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The W244 tea set - Claude Monet

The W244 tea set - Claude Monet

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The W244 tea set - Claude Monet

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The W244 tea set - Claude Monet
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The W244 tea set - Claude Monet

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Claude Monet · Still life of 1872 · Dallas Museum of Art

The W244 tea sethand painted reproduction

Two cups, a small teapot and a pot of sage are placed on a white tablecloth around a red lacquered top. Monet transforms this domestic scene into a study of materials: blue porcelain, velvety leaves, shiny metal, pleated linen and colorful reflections.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The W244 Tea Set - Claude Monet - full view
The W244 tea setClaude Monet · 1872
1872Dating
53.3 × 72.7 cmDimensions of the original
Oil on canvasOriginal technique
2019.67.12.McD · Wildenstein 244Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

An absent meal, told by its objects

The red tray occupies the right part and carries two full cups, their saucers and a stocky teapot. The blue patterns of porcelain are suggested by quick touches, precise enough to punctuate each piece without transforming the painting into a decorative inventory.

On the left, a sage overflows from a blue and white planter. Its large cold leaves respond to dishes, while the brown and gray background stabilizes the entire composition. An isolated spoon on the tablecloth leads the eye towards the tray and introduces a discreet metallic shine.

Still life is based on a conversation of surfaces: the smooth red of the tray, the pleated white of the tablecloth and the shiny porcelain respond to each other without ever becoming rigid.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The tray as the chromatic center

Its vermilion red creates a large trapezoid which brings together the dishes and enlivens a palette dominated by whites, grays and browns. The dark reflections placed on its surface give it a lacquered depth.

02

Whites always colorful

Tablecloth, cups, saucers and teapot do not share the same white. Monet shades them of blue, lilac, cream and gray in order to separate materials and retain light.

03

The plant as a living mass

The sage leaves form an irregular volume that balances the geometry of the tray. Their soft edges and muted greens prevent the whole thing from appearing too orderly.

Reference image

Read this specific version

The reference from the Dallas Museum of Art photograph has been cropped onto the canvas. Its definition allows you to follow the porcelain patterns, the reflections of the red tray and the weft of the folds of the tablecloth.

Composition01

A carefully balanced asymmetry

The plant occupies the left, the tray extends to the right and the small teapot forms the hinge between the two sets.

Color02

A different material for each object

Soft touches in the sheets, sharper highlights on the porcelain, horizontal slippages in the background and oblique brush strokes in the laundry.

Matter03

Red as the main accent

The plateau is the only large warm and saturated area; it catches the eye without erasing the delicate bruises of the service.

Documented benchmarks

Three pieces of information specific to this work

The Dallas Museum of Art notice and catalog raisonné identify this still life from 1872, now preserved under number 2019.67.12.McD.

Subject01

A blue and white porcelain service

Monet combines two cups, a teapot, a decorated pot and a spoon with a red tray, favoring color and texture ratios.

Period02

The year of installation in Argenteuil

Painted in 1872, the work belongs to the moment when Monet resumed his work in France for a long time and renewed both the landscape and still life.

Collection03

Dallas Museum of Art

The oil on canvas measures 53.3 × 72.7 cm and bears the references 2019.67.12.McD and Wildenstein 244.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Differentiate the whites of the tablecloth, teapot, cups and saucers by varying temperatures.
  • Maintain the exact shape of the red tray and its dark reflections without flattening its surface.
  • Suggest blue porcelain designs with vivid precision, without mechanical contours.
  • Return the volume of the sage leaves with greens, blues and cream highlights.

Work sheet

Title The W244 tea set
Artist Claude Monet (1840 -1926)
Date 1872
Original technique Oil on canvas
Dimensions 53.3 × 72.7 cm
Orientation Horizontal
Conservation Dallas Museum of Art, Dallas, Texas, United States
Inventory 2019.67.12.McD · Wildenstein 244
Your reproduction Handmade oil painting on canvas
Consult the official notice - Dallas Museum of Art

Presentation in your interior

A palette designed with the room

This still life combines a deep red with bluish whites and sage greens. It brings a refined presence to a dining room, an elegant kitchen or a living room; a discreet walnut, matte black or gold frame goes particularly well with its palette.

The W244 tea set, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet Dallas Museum of Art Dining Room Paintings

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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