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The Three Trees, autumn W1308 - Claude Monet

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The Three Trees, autumn W1308 - Claude Monet

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The Three Trees, autumn W1308 - Claude Monet

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The Three Trees, autumn W1308 - Claude Monet

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Claude Monet · 1891 · Les Peupliers · W1308

The Three Trees, autumn W1308hand painted reproduction

Three pale trunks rise out of the frame, surrounded by yellow, pink and red foliage whose reflections descend into the Epte. This oil on vertical canvas of 92 × 73 cm, today in private collection, is the Wildenstein 1308 version of the Poplars series.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Les Trois Arbres, autumn W1308 - Claude Monet - full view
The Three Trees, autumn W1308Claude Monet · 1891
1891Dating
92 × 73 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1308Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Three trees are enough to make you feel an entire autumn

Monet tightens the framing until removing the tops of the poplars. The three barrels become vertical axes which connect the dark bank, the reflective water and the clear sky. The main group shifts slightly to the left; the branches and colored masses, however, prevent the composition from becoming symmetrical or decorative.

The season is read less in the design of the leaves than in the color ratios. Lemon yellow, reddened orange, salmon pink and a few cold greens respond to each other around the lilac gray trunks. In the water, these shades extend into more melted vertical touches, interrupted by the blues and greens of the surface.

In W1308, autumn is not a picturesque background: it becomes a colorful light that passes through the trees, the bank and their reflection.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A deliberately incomplete vertical framing

By cutting the peaks, Monet places the viewer at the level of the bank rather than in front of a panorama. The height of the poplars mentally continues beyond the canvas, while the reflection extends their trunks downward.

02

The Poplars series on the Epte

Monet painted this motif in 1891 near Giverny, after the Meules and before the Cathedrals of Rouen. The twenty-three canvases cataloged W1291 to W1313 compare very different frames, seasons, wind and states of light.

03

Version W1308

The catalog raisonné distinguishes this composition by its format of 92 × 73 cm, its group of three trees and its autumnal effect. It should not be confused with W1307 kept in Philadelphia nor with the square versions W1309 to W1311.

Reference image

Read this specific version

Only one image is used: the documented public reproduction of W1308, converted to a true WebP of 2,388 × 3,000 px from the source of 4,348 × 5,462 px, without artificial enlargement.

Composition01

Light trunks without hard contours

The barrels are shaped by grey, pink and muted green. A continuous black line would isolate them from the foliage and make the air circulating around them disappear.

Color02

A rich but not garish autumn

The yellows and reds are tempered by the creamy sky, the dark green bank and the lilac passages. Fidelity depends on this balance between warmth of the leaves and freshness of the water.

Matter03

Vertically constructed reflections

Under the bank, the colors stretch and break. They must suggest the trunks and foliage without copying them exactly, because the current transforms the shapes into vibrations.

Documented benchmarks

Three pieces of information specific to this work

The reference documents an oil on canvas from 1891, 92 × 73 cm, kept in a private collection and cataloged Wildenstein 1308.

Catalog01

Wildenstein 1308

The number places the painting in the last vertical group of Poplars, immediately before The Four Trees of the Metropolitan Museum of Art.

Pattern02

The poplars of Epte

Monet observes a row of trees near Limetz. The stable pattern allows him to follow the transformations of color and atmosphere throughout 1891.

Status03

Private collection

The current location is not made public. The sheet is therefore based on the catalog raisonné and the reference reproduction, without attributing the work to a museum.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version W1308, distinct from the other Three Trees
  • The original vertical format of 92 × 73 cm
  • Pinkish gray trunks blending into the clear air
  • The yellows, reds and greens extended into the reflection of the Epte

Work sheet

Title The Three Trees, autumn W1308
Artist Claude Monet (1840 -1926)
Date 1891
Original technique Oil on canvas
Dimensions 92 × 73 cm
Orientation Vertical
Conservation Private collection, non-public location
Inventory Wildenstein 1308
Your reproduction Handmade oil painting on canvas
View documented image - Wikimedia Commons · reference W1308

Presentation in your interior

A palette designed with the room

This bright vertical is suitable for an entrance, bookcase or narrow wall. Light oak, ecru linen, moss green and some terracotta accents extend its colors without competing with the foliage.

Les Trois Arbres, autumn W1308, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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