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Les Rochers de Belle-Île, la Côte sauvage W1100 par Claude Monet, musée d’Orsay

The Rocks of Belle-Île, the Wild Coast W1100 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Retouches incluses Jusqu'à 4 séries avant validation.

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Artwork description

Reproduction details

Claude Monet · Belle-Île · 1886 · W1100

The Rocks of Belle-Île, the Wild Coast W1100hand painted reproduction

In Port-Domois, the coast of Belle-Île opens into a succession of cliffs cut by a dark cove. The viewer dominates the water from a brown and green promontory, while the large light walls stand out under a very high horizon. Signed and dated Claude Monet 86, this oil on canvas measuring 65.5 × 81.5 cm is kept at the Musée d'Orsay under the number RF 2777 and corresponds to Wildenstein 1100.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Les Rochers de Belle-Île, the Wild Coast W1100 - Claude Monet - full view
The Rocks of Belle-Île, the Wild Coast W1100Claude Monet · 1886
1886Dating
65.5 × 81.5 cmDimensions of the original
Oil on canvasOriginal technique
RF 2777 · LUX 362 · Wildenstein 1100Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A cove seen from above transforms the wild coast into architecture of light

The foreground forms two dark masses: a rocky outcrop descends from the left and a plant slope closes the right corner. Between them, the sea creates a deep passage that leads to the vertical cliffs at the bottom.

Monet does not reserve a fixed color for each element. The rocks mix yellow, pink, purple and blue; the sea combines turquoise, deep green and white accents; the pinkish gray sky takes on certain colors of the stone.

The feeling of dizziness comes less from the height represented than from the interlocking of the masses: the gaze plunges into the cove before going up along the cliffs.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A horizon placed near the upper edge

The sky occupies a narrow strip. This choice gives the entire surface to the coast and reinforces the bird's eye view from the promontory.

02

Cliffs divided into successive plans

Each rocky advance partially masks the next. The differences in value and temperature are sufficient to construct the distance without linear perspective.

03

A sea enclosed but always mobile

The short, diagonal touches follow the swirls of the cove. The dark blues in the center accentuate the depth between the illuminated walls.

Reference image

Read this specific version

The single high-definition reference image measures 2,716 × 2,162 px. It is encoded in real WebP at its native definition, without artificial enlargement.

Composition01

Keep the large dark promontory on the left

Its almost triangular mass gives the high viewpoint and must remain denser than the cliffs at the bottom.

Color02

Preserve the yellows and violets of the rock

These complementary colors make the light vibrate. A uniform beige would remove the relief constructed by the touch.

Matter03

Keep the sea at several depths

Near turquoise, central blue-green and white fillets should not merge into a single shade.

Documented benchmarks

Three pieces of information specific to this work

The Musée d'Orsay documents Les Rochers de Belle-Île, la Côte sauvage, oil on canvas from 1886, 65.5 × 81.5 cm, signed and dated lower right, inventory RF 2777 and catalog Wildenstein 1100.

Stay01

Belle-Île, from September 12 to November 25, 1886

Monet continued his work on the island to face the rapid changes of weather, the swell and the steep shapes of the coast.

Series02

One of five views of Port Domois

The museum notice specifies that this version is the only one of the five to adopt a horizontal format, particularly suited to the deployment of the cove.

Collection03

The Gustave Caillebotte legacy accepted in 1896

Entering the national collections with the Caillebotte legacy, the work was assigned to the Musée d'Orsay in 1986 and bears the number RF 2777.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1100 version
  • The bird's eye view of Port-Domois
  • The horizon very high
  • The yellow and purple cliffs

Work sheet

Title The Rocks of Belle-Île, the Wild Coast W1100
Artist Claude Monet (1840 -1926)
Date 1886
Original technique Oil on canvas
Dimensions 65.5 × 81.5 cm
Orientation Horizontal
Conservation Musée d'Orsay, Paris, France
Inventory RF 2777 · LUX 362 · Wildenstein 1100
Your reproduction Handmade oil painting on canvas
Consult the official notice - Musée d'Orsay · RF 2777

Presentation in your interior

A palette designed with the room

This horizontal navy is suitable for a living room, office or room with natural materials. A stone gray, petrol blue or sand wall and a dark frame extend its mineral strength.

Les Rochers de Belle-Île, the Wild Coast W1100, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
The Rocks of Belle-Île, the Wild Coast W1100 - Claude Monet
Background 1
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70 cm
390 cm

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1

You choose the size

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2

We paint the canvas

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3

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4

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