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Dans le bois de Giverny, Blanche Hoschedé à son chevalet avec Suzanne lisant W1131 par Claude Monet, LACMA
  • Dans le bois de Giverny, Blanche Hoschedé à son chevalet avec Suzanne lisant W1131 par Claude Monet, LACMA
  • Dans le bois de Giverny, Blanche Hoschedé à son chevalet avec Suzanne lisant W1131 par Claude Monet, LACMA
In the woods of Giverny W1131 - Claude Monet

In the woods of Giverny W1131 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Peint à la main Huile sur toile, réalisée sur commande.
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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet Forest landscapes and undergrowth French painting – French artists Impressionist Impressionist gardens and flowers Japonism Library Paintings

Artwork description

Reproduction details

Claude Monet · Giverny · 1887 · W1131

In the woods of Giverny W1131hand painted reproduction

Blanche Hoschedé paints standing in front of her easel while Suzanne, sitting in the grass under a straw hat, reads at her feet. The pink and gray trunks punctuate the Giverny woods; above the young women, the leaves fragment the sky into blue, green and white touches. This oil on canvas from 1887, measuring 91.44 × 97.79 cm, is kept in the Los Angeles County Museum of Art under the number M.46.3.4 and corresponds to Wildenstein 1131.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
In the woods of Giverny W1131 - Claude Monet - full view
In the woods of Giverny W1131Claude Monet · 1887
1887Dating
91.44 × 97.79 cmDimensions of the original
Oil on canvasOriginal technique
M.46.3.4 · Wildenstein 1131Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Painting and reading in the middle of a wood crossed by light

Suzanne occupies the lower left corner, her head lowered towards her book. Blanche, higher up, stands in the center in front of an easel seen in profile and carries a palette in her left hand. The vertical trunks frame the two figures and give a regular depth to the undergrowth.

Blanche's white and blue dress captures the light, while Suzanne's dark clothing blends more into the grass. The foliage is made of discontinuous touches of blue-green, emerald green, white and lilac. The soil alternates pink earth, bright grass and cold shadows.

Monet paints an artist painting: Blanche's easel becomes the axis of the composition, while Suzanne offers the calm counterpoint of reading.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Two complementary activities

Blanche's standing and Suzanne's sitting pose create a clear opposition between active concentration and rest. The gestures remain simple, without transforming the scene into an anecdotal story.

02

The easel as the central column

Inclined between the two sisters, it connects the foreground to the foliage and dialogues with the trunks. Her presence precisely signals Blanche's activity while organizing depth.

03

A figure painted like a landscape

The contours of the dresses are crossed by the same colors as the grass and trees. Monet integrates the characters into the air and light of the wood instead of detaching them like in a studio portrait.

Reference image

Read this specific version

A single exact image of W1131 is used throughout the file and as the sole media for the product. The real WebP measures 2,401 × 2,247 px, converted from the Google Art Project file associated with LACMA without artificial enlargement.

Composition01

Keep Suzanne sitting on the left and Blanche standing

This arrangement identifies W1131 and distinguishes it from W1132, another version belonging to a private collection. The poses and scale of the figures must remain accurate.

Color02

Preserve Blanche's easel and palette

These accessories must be readable without becoming too drawn. They explain the scene while participating in the vertical network of trunks.

Matter03

Keep the light fragmented in the foliage

Whites, blues and greens are interspersed between the branches. A uniform canopy would lose the impression of a sky seen through the leaves.

Documented benchmarks

Three pieces of information specific to this work

LACMA documents In the Woods at Giverny: Blanche Hoschedé at Her Easel with Suzanne Hoschedé Reading, oil on canvas from 1887, 91.44 × 97.79 cm, inventory M.46.3.4 and catalog Wildenstein 1131.

Models01

Blanche Hoschedé and her sister Suzanne

White paints standing in front of the easel; Suzanne sits and reads. The two young women are the daughters of Alice Hoschedé and belong to Monet's daily family circle in Giverny.

Version02

The LACMA canvas is Wildenstein 1131

The short title Suzanne reading and Blanche painting can also designate W1132, a different composition in private collection. The image here presents Giverny wood and corresponds precisely to W1131.

Collection03

The collection of George Gard De Sylva

The work belongs to Mr. and Mrs. George Gard De Sylva LACMA Collection. It is numbered M.46.3.4 and is now featured in the Resnick Pavilion.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1131 version of LACMA
  • Blanche Hoschedé standing in front of her easel
  • Suzanne sitting in the grass with her book
  • Pink trunks and blue light between the leaves

Work sheet

Title In the woods of Giverny W1131
Artist Claude Monet (1840 -1926)
Date 1887
Original technique Oil on canvas
Dimensions 91.44 × 97.79 cm
Orientation Almost square, horizontal
Conservation Los Angeles County Museum of Art, Los Angeles, United States
Inventory M.46.3.4 · Wildenstein 1131
Your reproduction Handmade oil painting on canvas
Consult the official notice - LACMA · M.46.3.4

Presentation in your interior

A palette designed with the room

This almost square format is suitable for a living room, library or workshop. A fresh green, mineral pink or off-white wall and a natural setting prolong the balance between dresses, trunks and foliage.

In the wood of Giverny W1131, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
In the woods of Giverny W1131 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

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A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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