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Under the poplars, sun effect W1135 - Claude Monet

Under the poplars, sun effect W1135 - Claude Monet

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Under the poplars, sun effect W1135 - Claude Monet

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Under the poplars, sun effect W1135 - Claude Monet
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Under the poplars, sun effect W1135 - Claude Monet

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Claude Monet · plaine des Essarts · 1887 · W1135

Under the poplars, sun effect W1135hand painted reproduction

A woman walks with an umbrella in the middle of a field punctuated with poppies, accompanied by a child placed slightly behind. On the right, a row of poplars rises into a pale sky and envelops the scene in vibrant light. Painted in 1887, this oil on canvas measuring 74.3 × 93 cm is kept at the Staatsgalerie Stuttgart under the number GVL 16 and corresponds to Wildenstein 1135.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Under the poplars, sun effect W1135 - Claude Monet - full view
Under the poplars, sun effect W1135Claude Monet · 1887
1887Dating
74.3 × 93 cmDimensions of the original
Oil on canvasOriginal technique
GVL 16 · Wildenstein 1135Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Two walkers cross a field of poppies under the poplars

The main figure is placed near the lower edge, in the center, while the child appears smaller on his left. Both silhouettes are absorbed by grasses and flowers. On the right, the trees form a rising mass which contrasts with the large opening of the sky on the left.

The reds of the poppies cross the yellow and green field in discontinuous accents. Blue, purple and green build the foliage; pink, cream and light gray soften the sky. The thousands of distinct touches come together at a distance in an atmosphere of full sun.

The walk is not told as an event: the characters become elements of the landscape, caught in the same luminous vibration as the grasses, flowers and trees.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A composition balanced by emptiness and fullness

The large clear sky opens to the left, while the group of poplars concentrates the colors to the right. The figures placed at the bottom connect these two areas.

02

Characters integrated into the vegetation

The dress, umbrella and child are indicated by colored touches rather than precise contours. Their presence remains readable while participating in the rhythm of the field.

03

A light produced by juxtaposition

The Staatsgalerie highlights the role of thousands of pure color traits. Their interaction forms the composition and gives the impression of a landscape entirely crossed by the sun.

Reference image

Read this specific version

Only one exact image of W1135 is used throughout the file. The real WebP measures 2024 × 1654 px, the best reliable public definition identified for this version of the Staatsgalerie, preserved without artificial enlargement.

Composition01

Keep the woman in the lower center

Its silhouette and parasol give a human measure to the field. It must remain partially mixed with the poppies, without becoming a detailed portrait.

Color02

Preserve the big pale sky on the left

This lightly loaded space makes the composition breathe and increases the height effect of the poplars grouped on the right.

Matter03

Keep poppies as scattered accents

The reds do not form a continuous carpet. Their irregular distribution animates the foreground and gradually leads towards walkers.

Documented benchmarks

Three pieces of information specific to this work

The Staatsgalerie Stuttgart documents Felder im Frühling, known in French as Under the Poplars, Sun Effect, Oil on Canvas from 1887, 74.3 × 93 cm, inventory GVL 16 and Wildenstein 1135.

Location01

The Essarts plain, between the Epte and the Seine

Monet discovered this motif in the vicinity of Giverny. The poplars, fields and light of the plain nourish several compositions from 1887.

Subject02

A woman with an umbrella accompanied by a child

The figures remain deliberately summary and integrated into the meadow. They enliven the landscape without interrupting the study of light and color.

Collection03

Loan from the Friends of the Staatsgalerie since 1906

The work is numbered GVL 16. The Staatsgalerie presents it under the German title Felder im Frühling, or Fields in Spring.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1135 version
  • The woman with the parasol in the center
  • The child slightly behind
  • Poppies and poplars bathed in sunlight

Work sheet

Title Under the poplars, sun effect W1135
Artist Claude Monet (1840 -1926)
Date 1887
Original technique Oil on canvas
Dimensions 74.3 × 93 cm
Orientation Horizontal
Conservation Staatsgalerie Stuttgart, Stuttgart, Germany
Inventory GVL 16 · Wildenstein 1135
Your reproduction Handmade oil painting on canvas
Consult the official notice - Staatsgalerie Stuttgart · GVL 16

Presentation in your interior

A palette designed with the room

This spring landscape is suitable for a living room, bedroom or dining room. A cream, soft green or pale blue wall and a natural setting extend its soft light.

Under the poplars, sun effect W1135, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
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Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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Claude Monet French painting – French artists Impressionist

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
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