The cliff as a counterweight
Its dark, inclined mass occupies the left side, while the two silhouettes balance the right. The scene remains open towards the horizon despite this strong relief.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Pourville · 1882 · W781
Two women arrested on the beach watch the sun disappear beyond the sea, facing the dark cliffs of Pourville. Painted in 1882, this oil on canvas measuring 60 × 81.6 cm is kept in the Kreeger Museum under number 1962.6 and corresponds to Wildenstein 781.

Look at the work
The cliff enters from the left and descends towards the horizon, while the sea occupies the entire central width. In the foreground, the two figures off-center to the right are almost absorbed by the dark blue beach.
The sun is a little orange touch surrounded by roses and mauves. Blue greens run across the sky, water and coast; warmer reflections form a discreet path between the horizon and the shore.
The walkers do not tell an anecdote: their immobility invites the viewer to share the very brief duration of the sunset.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
Its dark, inclined mass occupies the left side, while the two silhouettes balance the right. The scene remains open towards the horizon despite this strong relief.
The small orange spot does not dominate in size, but because similar colors are repeated in the clouds and on the water. The whole palette is organized around her.
Their small scale reinforces the extent of the beach and the sea. They must remain simple dark presences, without invented facial or costume details.
Reference image
Only one exact image of W781 is used. The real WebP measures 640 × 470 px, the best reliable public definition identified for this version, preserved without artificial enlargement.
They must be visible without becoming the main subject. Their dark value is enough to detach them from the lighter water.
The sunset is not reduced to orange. Cold colors envelop the light and create the humid atmosphere of the coastline.
Clear lines do not form a continuous road. Their fragmentation suggests swell and prevents water from appearing metallic.
Documented benchmarks
The Kreeger Museum preserves Sunset in Pourville, oil on canvas from 1882, 60 × 81.6 cm, inventory 1962.6 and Wildenstein 781.
David and Carmen Kreeger acquired this painting in 1962; it bears the inventory number 1962.6 in the museum collection.
Monet stayed on the Normandy coast in 1882 and observed the same relief at different times, from the beach, the heights and the nearby paths.
The museum notice draws attention to these figures of leisure, placed facing the sea as relays for the gaze before the setting sun.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Sunset in Pourville W781 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1882 |
| Original technique | Oil on canvas |
| Dimensions | 60 × 81.6 cm |
| Orientation | Horizontal |
| Conservation | The Kreeger Museum, Washington, DC, United States |
| Inventory | 1962.6 · Wildenstein 781 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This sunset is suitable for a bedroom, living room or reading space. A gray blue, pale purple or sea green wall and a dark setting extend its silent atmosphere.
Custom order
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Your reproduction is hand-painted entirely in oil.
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You receive your canvas rolled, protected, and shipped with tracking.
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