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The Rocks of Belle-Ile - Claude Monet

The Rocks of Belle-Ile - Claude Monet

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The Rocks of Belle-Ile - Claude Monet

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The Rocks of Belle-Ile - Claude Monet

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Claude Monet · Belle-Île · 1886 · W1107

The Rocks of Belle-Île W1107hand painted reproduction

In Port-Domois, high pink and yellow cliffs enclose a cove of green and blue water where the foam disperses into white touches. The gaze plunges from two dark slopes in the foreground towards the Guibel rock, lit in the center of the composition. Signed and dated Claude Monet 86, this oil on canvas measuring 65.6 × 81.5 cm is kept at the Museum of Fine Arts in Reims under number 907.19.191 and corresponds to Wildenstein 1107.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Les Rochers de Belle-Île W1107 - Claude Monet - full view
The Rocks of Belle-Île W1107Claude Monet · 1886
1886Dating
65.6 × 81.5 cmDimensions of the original
Oil on canvasOriginal technique
907.19.191 · Wildenstein 1107Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The Guibel rock and the Port-Domois cove seen from the edge of the void

Two cliffs cut by the lower corners frame the water like the walls of a funnel. In the center, the Guibel rock receives light; behind it, a long cliff almost completely closes the horizon and gives the site its monumental character.

The sea alternates dark blue, turquoise and emerald green, streaked with white foam. The rocks bring together yellow, pink, red, mauve and green; large purple shadows hollow out their walls and reinforce the shine of the areas in the sun.

Monet constructs less of a panoramic view than an immersion: the viewer is placed above the cove, caught between the slopes of the foreground and the luminous walls of Port-Domois.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A plunging framing with no real escape

The top of the painting is closed by the cliff and the narrow strip of sky. The gaze therefore descends towards the water then rises through the rock walls, in a circular movement.

02

The Guibel rock as a luminous pivot

The central mass separates two water passages and carries the clearest accents. Its position organizes depth without resorting to linear perspective.

03

Extensive supplements at high intensity

The museum highlights the oppositions of reds, pinks and greens in the foreground, then yellows, mauves, blues and purples in the cliffs. Color directly builds light.

Reference image

Read this specific version

A single exact image of W1107 is used throughout the sheet and as the sole media for the product. The real WebP measures 2,200 × 1,751 px and retains the native definition available without artificial enlargement.

Composition01

Preserve the Guibel rock in the center of the cove

It is the major landmark of W1107 and must remain distinct from the large cliff at the bottom, while sharing its light range.

Color02

Preserve dark slopes in both corners

They establish the plunging viewpoint and frame the sea. Lightening them excessively would reduce the depth and shine of the cliffs.

Matter03

Keep the waves green, blue and white

Water is never a uniform sheet. Variations in direction and thickness of the key must maintain the struggle between swell, foam and reflections.

Documented benchmarks

Three pieces of information specific to this work

The Reims Museum of Fine Arts documents Les Rochers de Belle-Ile, oil on canvas signed and dated 1886, 65.6 × 81.5 cm, inventory 907.19.191 and Wildenstein catalog 1107.

Location01

The Guibel rock on the wild coast of Port-Domois

The museum notice identifies this rock mass and locates the motif between Port-Domois, Roche percée and Pointe du Talut. Monet paints the coast from a steep viewpoint.

Campaign02

Thirty-nine paintings created in Belle-Île

During the fall of 1886, Monet stubbornly worked in front of the cliffs despite difficult access and changes in weather. This campaign renews his way of painting the sea and the rock.

Collection03

Henry Vasnier's legacy at the Reims museum

After a visit to the Durand-Ruel gallery and the collection of Louis Guyotin, the painting belonged to Henry Vasnier. His legacy brought it to the museum in 1907 under number 907.19.191.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1107 version from the Reims museum
  • The Guibel rock lit in the center
  • The green and blue cove seen from a dive
  • The pink, yellow and purple cliffs of Port-Domois

Work sheet

Title The Rocks of Belle-Île W1107
Artist Claude Monet (1840 -1926)
Date 1886
Original technique Oil on canvas
Dimensions 65.6 × 81.5 cm
Orientation Horizontal
Conservation Reims Museum of Fine Arts, Reims, France
Inventory 907.19.191 · Wildenstein 1107
Your reproduction Handmade oil painting on canvas
Consult the official notice - Museum of Fine Arts of Reims · 907.19.191

Presentation in your interior

A palette designed with the room

This horizontal navy is suitable for a living room, dining room or office. A deep green, mineral pink or warm gray wall and a dark brown frame underline its complementary contrasts.

Les Rochers de Belle-Île W1107, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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Claude Monet French painting – French artists Impressionist

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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