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Grosse mer à Pourville W1444 par Claude Monet, National Museum of Western Art

Big seas in Pourville W1444 - Claude Monet

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Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

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Artwork description

Reproduction details

Claude Monet · Pourville · 1897 · W1444

Big sea in Pourville W1444hand painted reproduction

An emerald green sea occupies almost the entire frame, lifted by rows of waves that break into loops of white foam. Above a very high horizon, pink, yellow and blue clouds cross a turquoise sky. Signed and dated Claude Monet 97 lower left, this oil on canvas measuring 73.5 × 101 cm is kept at the National Museum of Western Art in Tokyo under number P.1959-0149 and corresponds to Wildenstein 1444.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Big sea in Pourville W1444 - Claude Monet - full view
Big sea in Pourville W1444Claude Monet · 1897
1897Dating
73.5 × 101 cmDimensions of the original
Oil on canvasOriginal technique
P.1959-0149 · Wildenstein 1444Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The Pourville swell painted as a continuous rhythm

No coast, boat or figure interrupts the view. Parallel swell lines progress from the horizon to the foreground, where the waves become larger and more transparent. The sky only occupies an upper band.

Greens, turquoise, blue and white dominate the sea. The ridges are traced by curved and rapid gestures, sometimes almost calligraphic. In the sky, pink and yellow warm the palette without calming the agitation.

The subject is neither a specific place nor a maritime anecdote: it is the repetition of waves, each crest transforming the light and the material of the painting.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A painted view from a fisherman's cabin

The museum notice places the execution in a shelter near the beach. This fixed position allows Monet to work facing a sea which fills the entire field.

02

A key that changes with distance

The marks are thin around the horizon then become thicker and agitated in the foreground, where the waves peak and break.

03

A freedom announcing late works

The museum points out that this network of brushstrokes moves away from classical impressionist writing and foreshadows the freedom of Monet's final decades.

Reference image

Read this specific version

A single exact image of W1444 is used throughout the sheet and as the sole media for the product. The real WebP measures 2,200 × 1,468 px and retains the native definition available without artificial enlargement.

Composition01

Retain total shoreline absence

The sea must remain the exclusive subject. Adding or suggesting a beach would reduce the immersion specific to W1444.

Color02

Preserve the foam loops in the foreground

These clear gestures must follow the curvature of the waves without becoming a uniform decorative pattern.

Matter03

Keep the clouds pink and yellow

Their warmth balances the greens of the sea and places a changing light above the swell.

Documented benchmarks

Three pieces of information specific to this work

The National Museum of Western Art documents Heavy Sea at Pourville, oil on canvas from 1897, 73.5 × 101 cm, inventory P.1959-0149 and Wildenstein catalog 1444.

Collection01

A work from the Matsukata collection

The painting was probably purchased from Monet by Kôjiro Matsukata around December 1921. She joined the Japanese museum in 1959 after its transfer by the French government.

Signature02

Claude Monet 97 lower left

The date visible on the canvas confirms the campaign of 1897, when Monet returned to the Normandy coast and took up the motif of the sea in Pourville.

Technique03

A painting punctuated by the swell

Layers remain light in quiet areas and thicken on ridges. This material variation gives each row of waves a different speed.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1444 version
  • Very high horizon without any shore
  • Foam loops in the foreground
  • Pink and yellow clouds in the turquoise sky

Work sheet

Title Big sea in Pourville W1444
Artist Claude Monet (1840 -1926)
Date 1897
Original technique Oil on canvas
Dimensions 73.5 × 101 cm
Orientation Horizontal
Conservation National Museum of Western Art, Tokyo, Japan
Inventory P.1959-0149 · Wildenstein 1444
Your reproduction Handmade oil painting on canvas
Consult the official notice - National Museum of Western Art · P.1959-0149

Presentation in your interior

A palette designed with the room

This panoramic navy is suitable for a living room, office or dining room. A sea green, deep blue or warm white wall and a light frame extend its luminous palette.

Big sea in Pourville W1444, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Big seas in Pourville W1444 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

How does your order work?

A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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