A depth constructed in strips
First plant plan, sea and mountains follow one another almost in parallel. This simple organization highlights the differences in color and distance.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Antibes · 1888 · W1175
From Cape Antibes, the Mediterranean forms an intense blue band in front of the pink and snow-covered Alpes-Maritimes, while a rounded tree enlivens the foreground. Painted in 1888, this 65.4 × 80.6 cm oil on canvas is kept at the Hill-Stead Museum and corresponds to Wildenstein 1175.

Look at the work
Red, green and orange bushes occupy the bottom of the painting. The sea constitutes a very clear horizontal band, above which the mountains extend like a distant frieze.
The hot-cold contrast structures the entire view: pink and orange in the ground and peaks, deep blue in the water, green and purple in the central tree. The clear sky unifies these areas.
Monet brings together in the same look Mediterranean vegetation and alpine snow, two seasonal sensations which seem contradictory but belong to the panorama of Antibes.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
First plant plan, sea and mountains follow one another almost in parallel. This simple organization highlights the differences in color and distance.
Its round crown cuts the maritime strip and visually connects the land to the Alps. Without it, the landscape would become too strictly horizontal.
Monet produced several dozen views during his stay. He is looking for a palette bright enough to reflect a Mediterranean that he considers more intense than the light of the North.
Reference image
Only one exact image of W1175 is used. The real WebP measures 800 × 651 px, the best reliable public definition identified for this version, without artificial enlargement.
It must remain denser than the sky and the mountains. This dark band is the main interval between near and far.
Snow is not white: it receives heat from the sun and comes off with small pink and purple touches.
The crown must remain vibrant and irregular, without becoming a compact ball. Its colors reflect those of the foreground.
Documented benchmarks
The Hill-Stead Museum documents View of Cape Antibes, oil on canvas from 1888, 65.4 × 80.6 cm, preserved in Farmington and listed as Wildenstein 1175.
Alfred Atmore Pope was one of the first American collectors of Impressionism; his home today preserves this ensemble in its historical context.
The panorama combines the Cape Coast, the Mediterranean and the snow-covered range, visible on a clear day behind the bay.
Its rounded tree in the center, its blue sea and its long pink chain allow it to be distinguished from other views taken in Antibes in 1888.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | View of Cap d'Antibes W1175 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1888 |
| Original technique | Oil on canvas |
| Dimensions | 65.4 × 80.6 cm |
| Orientation | Horizontal |
| Conservation | Hill-Stead Museum, Farmington, Connecticut, United States |
| Inventory | Wildenstein 1175 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This Mediterranean landscape is suitable for a living room, dining room or office. A light blue wall, pale terracotta or pinkish beige and a dark setting extend its contrasts.
Custom order
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Your reproduction is hand-painted entirely in oil.
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You receive your canvas rolled, protected, and shipped with tracking.
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