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Vignes sous la neige, vue vers le moulin d’Orgemont W254 par Claude Monet, 1873, Virginia Museum of Fine Arts
  • Vignes sous la neige, vue vers le moulin d’Orgemont W254 par Claude Monet, 1873, Virginia Museum of Fine Arts
  • Vignes sous la neige, vue vers le moulin d’Orgemont W254 par Claude Monet, 1873, Virginia Museum of Fine Arts
Vines under the snow, Orgemont mill W254 - Claude Monet

Vines under the snow, Orgemont mill W254 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet Countryside Landscapes French painting – French artists Impressionist Impressionist Landscapes Impressionist snow and winter Japonism The Snow by Claude Monet Virginia Museum of Fine Arts

Artwork description

Reproduction details

Claude Monet · The Argenteuil wine hillside under the frost · Virginia Museum of Fine Arts

Vines under the snow, Orgemont mill W254hand painted reproduction

Rows of vines run along a hillside covered in light snow, up to the Orgemont mill which dominates the ridge. The gray sky, the red earth and the remains of vegetation mingle in a very restrained range. Monet does not seek an immaculate winter: he paints the agricultural soil, its furrows and its humidity at the moment when the white fragments.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Vines under the snow, Orgemont mill W254 - Claude Monet - full view
Vines under the snow, Orgemont mill W254Claude Monet · 1873
1873Dating
58.4 × 81.3 cmDimensions of the original
Oil on canvasOriginal technique
60.51 · Wildenstein 254Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The rows of vines raise your gaze to the mill almost absorbed by the sky

The foreground is crisscrossed with brown, gray and white lines which correspond to the vines, stakes and strips of land. They do not all converge towards the same point: their changes of direction follow the undulations of the hillside and give the terrain an irregular structure.

At the top, a few bare trees and the mill form a tiny silhouette. The whitewashed hill barely stands out from the gray-blue sky, as if the humidity united the air and the ground. Green and red touches at the bottom of the canvas remind us that the vine remains visible under the snow.

The winter landscape is less about whiteness than about the meeting of snow, earth and vines: each touch indicates a material that is changing.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Cultivation lines to build depth

The rows of vines start from the lower edge and narrow as they climb. Their irregular rhythm replaces a drawn perspective and makes you feel the slope traveled to the ridge.

02

A cold palette crossed by warm lands

Bluish grays and whites dominate, but browns, ochres and some greens appear everywhere. These colors prevent snow from evenly covering the terrain.

03

Mill reduced to a sign on the horizon

Its wings and body are indicated with very little material. This small silhouette, however, is enough to give a name to the place and measure the extent of the hillside.

Reference image

Read this specific version

The visual corresponds to Vines under the snow, seen towards the Orgemont mill of 1873, preserved at the Virginia Museum of Fine Arts under inventory 60.51 and cataloged Wildenstein 254. The file is a real WebP of 1,200 × 873 px.

Composition01

The rows of vines must remain irregular

Their spacing, inclination and intensity change with the relief. Aligning them mechanically would cause the slope and truth of the agricultural land to be lost.

Color02

The snow reveals the earth

White combines with pink, brown, gray and green. Uniform coverage would remove the thawing state and the network of vines.

Matter03

The sky and the ridge separate delicately

The profile of the hill is clear against a slightly bluer sky. The contrast should remain low to keep the atmosphere moist and quiet.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1873, this oil on canvas measures 58.4 × 81.3 cm. It is kept at the Virginia Museum of Fine Arts under inventory 60.51 and listed as Wildenstein 254.

Territory01

An Argenteuil vineyard before complete urbanization

The museum recalls that Argenteuil was then an agricultural commune in transformation, quickly connected to Paris by train. The vines belong to its local history, even if the industry and new visitors reach the banks of the Seine.

Season02

Fresh snow on vines still visible

Monet superimposes quick touches and cool gray tones to suggest snow, but retains the brown lines of the vineyard. The pattern therefore associates the winter countryside with precise observation of tillage.

Provenance03

A work by Durand-Ruel and Theo van Gogh

The VMFA notice follows the picture from Monet and Durand-Ruel, then indicates its purchase in 1888 for Boussod, Valadon & Cie, where Theo van Gogh worked. He entered the museum in 1960.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain the irregular network of vine rows.
  • Let the earth and plants pass through the snow.
  • Keep the mill small but identifiable on the ridge.
  • Keep the sky cold and low contrast.

Work sheet

Title Vines under the snow, Orgemont mill W254
Artist Claude Monet (1840 -1926)
Date 1873
Original technique Oil on canvas
Dimensions 58.4 × 81.3 cm
Orientation Horizontal
Conservation Virginia Museum of Fine Arts, Richmond, Virginia, United States
Inventory 60.51 · Wildenstein 254
Your reproduction Handmade oil painting on canvas
See the reference leaflet - Virginia Museum of Fine Arts - Vineyards in the Snow, 60.51

Presentation in your interior

A palette designed with the room

This winter landscape is suitable for a quiet living room, bedroom or office. A light oak, stone gray or soft brown frame accompanies the furrows; an off-white, mist blue or taupe wall reveals shades of snow.

Vines under the snow, Orgemont mill W254, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Vines under the snow, Orgemont mill W254 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

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A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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