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Snow in Amsterdam W301 - Claude Monet

Snow in Amsterdam W301 - Claude Monet

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Snow in Amsterdam W301 - Claude Monet

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Snow in Amsterdam W301 - Claude Monet
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Snow in Amsterdam W301 - Claude Monet

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Claude Monet · Snowy canal and silhouettes on the ice · Rosengart Collection

Snow in Amsterdam W301hand painted reproduction

Amsterdam appears under the snow, seen from a bank where dark barges line up. On the light surface of the canal, small silhouettes move between the boats and the opposite bank. The central bell tower, the masts and a high chimney dissolve in a pinkish beige sky: the entire city seems held in the cold, but each touch retains movement.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Snow in Amsterdam W301 - Claude Monet - full view
Snow in Amsterdam W301Claude Monet · 1874
1874Dating
56 × 73 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 301Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The snow erases the distances while the barges anchor the scene

The foreground follows the canal bank diagonally. Three covered boats form large brown and black masses, surrounded by bluish snow. A few tiny figures, painted with dark accents, give scale and lead the gaze towards the frozen surface.

Beyond the canal, the buildings are reduced to purple-gray verticals. A sharp bell tower dominates the center and a chimney rises to the right; their contours are deliberately absorbed by the atmosphere. Pink, ocher and blue passages prevent the snowy sky from becoming monochrome.

Snow does not remove color: it forces Monet to look for blues, pinks, greens and browns in what initially appears white.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A diagonal of barges in the foreground

The successive boats narrow to the left and give the canal immediate depth. Their dark weight balances the very fine silhouettes of the city and prevents the whole thing from dissolving in the snow.

02

Figures reduced to a few accents

Passers-by on the ice or the bank are not detailed. Their inclination, spacing and direction of their shadows are sufficient to suggest the walk, animation and extent of the canal.

03

An atmosphere obtained by bringing together values

Sky, snow, water and facades use similar values. Depth arises from small temperature variations: cold blues near the ground, purple grays in the city and warm roses in the clouds.

Reference image

Read this specific version

The visual corresponds to Snow in Amsterdam from the Rosengart Collection, Wildenstein number 301. The reference image measures 1024 × 772 px and is preserved at its native definition in a real WebP file.

Composition01

Black people are colorful

The barges combine brown, midnight blue, dark green and cream reflections. Treating them uniform black would remove the volumes and the relationship with the surrounding snow.

Color02

The bell tower remains enveloped in air

Its tip is visible but its edges mingle with the grays of the sky. A line that is too clear would artificially bring it closer and break the effect of winter mist.

Matter03

Snow has several planes

The bank, ice and roofs do not receive the same whites. The bluish shadows, green passages and warm touches help separate the surfaces.

Documented benchmarks

Three pieces of information specific to this work

Made in 1874, this oil on canvas measures 56 × 73 cm. It is kept at the Rosengart Collection museum in Lucerne and bears the number Wildenstein 301.

Series01

Amsterdam observed under several weather conditions

During his stay in 1874, Monet painted the port, the Geldersekade, mills, bridges and canals. This canvas is distinguished by snow and ice, which reduce contrasts and visually bring the city closer to the sky.

Look02

A precise moment rather than a descriptive view

The Rosengart Collection presents the work as a summary of the impressionist concern: to transmit the sensation of a particular moment. Figures, barges and overcast weather are captured as passing phenomena.

Museum03

A collection dedicated to Impressionism and modern art

The Rosengart Foundation brings together around three hundred works of impressionism and classical modernism. Snow in Amsterdam accompanies another painting by Monet, Church of Vernon, fog.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Preserve the diagonal of the barges and their visual weight.
  • Differentiate snow, ice, sky and roofs by temperature.
  • Maintain figures on a very small scale.
  • Gradually disappearing architecture into the atmosphere.

Work sheet

Title Snow in Amsterdam W301
Artist Claude Monet (1840 -1926)
Date 1874
Original technique Oil on canvas
Dimensions 56 × 73 cm
Orientation Horizontal
Conservation Rosengart Collection Museum, Lucerne, Switzerland
Inventory Wildenstein 301
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Rosengart Collection - Claude Monet, Snow in Amsterdam

Presentation in your interior

A palette designed with the room

This winter scene is suitable for a quiet bedroom, office or living room. A midnight blue, smoked wood or matte silver frame responds to barges; an off-white, light taupe or gray blue wall brings out the colorful snow.

Snow in Amsterdam W301, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Présentation
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Fabrication indicative
1 à 4 jours ouvrés
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Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
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Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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