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Spring in Giverny W1243 - Claude Monet

Spring in Giverny W1243 - Claude Monet

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Spring in Giverny W1243 - Claude Monet

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Spring in Giverny W1243 - Claude Monet
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Spring in Giverny W1243 - Claude Monet

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Claude Monet · Giverny · 1890 · W1243

Spring in Giverny W1243hand painted reproduction

In Giverny, a clear meadow extends in front of a curtain of trees where the first leaves mix soft green, yellow and pink. A white house barely appears between the trunks, while a vast pale blue sky envelops the landscape. Signed and dated Claude Monet 90, this oil on canvas measuring 64.8 × 81 cm is kept at the Clark Art Institute under number 1955.616 and corresponds to Wildenstein 1243.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Spring in Giverny W1243 - Claude Monet - full view
Spring in Giverny W1243Claude Monet · 1890
1890Dating
64.8 × 81 cmDimensions of the original
Oil on canvasOriginal technique
1955.616 · Wildenstein 1243Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A spring without a central motif, built like a surface of color

The meadow forms a wide horizontal band in the lower third. Above, thin trees follow one another almost parallel to the plane of the canvas. The depth exists, but no path or watercourse leads to a vanishing point.

Pink and orange branches mingle with young greens in front of a milky blue sky. The white touches of the ground suggest flowers or bursts of light. The transitions are so close that the landscape seems to vibrate from one edge to the other.

Instead of leading the eye towards a monument or a distant horizon, Monet invites it to travel laterally across the meadow, trees and sky as a single living surface.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A deliberately unaccented depth

The meadow strip and tree line encourage horizontal reading. The almost hidden house refuses to become a traditional focal point.

02

The season expressed by emerging colors

Yellow, pink and orange greens settle on the still light branches. Spring appears as a transitional state rather than fully formed foliage.

03

Varied gestures depending on the area

The meadow receives short, tight touches, the trunks vertical marks and the sky more supple sweeps. These rhythms unify the composition.

Reference image

Read this specific version

The Clark Art Institute's only reference image, 7,779 × 6,193 px, has been converted into a true 3,000 × 2,388 px WebP for detailed zoom.

Composition01

Keep the house barely visible

Its white walls must remain fragmentary behind the trees and not become too clear an architectural center.

Color02

Preserve the clear strip of the meadow

The white and green touches should keep their variety and horizontality, without transforming into a regular pattern.

Matter03

Keep the roses and yolks in the branches

These light colors carry the budding sensation and distinguish W1243 from a summer landscape.

Documented benchmarks

Three pieces of information specific to this work

The Clark Art Institute documents Spring in Giverny, oil on canvas from 1890, 64.8 × 81 cm, signed Claude Monet 90, inventory 1955.616 and catalog Wildenstein 1243.

Giverny01

The landscape around Monet's house

Established in the village since 1883, Monet explored the meadows, trees and nearby houses in 1890 before developing his major series.

Composition02

An alternative to the traditional perspective

Clark's scientific catalog highlights the transverse movement created by the meadow and tree line, instead of a deep flight toward a central pattern.

Collection03

Purchased in Durand-Ruel by Sterling Clark

Durand-Ruel kept the work from 1890 to 1933. Robert Sterling Clark acquired it in June 1933 before entering the museum in 1955.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1243 version
  • The horizontal meadow of Giverny
  • The house hidden behind the trees
  • Pink, yellow and green foliage

Work sheet

Title Spring in Giverny W1243
Artist Claude Monet (1840 -1926)
Date 1890
Original technique Oil on canvas
Dimensions 64.8 × 81 cm
Orientation Horizontal
Conservation Clark Art Institute, Williamstown, United States
Inventory 1955.616 · Wildenstein 1243
Your reproduction Handmade oil painting on canvas
Consult the official notice - Clark Art Institute · 1955.616

Presentation in your interior

A palette designed with the room

This spring landscape is suitable for a living room, bedroom or office. A mist blue, soft green or ivory wall and a light frame accompany its light.

Spring in Giverny W1243, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Clark Art Institute Claude Monet French painting – French artists

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Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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