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La Seine près de son estuaire, Honfleur W115 par Claude Monet, vers 1868, RISD Museum

The Seine near its estuary, Honfleur W115 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

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Artwork description

Reproduction details

Claude Monet · A calm road on the edge of the estuary · RISD Museum

The Seine near its estuary, Honfleur W115hand painted reproduction

A dirt road follows the bank of the Seine between a farm, a few trees and gray water. In the distance, a barge goes up the river and two tiny figures advance on the path. Above this almost motionless landscape, a vast sky of blue, white and gray clouds becomes the main event of the scene.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Seine near its estuary, Honfleur W115 - Claude Monet - full view
The Seine near its estuary, Honfleur W115Claude Monet · Around 1868
Around 1868Dating
48.1 × 73.7 cmDimensions of the original
Oil on canvasOriginal technique
57.236 · Wildenstein 115Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The road, the river and the clouds respond in long bands

The path starts from the lower left corner and curves towards the center. The farm and a yellow tree mark the first third; further on, two small silhouettes and a few buildings give the scale of the bank.

The Seine remains smooth, only interrupted by a dark barge. The sky occupies more than half of the picture. Its stacked clouds alternate cold gray, cream white and blue openings.

The calm of the river is barely disturbed by the barge; the movement belongs mainly to the clouds which cross the estuary.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A road as an entry line

Its green and brown ruts lead towards distant figures. The curve naturally connects the foreground to the water's edge.

02

A balance between land and river

The bank occupies the left half and the water the right half. The barge, placed near the center, articulates these two zones without closing them.

03

A sky painted in broad touches

Clouds are constructed by superimposed masses rather than contours. Blue openings prevent the whole thing from appearing heavy.

Reference image

Read this specific version

The unique reference corresponds to inventory 57.236 of the RISD Museum, Wildenstein version 115. The exact file of 1024 × 669 px has been preserved without enlargement and encoded in WebP.

Composition01

Both figures are simple accents

Their small size is essential to depth. They must remain less detailed than the tree and the farm.

Color02

The barge does not dominate the river

Its dark, low shape is enough to signal activity on the water without transforming the view into a port scene.

Matter03

The sky varies from gray to bright blue

Transitions remain fragmented and flexible, with warm whites at the edge of the clouds.

Documented benchmarks

Three pieces of information specific to this work

Painted around 1868, this oil on canvas measuring 48.1 × 73.7 cm is kept at the RISD Museum under inventory 57,236 and classified Wildenstein 115.

Location01

The Norman estuary near Honfleur

The Seine joins the English Channel in a zone of changing light that Monet explored in the 1860s. The river, roads and farms rub shoulders with maritime activity.

Observation02

A deliberately not very lively scene

The RISD Museum notice emphasizes the tranquility of the landscape, disturbed only by a barge and two distant figures.

Provenance03

The George Pierce Metcalf legacy

Mr and Mrs George P. Metcalf purchased the work in 1945. It entered the museum in 1957 with the bequest of George Pierce Metcalf.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Respect the curve of the path from the foreground.
  • Keep the barge and figures small scale.
  • Give more than half the height to the sky.
  • Vary clouds without rigid contours.

Work sheet

Title The Seine near its estuary, Honfleur W115
Artist Claude Monet (1840 -1926)
Date Around 1868
Original technique Oil on canvas
Dimensions 48.1 × 73.7 cm
Orientation Horizontal
Conservation RISD Museum, Providence, Rhode Island, United States
Inventory 57.236 · Wildenstein 115
Your reproduction Handmade oil painting on canvas
Consult the reference notice - RISD Museum - 57.236

Presentation in your interior

A palette designed with the room

This calm landscape is suitable for a living room, office or bedroom. A stone gray, light oak or slate blue frame accompanies the sky and the natural tones of the road.

The Seine near its estuary, Honfleur W115, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
The Seine near its estuary, Honfleur W115 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

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A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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