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Grosse mer à Étretat W127 par Claude Monet, 1868-1869, musée d’Orsay
  • Grosse mer à Étretat W127 par Claude Monet, 1868-1869, musée d’Orsay
  • Grosse mer à Étretat W127 par Claude Monet, 1868-1869, musée d’Orsay
Big seas in Étretat W127 - Claude Monet

Big seas in Étretat W127 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

Après le choix du format Validation photo avant expédition
Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Classic Paintings for Decoration Claude Monet French painting – French artists Impressionist Impressionist Landscapes Impressionist water and coastlines Japonism Landscapes with cliffs Musée d'Orsay

Artwork description

Reproduction details

Claude Monet · The cliff and the waves seen from the beach · Musée d'Orsay

Big seas in Étretat W127hand painted reproduction

A heavy, white sea breaks against Étretat beach, under a blue-gray sky almost as dense as water. On the left, the cliff and the Porte d'Amont form a dark mass; in the foreground, a small group of spectators watch the waves. Monet stretches the composition to an exceptionally wide format to contrast human fragility with the horizontal energy of the storm.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Big seas in Étretat W127 - Claude Monet - full view
Big seas in Étretat W127Claude Monet · 1868 -1869
1868 - 1869Dating
66.2 × 130.5 cmDimensions of the original
Oil on canvasOriginal technique
RF 1678 · Wildenstein 127Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The width of the painting gives the waves all the power of a lived scene

The cliff occupies the upper left corner and descends sharply towards the sea. The natural door opens like a small dark breach at the foot of the rock. In front of it, several lines of foam follow one another and cross almost the entire canvas.

The figures in the foreground are grouped near the lower edge: their brown, black and red coats contrast with the clear beach. A tiny sail or boat appears offshore. Between these two human landmarks, the sea remains largely empty, dominated by waves.

The cliff anchors the eye, but the succession of bands of foam imposes the true rhythm of the composition.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Unusually wide panorama

The canvas measures almost twice as wide as it is tall. This ratio allows Monet to extend the waves and the sky, while the cliff and spectators concentrate at both ends of the diagonal.

02

Three horizontal bands under tension

The beach, sea and sky form the main levels. The lines of white foam cross the middle zone and give a continuous movement, thwarted by the steep vertical of the cliff.

03

A dark range lit by foam

Slate blue, gray green and black dominate the scene. The broken whites of the water and the small red touches of the characters provide the necessary contrasts without diminishing the feeling of bad weather.

Reference image

Read this specific version

The image corresponds to the RF 1678 inventory of the Musée d'Orsay and Wildenstein number 127. The high definition file was limited to 3,000 × 1,476 px then encoded in WebP, without artificial enlargement.

Composition01

The waves advance through several ridges

Each strip of foam has a different thickness, curve and value. Repeating them mechanically would cause the controlled disorder of the big sea to be lost.

Color02

The cliff remains dark but structured

Gray, green and brown distinguish the rocky planes and the Upstream Gate. A single black mass would close the left corner and remove the relationship between rock, foam and sky.

Matter03

Spectator group gives scale

The silhouettes are small but clearly colored. Their tight arrangement makes the size of the waves perceptible and places human observation at the heart of the natural pattern.

Documented benchmarks

Three pieces of information specific to this work

Made between 1868 and 1869, this oil on canvas measuring 66.2 × 130.5 cm is signed Claude Monet at the bottom left. It is kept at the Musée d'Orsay under the inventory RF 1678 and classified Wildenstein 127.

Etretat01

The Gateway Under rough seas

The silhouette of the cliff allows us to precisely identify Étretat beach. Monet will often return to this Normandy coast, but this work belongs to his very early research from the late 1860s.

Provenance02

From Durand-Ruel to Étienne Moreau-Nélaton

The provenance published by Orsay mentions the Marsigny collection, then Durand-Ruel and Denys Cochin. Étienne Moreau-Nélaton acquired the painting in 1900 before giving it to the State in 1906.

Collection03

Moreau-Nélaton donation of 1906

After the Museum of Decorative Arts, the Louvre and the Jeu de Paume gallery, the work was assigned to the Musée d'Orsay in 1986. It bears the national inventory RF 1678.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Respect the very large panoramic format.
  • Vary the ridges and tones of the foam.
  • Keep the cliff dark without blocking your plans.
  • Keep small but colorful spectators in the foreground.

Work sheet

Title Big seas in Étretat W127
Artist Claude Monet (1840 -1926)
Date 1868 - 1869
Original technique Oil on canvas
Dimensions 66.2 × 130.5 cm
Orientation Horizontal panoramic
Conservation Musée d'Orsay, Paris, France
Inventory RF 1678 · Wildenstein 127
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Musée d'Orsay - RF 1678

Presentation in your interior

A palette designed with the room

This panoramic navy is suitable for a large living room wall, dining room or office. A weathered black, slate gray or driftwood frame accompanies the power of the sky and cliff, while a side light reveals the long touches of foam.

Big sea in Étretat W127, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Big seas in Étretat W127 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

How does your order work?

A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

We send you a photo to validate the result before shipping.

4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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