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Terrasse à Sainte-Adresse W95 par Claude Monet, 1867, Metropolitan Museum of Art

Terrace in Sainte-Adresse W95 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

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Artwork description

Reproduction details

Claude Monet · Family garden, flags and maritime traffic · Metropolitan Museum of Art

Terrace in Sainte-Adresse W95hand painted reproduction

A flowered terrace dominates the Manche in Sainte-Adresse. Two men sit in the foreground, while a couple stands near the balustrade; beyond, sailboats and steamers cross a sea covered with short waves. Monet organizes this profusion by large horizontal bands - garden, fence, sea and sky - which the flag poles cut with almost graphic clarity.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Terrace in Sainte-Adresse W95 - Claude Monet - full view
Terrace in Sainte-Adresse W95Claude Monet · 1867
1867Dating
98.1 × 129.9 cmDimensions of the original
Oil on canvasOriginal technique
67.241 · Wildenstein 95Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Two flags frame a belvedere garden where each shot has its own rhythm

In the foreground, wicker chairs surround two figures seen from behind. Monet's father, wearing a panama, looks at the sea from the right; in front of him, a white parasol unfolds above a seated figure. The clear paths and red massifs lead towards the two walkers placed at the edge of the terrace.

The red and yellow flag on the left responds to the tricolor flag on the right. Between their poles, a boat with dark sails passes near the shore, while steamships and sailboats spread across the horizon. Smoke, clouds and white crests of the waves circulate the movement throughout the upper half.

The space seems deep, but the succession of colored bands and verticals also transforms the canvas into a perfectly controlled decorative surface.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A high point of view that simplifies depth

Monet observes the garden from a dominant position. The paths seem to tilt towards the viewer, the balustrade suddenly closes the foreground and the sea begins almost immediately behind it; this compression gives the composition its modernity.

02

Family figures integrated into the landscape

The Met likely identifies Monet's father, an uncle and two cousins among the four characters. None are treated as an independent portrait: clothes, hats and postures are used to punctuate the garden and measure the scale of the belvedere.

03

The "Chinese painting with flags"

Monet designated this work thus. The plunging framing, powerful flat areas and clarity of lines were often compared to the Japanese prints he collected, notably a composition by Hokusai kept in Giverny.

Reference image

Read this specific version

The visual corresponds to inventory 67,241 of the Metropolitan Museum of Art and Wildenstein number 95. The photographic reproduction of 5,940 px was reduced to 3,000 × 2,249 px then encoded as a real WebP, without artificial enlargement.

Composition01

Horizontal bands are never flat

Garden, sea and sky each have a different material. The flowers create a tight rhythm, the water alternates green and blue, while the clouds are placed in wider and more flexible passages.

Color02

The reds connect flags and massifs

The pavilion, the French flag and the flowers share several reds, but their intensity varies depending on the light. Repeating an identical shade would cause the garden to lose its integration into the marine panorama.

Matter03

The ships remain precise despite their small scale

Hulls, sails, chimneys and smoke are distinguished by a few well-placed touches. Detailing them too much would weigh down the horizon; simplifying them too much would remove the active nature of the port of Le Havre.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1867, this oil on canvas measures 98.1 × 129.9 cm. It is kept at the Metropolitan Museum of Art under inventory 67.241 and listed as Wildenstein 95.

Stay01

The summer of 1867 in the family home in Sainte-Adresse

At twenty-six, Monet returned to the Normandy coast where he grew up. The terraced garden offers a view of the harbor of Le Havre and brings together family life, horticulture and intense maritime traffic in the same field.

Composition02

A possible reference to Hokusai

The Met notice brings together the high point of view and the division into colored zones of Japanese prints collected by Monet and his friends. A Hokusai print likely to have nourished this framing is still in his house in Giverny.

Collection03

Entered the Metropolitan Museum in 1967

The museum acquired the painting thanks to special contributions and several funds given or bequeathed by his friends. It bears inventory 67,241 and is today presented in European painting galleries.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain the opposition between horizontal bands and vertical poles.
  • Differentiate the two flags without hardening their folds.
  • Preserving the variety of ships and smoke on the horizon.
  • Maintain the figures in the general light of the garden.

Work sheet

Title Terrace in Sainte-Adresse W95
Artist Claude Monet (1840 -1926)
Date 1867
Original technique Oil on canvas
Dimensions 98.1 × 129.9 cm
Orientation Horizontal
Conservation Metropolitan Museum of Art, New York, United States
Inventory 67.241 · Wildenstein 95
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Metropolitan Museum of Art - 67.241

Presentation in your interior

A palette designed with the room

This large horizontal composition is suitable for a bright living room, dining room or office. A deep blue, brown or matte gold wood frame accompanies the flags; an ivory wall lets the sky and the clear paths breathe.

Terrace in Sainte-Adresse W95, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Terrace in Sainte-Adresse W95 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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