under number 907.19.192 and corresponds to Wildenstein 1220.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Les Ravins de la Creuse W1220 - Claude Monet - full view
The Ravines of Creuse W1220Claude Monet · 1889
1889Dating
65.5 × 81.5 cmDimensions of the original
Oil on canvasOriginal technique
907.19.192 · Wildenstein 1220Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The gaze descends into the ravine before going back towards the ridge

The nearby slope occupies the left in a dark mass; the one opposite stretches diagonally towards the center. The river appears only in the meantime. A winding path and a few trees on the ridge structure this steep depth.

Red brown, green, purple and blue intersect without fixed contours. The keys change direction along the slopes: vertical in the walls, oblique on the embankments and more horizontal in the water.

In W1220, Monet does not describe every rock: he makes the slope felt by the orientation and density of the colored touches.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A perspective without a big horizon

The view plunges into a deep valley. The sky is reduced so that the topography, the river and the succession of slopes become the real subject.

02

The path as a scale marker

The clear line that winds down the opposite slope reveals the distance and inclination of the terrain. Without it, colors could almost be read as an abstract surface.

03

Reds in the heart of the green landscape

Red and purple soils appear between the vegetation. They give the ravine its structure and warm a still fresh light.

Reference image

Read this specific version

Only one exact image of W1220 is used. The real WebP measures 2,200 × 1,745 px and allows the construction of slopes to be observed without artificial enlargement.

Composition01

Maintain the depth of the river

The blue of the watercourse must remain tight and dark. Widening it would modify the shape of the ravine and artificially bring the bottom closer together.

Color02

Respect the key directions

The brush gestures follow the accidents of the relief. Standardizing them would remove the impression of walls, embankments and vegetation.

Matter03

Maintain the discontinuous path

The clear line is interrupted by colorful passages. A too clear route would seem added to the landscape instead of being integrated into it.

Documented benchmarks

Three pieces of information specific to this work

The Reims Museum of Fine Arts documents Les Ravins de la Creuse, oil on canvas painted in Fresselines in 1889, 65.5 × 81.5 cm, signed Claude Monet. 89 bottom left.

Campaign01

Monet in Fresselines in 1889

The painter settled for several weeks in the Creuse and simultaneously led several landscapes in order to follow rapid variations in light and weather.

Provenance02

From artist to legacy Henry Vasnier

The work passed to Durand-Ruel in 1890, then to Louis Guyotin and to the collection of Henry Vasnier in 1891. It entered the museum with its legacy of 1907.

Exposure03

A work from the Monet-Rodin presentation

The museum notice links the painting to the Monet-Rodin exhibition of 1889, an important moment when Monet's recent landscapes meet Rodin's sculpture.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1220 version
  • The clear path on the opposite side
  • The blue ribbon of the Creuse
  • The reds and greens that build the ravines

Work sheet

Title The Ravines of Creuse W1220
Artist Claude Monet (1840 -1926)
Date 1889
Original technique Oil on canvas
Dimensions 65.5 × 81.5 cm
Orientation Horizontal
Conservation Reims Museum of Fine Arts, Reims, France
Inventory 907.19.192 · Wildenstein 1220
Your reproduction Handmade oil painting on canvas
Consult the official notice - Reims Museums · 907.19.192

Presentation in your interior

A palette designed with the room

This deep landscape is suitable for a living room, library or office. A greige, moss green or bluish gray wall and walnut take on its mineral tones.

Les Ravins de la Creuse W1220, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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