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Rouen Cathedral, setting sun W1323 - Claude Monet

Rouen Cathedral, setting sun W1323 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses
Rouen Cathedral, setting sun W1323 - Claude Monet

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Rouen Cathedral, setting sun W1323 - Claude Monet
Dimensions et finition sélectionnées Simulation d’échelle · décor indicatif

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Rouen Cathedral, setting sun W1323 - Claude Monet

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Claude Monet · 1892 -1894 · Cardiff NMW A 2482 · W1323

Rouen Cathedral, setting sun W1323hand painted reproduction

At sunset, the Rouen portal is covered in pink, blue gray and pale ocher. The sculptures barely emerge from thick material, while the portals sink into shadow. Preserved in Cardiff under the inventory NMW A 2482, this canvas corresponds to Wildenstein 1323.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Rouen Cathedral, setting sun W1323 - Claude Monet - full view
Rouen Cathedral, setting sun W1323Claude Monet · 1892 -1894
1892 - 1894Dating
100 × 65 cmDimensions of the original
Oil on canvasOriginal technique
NMW A 2482 · Wildenstein 1323Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A symphony of gray and pink at sunset

The frontal framing brings the facade closer together until the towers are cut. The rose, the galleries and the portals remain the main landmarks, but their precision varies depending on the light: the upper parts dissolve, the lower openings gain density.

Monet mixes powder roses with bluish grays, then places a few orange touches on the reliefs. The facade seems both massive and unstable. This tension is at the heart of the series: an ancient architecture becomes the recording of a luminous moment.

In W1323, the sunset does not only color the cathedral: it redistributes its volumes between pink, blue and shadow.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The NMW A 2482 version from Cardiff

Museum Wales keeps this oil on canvas measuring 100 × 65 cm under the inventory NMW A 2482. Wildenstein number 1323 and its particular harmony allow it to be distinguished from other portals.

02

One of twenty Cathedrals exhibited in 1895

The museum specifies that this painting belongs to the group presented in Paris at Durand-Ruel. The exhibition shows how Monet transforms the repetition of a motif into a systematic study of light.

03

Entry into the Davies collection

Gwendoline Davies purchased the work in Paris in December 1917. She bequeathed it with her collection to the museum in 1952, making this version a major milestone in the Welsh Impressionist collections.

Reference image

Read this specific version

Only one image is used: the exact view of W1323 made available by Museum Wales, preserved as a real WebP of 1920 × 2911 px, without artificial enlargement.

Composition01

A tight facade in the frame

The upper and side boundaries cut through the architecture. This proximity accentuates the monumentality and forces the eye to explore the material rather than contemplating an entire building.

Color02

Ash pink, blue gray and ocher

The palette must retain its intermediate shades. Pink is neither bright nor decorative: it arises from proximity to cold grays and small areas of warmer light.

Matter03

Impasto, friction and recovery

The reliefs receive a fragmented paste, while some shadows are more melted. These differences move the stone forward or backward without closed contours.

Documented benchmarks

Three pieces of information specific to this work

Museum Wales documents this 100 × 65 cm canvas under the inventory NMW A 2482; the catalog raisonné gives it the Wildenstein number 1323.

Identification01

Setting sun, Wildenstein 1323

This version is dated 1892 -1894. Its subtitle highlights a symphony of gray and pink specific to the observed effect.

Collection02

Museum Wales, NMW A 2482

The painting entered the collection of Gwendoline Davies in 1917, then the Welsh national collections through her bequest of 1952.

Presentation03

An unusual historical setting

The museum notice indicates the elaborate setting that accompanies the work. This historical presentation recalls the decorative and institutional fortune acquired very early by the series.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of Cardiff, NMW A 2482 and Wildenstein 1323
  • The original vertical format of 100 × 65 cm
  • The delicate relationship between ash pink, blue gray and light ocher
  • The fragmented material which shapes the reliefs without rigid design

Work sheet

Title Rouen Cathedral, setting sun W1323
Artist Claude Monet (1840 -1926)
Date 1892 - 1894
Original technique Oil on canvas
Dimensions 100 × 65 cm
Orientation Vertical
Conservation Amgueddfa Cymru - Museum Wales, Cardiff, United Kingdom
Inventory NMW A 2482 · Wildenstein 1323
Your reproduction Handmade oil painting on canvas
Consult the official notice - Amgueddfa Cymru - Museum Wales

Presentation in your interior

A palette designed with the room

This mineral and powder palette brings gentle warmth to a room without darkening it. It goes well with walnut, light stone, matte brass and gray pink or slate blue textiles.

Rouen Cathedral, setting sun W1323, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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