The tray as the chromatic center
Its vermilion red creates a large trapezoid which brings together the dishes and enlivens a palette dominated by whites, grays and browns. The dark reflections placed on its surface give it a lacquered depth.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Still life of 1872 · Dallas Museum of Art
Two cups, a small teapot and a pot of sage are placed on a white tablecloth around a red lacquered top. Monet transforms this domestic scene into a study of materials: blue porcelain, velvety leaves, shiny metal, pleated linen and colorful reflections.

Look at the work
The red tray occupies the right part and carries two full cups, their saucers and a stocky teapot. The blue patterns of porcelain are suggested by quick touches, precise enough to punctuate each piece without transforming the painting into a decorative inventory.
On the left, a sage overflows from a blue and white planter. Its large cold leaves respond to dishes, while the brown and gray background stabilizes the entire composition. An isolated spoon on the tablecloth leads the eye towards the tray and introduces a discreet metallic shine.
Still life is based on a conversation of surfaces: the smooth red of the tray, the pleated white of the tablecloth and the shiny porcelain respond to each other without ever becoming rigid.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
Its vermilion red creates a large trapezoid which brings together the dishes and enlivens a palette dominated by whites, grays and browns. The dark reflections placed on its surface give it a lacquered depth.
Tablecloth, cups, saucers and teapot do not share the same white. Monet shades them of blue, lilac, cream and gray in order to separate materials and retain light.
The sage leaves form an irregular volume that balances the geometry of the tray. Their soft edges and muted greens prevent the whole thing from appearing too orderly.
Reference image
The reference from the Dallas Museum of Art photograph has been cropped onto the canvas. Its definition allows you to follow the porcelain patterns, the reflections of the red tray and the weft of the folds of the tablecloth.
The plant occupies the left, the tray extends to the right and the small teapot forms the hinge between the two sets.
Soft touches in the sheets, sharper highlights on the porcelain, horizontal slippages in the background and oblique brush strokes in the laundry.
The plateau is the only large warm and saturated area; it catches the eye without erasing the delicate bruises of the service.
Documented benchmarks
The Dallas Museum of Art notice and catalog raisonné identify this still life from 1872, now preserved under number 2019.67.12.McD.
Monet combines two cups, a teapot, a decorated pot and a spoon with a red tray, favoring color and texture ratios.
Painted in 1872, the work belongs to the moment when Monet resumed his work in France for a long time and renewed both the landscape and still life.
The oil on canvas measures 53.3 × 72.7 cm and bears the references 2019.67.12.McD and Wildenstein 244.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The W244 tea set |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1872 |
| Original technique | Oil on canvas |
| Dimensions | 53.3 × 72.7 cm |
| Orientation | Horizontal |
| Conservation | Dallas Museum of Art, Dallas, Texas, United States |
| Inventory | 2019.67.12.McD · Wildenstein 244 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This still life combines a deep red with bluish whites and sage greens. It brings a refined presence to a dining room, an elegant kitchen or a living room; a discreet walnut, matte black or gold frame goes particularly well with its palette.
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