Greyhound head W12 - Claude Monet

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Greyhound head W12 - Claude Monet

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Greyhound head W12 - Claude Monet

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Greyhound head W12 - Claude Monet

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Claude Monet · A youth animal study · Private collection

W12 greyhound headhand painted reproduction

A greyhound with a black collar turns its head to the right, its elongated snout standing out against a purple-brown background. The folded ears, the dark eye and the transitions from white to fawn give this little portrait an attentive presence. Dated around 1862 -1863, this study belongs to Monet's beginnings, when he still worked with animals, game and still lifes.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Greyhound head W12 - Claude Monet - full view
W12 greyhound headClaude Monet · 1862 -1863
1862 - 1863Dating
24 × 28 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 12Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The greyhound's tense profile focuses all attention on the gaze

The white neck rises from the lower edge and tilts slightly before joining the small head. The muzzle forms a long horizontal, ending in a black nose. This opposition between vertical and horizontal gives a very clear structure to the small format.

Around the eye and ear, Monet combines brown, ocher, black and gray. The chest remains lighter, but warm shadows give it volume. The black collar closes the base of the portrait and separates the dog from the uniform background.

Without decoration or action, the dog's silhouette becomes an exercise in precision: measuring an inclination, a light on the hair and the intensity of a look.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A profile constructed by a few essential shapes

The tip of the snout, forehead, ear and curve of the neck are enough to immediately identify the greyhound. The tight framing eliminates any secondary elements.

02

The white of the coat remains very colorful

Creams, pinks, grays and browns shape the neck. Only a few small areas are really light, which keeps the head in the dull light of the background.

03

A work known mainly through the catalog

The painting is listed as Wildenstein 12 and remains in a private collection. The available documentary reproduction is therefore more modest than that of works digitized by major museums.

Reference image

Read this specific version

The visual corresponds to Greyhound Head, 1862 -1863, Wildenstein 12 catalog, oil on canvas of 24 × 28 cm in private collection. The unique WebP measures 409 × 339 px, the maximum definition of public documentary reproduction, without artificial enlargement.

Composition01

The silhouette of the muzzle must remain precise

The upper line goes down very slightly to the nose. A snout that is too thick or too short would cause the greyhound to lose its characteristic appearance.

Color02

The browns of the head vary greatly

Golden, red-brown, gray and black ocher structure the ear and eye contour. Their variation avoids a uniform mask.

Matter03

The background supports the profile with its sobriety

The purple brown remains calm and slightly nuanced. It should neither absorb dark areas of the head nor compete with the model.

Documented benchmarks

Three pieces of information specific to this work

Dated around 1862 -1863, this small painting measures 24 × 28 cm. It is kept in private collections and bears number 12 of the Wildenstein catalog raisonné.

Period01

A work from the very early years

W12 immediately followed still lifes of game and dog studies carried out in the early 1860s, before the landscapes and figures that established Monet's career.

Format02

An animal portrait of 24 × 28 cm

The small format requires close observation. The head fills almost the entire surface, like a study intended to retain a physiognomy rather than recount a scene.

Reference03

Wildenstein number 12 identifies the version

This reference distinguishes the Greyhound Head from the W11 Dog Head and from the dogs included in the more ambitious compositions of the same period.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Retain muzzle lengthening.
  • Model the white coat with warm tones.
  • Specify the eye without hardening it.
  • Keep the purple-brown background discreet.

Work sheet

Title W12 greyhound head
Artist Claude Monet (1840 -1926)
Date 1862 - 1863
Original technique Oil on canvas
Dimensions 24 × 28 cm
Orientation Horizontal
Conservation Private collection, Non-public location
Inventory Wildenstein 12
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Catalog raisonné Wildenstein 12 - documentary reproduction

Presentation in your interior

A palette designed with the room

This small animal portrait is suitable for a desk, a bookcase or a wall composition in various formats. A black, walnut or red-brown frame extends the necklace and the background; a cream or taupe wall reveals the coat.

W12 greyhound head, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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