Oil reproduction - Waterloo Bridge W1555 from Monet

Name: Waterloo Bridge, Santa Barbara W1555 - Claude Monet
Brand: Alpha Reproduction
SKU: WATERLOO_BRIDGE_75x50
Price: 299.0 EUR
Availability: InStock

Waterloo Bridge de Claude Monet, 1900 – Santa Barbara Museum of Art, Wildenstein 1555

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Waterloo Bridge, Santa Barbara W1555 - Claude Monet

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Claude Monet · 1900 · Santa Barbara Museum of Art · W1555

Waterloo Bridge, Santa Barbara W1555hand painted reproduction

Waterloo Bridge passes through a lilac gray mist above a Thames covered in yellow and pink reflections. The bridge is not drawn by a dark outline: its arches appear thanks to small differences between the blue of the water, the purple of the stone and the golden light.

Oil on canvasHand paintedPhoto before shipmentPossible alterations

Waterloo Bridge, Santa Barbara W1555 - Claude Monet - full view — **Waterloo Bridge, Santa Barbara W1555**Claude Monet · 1900

1900Dating

65.4 × 92.7 cmDimensions of the original

Oil on canvasOriginal technique

1968.20.7 · Wildenstein 1555Inventory

A real paintingThe canvas is painted, never printed.

Created for youEach copy is made to order.

Controlled in photoYou see the finished painting before it leaves.

Touch-ups includedAdjustments are made before shipping.

Look at the work

The bridge is revealed in the mist by its arches and their vertical reflections

The deck occupies a narrow strip slightly below the center. On the left, white smoke rises from the bank and reaches the sky. The buildings are reduced to purple verticals; their lack of detail reinforces the atmospheric distance.

In the lower part, the yellow, pink and green touches lengthen horizontally. Two small dark boats serve as points of scale. Under each arch, more vertical reflections descend into the river and prevent the luminous surface from becoming uniform.

Monet retained the structure of Waterloo Bridge while removing almost any line: the bridge held together by a rhythm of cold values placed between powdery skies and golden water.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Waterloo Bridge, Santa Barbara W1555 - Claude Monet

An industrial silhouette reduced to the essentials

The distant shore is a succession of blue-purple masses and chimneys. Specifying them too much would destroy the impression of distance created by the fog.

Arches built without black

The bridge openings remain cold and slightly darker than the deck. Their edges must remain flexible to belong to the same atmosphere as the sky.

Water warmer than the sky

The yellows and roses in the foreground capture the light. The small green and brown boats give scale, but their contrast should never dominate the surface of the river.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The fog-absorbed industrial shoreline - detail of Waterloo Bridge, Santa Barbara W1555 - Claude Monet — **The industrial shore absorbed by the fog**The left detail shows the white smoke, the purple buildings and the interrupted apron. The shapes are present but remain subordinate to the lilac gray envelope.

The arches and light on the Thames - detail of Waterloo Bridge, Santa Barbara W1555 - Claude Monet — **The arches and the light on the Thames**Under the bridge, the piers and their vertical reflections meet horizontal touches of yellow and pink. A small dark sail measures the width of the river.

The full view measures 1200 × 850 px and the two native cropping 680 × 600 px. No files have been enlarged; all three images correspond to the exact Wildenstein 1555 version and are real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Santa Barbara 1968.20.7, Wildenstein 1555

This oil on canvas from 1900 measures 65.4 × 92.7 cm. The Santa Barbara Museum of Art preserves it under number 1968.20.7; it corresponds to number 1555 of the catalog raisonné.

Entrance to the museum02

Legacy of Katharine Dexter McCormick

The work entered the museum through the bequest of Katharine Dexter McCormick, in memory of her husband Stanley McCormick. This provenance precisely distinguishes the Santa Barbara version.

London series03

The pattern observed from the Savoy

Monet took over Waterloo Bridge during his stays in London around 1899 -1901, then completed several paintings in Giverny. Each version isolates a particular state of fog, smoke and light on the Thames.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

The exact version Santa Barbara 1968.20.7, W1555
The original format of 65.4 × 92.7 cm
Readable arches without black outline
The contrast between lilac gray sky and pinkish yellow water

Work sheet

Title	Waterloo Bridge, Santa Barbara W1555
Artist	Claude Monet (1840 -1926)
Date	1900
Original technique	Oil on canvas
Dimensions	65.4 × 92.7 cm
Orientation	Horizontal
Conservation	Santa Barbara Museum of Art, Santa Barbara, United States
Inventory	1968.20.7 · Wildenstein 1555
Your reproduction	Handmade oil painting on canvas

Consult the official notice - Santa Barbara Museum of Art

Presentation in your interior

A palette designed with the room

Pearl gray, lilac, smoky blue and golden yellow make up a soft, urban palette. This horizontal reproduction is suitable above a sofa, sideboard or desk, on an ivory, blue gray or pale mauve wall.

01 Le plus fidèle aux détails

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation: Sans cadre, cadre classique ou cadre Box
Fabrication indicative: 1 à 4 jours ouvrés

02 Le plus décoratif

Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré — Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation: Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative: 2 à 5 jours ouvrés*

03 Le plus artisanal

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation: Toile roulée, sans châssis ni cadre
Réalisation indicative: Environ 14 jours
Acheminement: FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Impressionist

À propos de l’œuvre

Le pont de Waterloo, par Claude Monet