The fifteen flowers tell the story of a cycle
Buttons, open corollas and faded heads coexist in the bouquet. Each flower thus has its own silhouette and texture.
2 · Exemple de la sélection
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Préparation de la sélection…
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3 · Mise en situation
Reproduction d’art premium
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Comprendre les formats
Vincent van Gogh · August 1888 · Arles
Fifteen sunflowers at different stages of maturity overflow from a yellow vase signed "Vincent". The background, table, vase and flowers vary almost a single color, but the material and nuances prevent any monotony.
Look at the work
The largest flower heads form an irregular crown around the bouquet. Some keep their petals, others have become heavy seed heads, which introduces the passage of time into still life.
The light vase widens upwards and bears the blue signature. A thin blue line separates the table from the wall; this tiny contrast is enough to stabilize the entire yellow accord.
Painted in Arles in August 1888, this 92.1 × 73 cm oil on canvas is F454/JH1562. It belongs to the National Gallery in London under number NG3863.
Composition, touch and color
Van Gogh draws a great diversity from a deliberately restricted vocabulary. The yolks change temperature, while the direction of the brush describes petals, leaves, seeds, vase and background separately.
Buttons, open corollas and faded heads coexist in the bouquet. Each flower thus has its own silhouette and texture.
Small, thick, repeated touches bristle the large brown discs, in contrast to the calmer flat areas of the wall and table.
This horizontal line behind the vase and the blue signature create two decisive cold accents in the composition.
Documented benchmarks
This London version belongs to the first group of four bouquets painted during the last week of August 1888. Van Gogh intended F454 and the Munich version for Paul Gauguin's room in the Yellow House.
Its fifteen flowers and its yellow background make it possible to distinguish it from versions with a turquoise background, repetitions from January 1889 and Parisian studies of cut flowers.
Van Gogh imagined a set of large sunflower panels to accommodate Gauguin and give an identity to the future Midi workshop.
The National Gallery acquired the painting with the help of the Courtauld Fund. Its inventory number is NG3863.
Your reproduction
The copy must differentiate the fifteen flowers, restore the impasto of the seeds and maintain the yellow on yellow agreement without losing the blue line or the signature.
| Title | The Sunflowers of London, F454 |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | August 1888 |
| Place of creation | Arles |
| Original technique | Oil on canvas |
| Dimensions | 92.1 × 73 cm |
| Inventory | F454 · JH1562 · NG3863 |
| Conservation | National Gallery, London |
| Your reproduction | Handmade oil painting on canvas |
In your interior
The vertical format shines in a living room or dining room. Lemon yellow, ocher, olive and warm brown create an immediate luminous presence.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The 4719 × 6000 px image was reduced to 2360 × 3000 px, then encoded into a real WebP without artificial enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
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