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Belle-Île-en-Mer W1110 - Claude Monet

Belle-Île-en-Mer W1110 - Claude Monet

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Belle-Île-en-Mer W1110 - Claude Monet

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Belle-Île-en-Mer W1110 - Claude Monet
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Belle-Île-en-Mer W1110 - Claude Monet

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Claude Monet · Belle-Île · 1886 · W1110

Belle-Île-en-Mer W1110hand painted reproduction

A chain of black and red rocks cuts through a cold sea in front of the high cliffs of Belle-Île. The heavy sky, the foam and the long blue-green touches give the landscape severe power. Signed and dated Claude Monet 86, this oil on canvas measuring 60.5 × 81.7 cm is kept at the Rodin museum under number P.07329 and corresponds to Wildenstein 1110.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Belle-Île-en-Mer W1110 - Claude Monet - full view
Belle-Île-en-Mer W1110Claude Monet · 1886
1886Dating
60.5 × 81.7 cmDimensions of the original
Oil on canvasOriginal technique
P.07329 · Wildenstein 1110Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The reefs lead the eye to the heart of the wild coast

The first rock starts from the bottom of the canvas then extends through several points to the cliffs. This dark diagonal divides the sea and creates a succession of planes, from the nearby foam to the distant capes.

Blue, green and white are applied in short strokes to the water. The reefs mix red-brown, purple and black. In the sky, bluish grays and very pale pinks diffuse changing light rather than uniform lighting.

Monet does not describe a tourist panorama: he transforms the coast into a clash of directions, between the horizontal sea, the oblique rocks and the massive cliffs.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A diagonal of rocks as a framework

The reefs start from the foreground and almost reach the coast. They serve as a visual path in the middle of a sea without boats or figures.

02

The sea painted as an active surface

Horizontal touches change length and color around rocks. Foam whites signal areas where water meets stone.

03

A light retained by the overcast weather

Values remain close in the sky and cliffs, while water greens and rock reds bring the main contrasts.

Reference image

Read this specific version

Only one official image of W1110 is used in the listing and as the sole Shopify media. The real WebP measures 1,632 × 1,200 px and comes from the Rodin Museum collections portal.

Composition01

Preserve the foreground reef chain

It must remain readable in several masses, without merging into a single dark band.

Color02

Preserve the foam whites

Their irregular rhythm reveals the movement of the sea around the rocks.

Matter03

Keep the dark cliff to the right

Its mass closes the bay and balances the large body of water on the left.

Documented benchmarks

Three pieces of information specific to this work

The Rodin Museum documents Belle-Île-en-Mer, oil on canvas from 1886, 60.5 × 81.7 cm, inventory P.07329, signed and dated, and listed Wildenstein 1110.

Campaign01

One of thirty-nine canvases painted on Belle-Île

Monet stayed on the Breton coast in 1886 and directly faced the variations of wind, sea and light of the wild coast.

Exchange02

A work offered to Auguste Rodin in 1888

After the exhibition of the series at Georges Petit in 1887, Monet gave this painting to Rodin as part of an exchange between the two artists.

Collection03

A painting that remains in Rodin's universe

Formerly kept at the Villa des Brillants in Meudon, the work today belongs to the Rodin museum under number P.07329.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1110 version
  • The diagonal of the reefs
  • The cliffs of Belle-Île
  • Foam under overcast skies

Work sheet

Title Belle-Île-en-Mer W1110
Artist Claude Monet (1840 -1926)
Date 1886
Original technique Oil on canvas
Dimensions 60.5 × 81.7 cm
Orientation Horizontal
Conservation Rodin Museum, Paris, France
Inventory P.07329 · Wildenstein 1110
Your reproduction Handmade oil painting on canvas
Consult the official notice - Rodin Museum · P.07329

Presentation in your interior

A palette designed with the room

This horizontal navy is suitable for a living room, office or library. A blue gray, deep green or off-white wall and a dark frame emphasize its density.

Belle-Île-en-Mer W1110, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

Compare the finishes

Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

Même artiste

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Voir tous les tableaux de Claude Monet
Voir tous les tableaux de Claude Monet