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La Seine à Port-Villez, effet rose de Claude Monet, 1894 – Kreeger Museum 1965.6, Wildenstein 1371

The Seine in Port-Villez, pink effect W1371 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · 1894 · Kreeger 1965.6 · W1371

The Seine in Port-Villez, pink effect W1371hand painted reproduction

A large bouquet of trees occupies the left bank and is reflected in the Seine. Beyond, the hill of Port-Villez-Jeufosse unfolds in a pink, gray and blue light. The river appears almost still, but the horizontal touches and fragmented reflections prevent the surface from freezing.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Seine in Port-Villez, pink effect W1371 - Claude Monet - full view
The Seine in Port-Villez, pink effect W1371Claude Monet · 1894
1894Dating
65.4 × 100.3 cmDimensions of the original
Oil on canvasOriginal technique
1965.6 · Wildenstein 1371Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A view taken upstream, where pink light envelops the hill and spreads over the Seine

The Kreeger Museum precisely identifies the direction of gaze: upstream, with the hill of Port-Villez-Jeufosse in the background. The group of trees on the left forms a very close vertical mass, while the opposite bank is reduced to a long low strip.

Pink is not just for the sky. It crosses the hill, the bank and the water, mixed with dark greens, mauves and grays. This repetition unites the planes, but the darker reflection of the trees maintains a clear depth in the foreground.

W1371 does not only represent a pink sky: the color becomes a continuous atmosphere that connects the hill, the banks and the river.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A view from a boat

Jean-Pierre Hoschedé, Monet's son-in-law, reports that this work was painted from a boat. This low position explains the importance of the water surface and the close framing of the clump of trees.

02

A nearby bank opposite a distant hill

The trees on the left are dense, almost tactile, while the hill dissolves in the light. The copy must maintain this contrast of sharpness without hardening the distant bank.

03

Pink as light, not as flat

Grays, blues and yellows constantly modulate the pink passages. Fidelity depends on these variations: a uniform shade would remove mist and depth from the landscape.

Reference image

Read this specific version

The single reference image measures 1,320 × 859 px. It remains at its native definition in real WebP, without artificial enlargement.

Composition01

A large, off-center dark mass

The bouquet of trees anchors the left and leaves the rest of the panorama open. Its reflection descends almost vertically, but fragments upon contact with the horizontal touches of the river.

Color02

Pink gray, mauve, deep green and blue

The palette alternates warm, very soft and cold muffled tones. The dark green of the trees serves as a measure and by contrast reveals the pink light of the distance.

Matter03

A water surface made of interrupted strips

The horizontal keys overlap, then change length near the reflection. This organization must remain flexible to avoid scratched or too regular water.

Documented benchmarks

Three pieces of information specific to this work

These data relate exactly to the Kreeger Museum painting, accession 1965.6 and Wildenstein catalog 1371.

Identification01

Kreeger 1965.6, W1371

This oil on canvas from 1894 measures 25 3/4 × 39 1/2 inches, or approximately 65.4 × 100.3 cm. It is signed and dated 94 at the bottom left.

Acquisition02

Entered the Kreeger collection in 1965

David and Carmen Kreeger acquired the painting in 1965. It now bears the number 1965.6 and is noted as on display in the permanent collection.

Topography03

The hill of Port-Villez-Jeufosse

The museum notice locates the view upstream and recognizes the hill of Port-Villez-Jeufosse in the background, a precise landmark which distinguishes this version from the other views in the series.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Kreeger Museum version 1965.6 and Wildenstein 1371
  • The original panoramic format of approximately 65.4 × 100.3 cm
  • Pink light modulated by grays and blues
  • The bouquet of trees and its reflection kept deep without uniform black

Work sheet

Title The Seine in Port-Villez, pink effect W1371
Artist Claude Monet (1840 -1926)
Date 1894
Original technique Oil on canvas
Dimensions 65.4 × 100.3 cm
Orientation Horizontal
Conservation The Kreeger Museum, Washington, United States
Inventory 1965.6 · Wildenstein 1371
Your reproduction Handmade oil painting on canvas
Consult the official notice - The Kreeger Museum

Presentation in your interior

A palette designed with the room

Gray pink, mauve, forest green, mist blue and ivory make up a soft but structured reproduction. Its panoramic format fits naturally into a living room, office or bedroom with sober materials and mineral colors.

The Seine in Port-Villez, pink effect W1371, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
The Seine in Port-Villez, pink effect W1371 - Claude Monet
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70 cm
390 cm

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1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

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