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Self-portrait, F356 - Vincent van Gogh

Self-portrait, F356 - Vincent van Gogh

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Self-portrait, F356 - Vincent van Gogh

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Self-portrait, F356 - Vincent van Gogh
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Self-portrait, F356 - Vincent van Gogh

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Vincent van Gogh · March -June 1887 · Paris

Self-portrait, F356Reproduction of oil painting on canvas

Van Gogh turns his head slightly and stares at the viewer with a very direct green gaze. His red beard, his jacket made of red, green and blue touches, as well as a swarm of blue marks around the skull give the small portrait concentrated energy.

Hand paintedOil on canvasA verified WebP imagePhoto validation
Self-portrait, F356 - Vincent van Gogh with an intense look in front of a background of blue touches
Self-portrait, F356Vincent van Gogh · March -June 1887 · Van Gogh Museum, Amsterdam
March -June 1887Dating
41 × 33 cmDimensions of the original
Oil on cardboardOriginal technique
Van Gogh Museum, AmsterdamConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

The gaze remains fixed while the keys circulate around the face

The head emerges from a background now beige and blue. The eyes are almost at the same height and the closed mouth accentuates the serious expression; the dark bust serves as the basis for this much lighter face.

Short blue touches become denser behind the hair and ear, like an irregular halo. On the jacket, they become longer and mingle with green, red and brown in a mosaic of directions.

This Self-Portrait F356/JH1248 is an oil on cardboard measuring 41 × 33 cm painted in Paris between March and June 1887. It is kept at the Van Gogh Museum under number s0065V1962.

Composition, touch and color

Three observations specific to this painting

Van Gogh uses the neo-impressionist touch here without applying it mechanically. Short marks alternate with longer lines, adapted to beard hair, the folds of the garment and the movement of the bottom.

01

The blue halo detaches the head without drawing a continuous outline

The keys thicken around the skull then space out towards the edges. This change in density is enough to move the face forward in space.

02

The beard combines complementary orange, red and green

The long strokes follow the growth of the hairs under the chin and along the cheek. A few unmixed greens make the red even brighter.

03

Jacket becomes mosaic rather than uniform fabric

Dark blue, green, red brown and small yellow touches are juxtaposed on the collar and shoulders. The material of the garment thus responds to that of the face.

Documented benchmarks

Precisely identify the original work

The references F356/JH1248, the cardboard support and the inventory s0065V1962 make it possible to identify this precise version among the numerous Parisian self-portraits.

Practical

The self-portrait serves as a portrait exercise

The Van Gogh Museum recalls that he painted around thirty-five self-portraits, the majority of which in Paris. His own face allowed him to work regularly without hiring a model.

Intention

He does not seek a strictly realistic copy of his features

The museum emphasizes the expressive use of the neo-impressionist style. Colors and directions of the brush count as much as physical resemblance.

Alteration

The background was initially purple

This purple was the result of a mixture of red and blue. The red pigment has almost completely discolored and made transparent, now allowing blue marks to dominate on a light basis.

Consult the official notice of the Van Gogh Museum →

Your reproduction

What the painter must preserve

The copy must respect the green look, the pale skin tones, the red beard with long features, the blue touches of the halo, the white collar and the red-green mosaic of the jacket.

  • Green eyes aligned under light eyebrows
  • The long orange touches of the beard
  • The halo of blue marks around the head
  • The very thin white collar under the chin
  • The jacket composed of blue, green and red

Work sheet

Title Self-portrait, F356
Artist Vincent van Gogh (1853 -1890)
Date March -June 1887
Place of creation Paris
Original technique Oil on cardboard
Dimensions 41 × 33 cm
Inventory F356· JH1248· s0065V1962
Conservation Van Gogh Museum, Amsterdam
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

An intimate self-portrait where the touch almost entirely replaces the modeling

Pinkish beige, cobalt blue, red orange, deep green and red brown give an intense presence to an office, a library or a small wall dedicated to portraits.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

The official image of the Van Gogh Museum was prepared as a real WebP of 2,412 × 3,000 px.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

Self-portrait, F356, painted for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
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Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
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Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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Voir tous les tableaux de Vincent van Gogh
Voir tous les tableaux de Vincent van Gogh