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Under the poplars W1136 - Claude Monet

Under the poplars W1136 - Claude Monet

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Under the poplars W1136 - Claude Monet

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Under the poplars W1136 - Claude Monet
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Under the poplars W1136 - Claude Monet

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Claude Monet · plaine des Essarts · 1887 · W1136

Under the W1136 poplarshand painted reproduction

Two young figures cross a dazzling meadow of poppies under a row of poplars. Germaine Hoschedé advances in the center, enveloped in brown and pink tones, while a son of Monet appears further to the left. Painted in 1887, this oil on canvas measuring 73 × 92 cm is kept at the Museum Barberini under the number MB-Mon-23 and corresponds to Wildenstein 1136.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Under the poplars W1136 - Claude Monet - full view
Under the W1136 poplarsClaude Monet · 1887
1887Dating
73 × 92 cmDimensions of the original
Oil on canvasOriginal technique
MB-Mon-23 · Wildenstein 1136Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A summer walk in the poppy light

The meadow occupies more than half of the canvas, covered with almost pure reds, yellows and greens. The two figures barely emerge from the flowers: Germaine places herself slightly to the right of the center, while the second, smaller character stands near the two thin poplars on the left.

A row of saplings rises on the right and cuts out the bluish-white sky. Their vertical trunks connect the meadow to the foliage, while a chain of purple hills gently closes the horizon. The light remains clear and without heavy shade.

Walkers do not dominate the scene: they belong to the same network of touches as flowers and trees, as if summer light absorbed any distinction between figure and landscape.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A vertical rhythm created by young poplars

The fine trunks follow one another irregularly, with a dense group on the right and two isolated trees on the left. They give momentum to a largely horizontal composition.

02

Red as energy in the foreground

Poppies do not form a uniform band. Their scattered accents cross the yellow and green meadow, leading the gaze to Germaine then towards the line of the hills.

03

Figures integrated by color

The clothes reflect the browns, pinks, greens and blues of the landscape. Their deliberately summary design avoids any portrait effect and maintains the unity of the atmosphere.

Reference image

Read this specific version

A single exact image of W1136 is used throughout the file and as the sole media for the product. The real WebP measures 2,500 × 1,985 px, converted from the official Museum Barberini image without artificial enlargement.

Composition01

Keep Germaine slightly to the right of center

Its vertical silhouette dialogues with the trees and serves as a human landmark. However, it must remain absorbed by the touches of the field.

Color02

Preserve the two isolated poplars on the left

They balance the large tree group on the right and frame the second character. Their finesse is a distinctive element of W1136.

Matter03

Keep the hills very pale purple

This discreet strip separates the meadow from the sky without closing the space. Too dark a color would weigh down the light light of the summer day.

Documented benchmarks

Three pieces of information specific to this work

The Museum Barberini documents Under the Poplars, oil on canvas from 1887, 73 × 92 cm, signed and dated Claude Monet 87, inventory MB-Mon-23 and Wildenstein 1136.

Location01

The Essarts plain between the Epte and the Seine

Monet painted this meadow in the vicinity of Giverny. The abundantly flowered field and the young poplars allow him to simultaneously study the rhythm of the trunks and the brightness of the full sun.

Figures02

Germaine Hoschedé and one of Monet's sons

The Museum Barberini identifies the young woman in the center as Germaine, daughter of Alice Hoschedé. The boy further to the left would be Jean or Michel Monet.

Exposure03

A work probably shown with Rodin at Georges Petit

The museum indicates that W1136 and its composition close to Stuttgart were probably presented during the Monet-Rodin exhibition organized in Paris in 1889.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1136 version
  • Germaine Hoschedé in the center
  • The second character near the trees on the left
  • The yellow meadow punctuated with red poppies

Work sheet

Title Under the W1136 poplars
Artist Claude Monet (1840 -1926)
Date 1887
Original technique Oil on canvas
Dimensions 73 × 92 cm
Orientation Horizontal
Conservation Museum Barberini, Potsdam, Germany
Inventory MB-Mon-23 · Wildenstein 1136
Your reproduction Handmade oil painting on canvas
Consult the official notice - Museum Barberini · MB-Mon-23

Presentation in your interior

A palette designed with the room

This bright landscape is suitable for a living room, dining room or bedroom. A cream, pale green or gray blue wall and a natural setting extend its summer light.

Under the W1136 poplars, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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Claude Monet French painting – French artists Impressionist

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
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