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Les Trois Arbres, summer W1305 - Claude Monet

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Les Trois Arbres, summer W1305 - Claude Monet

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Les Trois Arbres, summer W1305 - Claude Monet

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Les Trois Arbres, summer W1305 - Claude Monet

Choisissez le tirage Fine Art, le canvas imprimé, la peinture à l’huile ou la version numérique.

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Comprendre les formats

Trois rendus pour une même œuvre

Claude Monet · 1891 · Les Peupliers · W1305

The Three Trees, summer W1305hand painted reproduction

Three slender poplars cut a blue sky crossed by white clouds, while their reflections plunge into Epte. This oil on canvas measuring 93 × 73.5 cm, kept in Tokyo under number P.1959-0152, is Wildenstein 1305.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Les Trois Arbres, summer W1305 - Claude Monet - full view
The Three Trees, summer W1305Claude Monet · 1891
1891Dating
93 × 73.5 cmDimensions of the original
Oil on canvasOriginal technique
P.1959-0152 · W1305 · M777Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Three trunks connect the sky, the shore and its reflection

The poplars in the foreground rise beyond the upper edge, as if their height could not fit into the canvas. The bank forms a very low green band; below, the water takes up the verticals of the trunks and opens a second space. The bold cutting of the peaks transforms a river landscape into an almost abstract composition.

The sky combines light blue, mauve and pink clouds. The foliage alternates green-yellow and touches of coral, while the trunks receive lilac, blue and orange passages. In Epte, these colors fragment into short bands which suggest the current without producing a frozen mirror.

W1305 holds together with a double movement: the trees rise out of the frame and their reflections immediately bring the eye back towards the water.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The framing of the Tokyo version

Three large barrels dominate the foreground, with a fourth trunk cut at the left edge. The museum highlights this construction and the vivid impression created by the blue of the sky, the white of the clouds and the greens and pinks of the trees.

02

A pattern observed on the Epte

In the spring and summer of 1891, Monet painted the row of poplars on the left bank near Giverny. The repetition of the pattern allows him to modify light, season, distance and rhythm of the trunks from one canvas to another.

03

The Matsukata Collection

Kôjiro Matsukata bought the work in 1921. Sequestered in France in 1944, it was transferred to the Japanese government in 1959 then integrated into the new National Museum of Western Art.

Reference image

Read this specific version

Only one image is used: the documented public reproduction of W1305, converted to a true WebP of 2,354 × 3,000 px from a source of 2,824 × 3,599 px, without artificial enlargement.

Composition01

A vertical that remains aerial

The trunks are fine, irregular and crossed with color. Thickening or surrounding them would transform them into barriers; you have to let the sky and the foliage breathe around them.

Color02

A luminous blue, never uniform

The sky mixes several blues with lilac grays and pinkish whites. The green and coral foliage gains shine thanks to these cold variations.

Matter03

Reflections freer than trees

In the water, the barrels break into vertical passages and the foliage becomes floating spots. The material must suggest the mobility of the surface, not copy the landscape identically.

Documented benchmarks

Three pieces of information specific to this work

The Tokyo Museum documents an oil on canvas signed and dated 1891, 93 × 73.5 cm, inventory P.1959-0152, Wildenstein 1305 and Matsukata M777.

Historical title01

The Three Trees, summer

The current notice employs Poplars in the Sun; the 1994 Matsukata retrospective exhibition lists the same work under the French title Les Trois Arbres, summer.

Signature02

Claude Monet 91

The signature and date are at the bottom right. They directly connect the canvas to the Poplars' campaign carried out during the year 1891.

Catalog03

W1305 and M777

The two references connect the painting to Monet's catalog raisonné and the Matsukata collection. They avoid confusion with the other compositions of three trees.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version P.1959-0152, W1305 and M777
  • The original vertical format of 93 × 73.5 cm
  • The colored trunks that extend beyond the upper frame
  • Greens and roses repeated in the reflections of Epte

Work sheet

Title The Three Trees, summer W1305
Artist Claude Monet (1840 -1926)
Date 1891
Original technique Oil on canvas
Dimensions 93 × 73.5 cm
Orientation Vertical
Conservation National Museum of Western Art, Tokyo, Japan
Inventory P.1959-0152 · W1305 · M777
Your reproduction Handmade oil painting on canvas
Consult the official notice - National Museum of Western Art · P.1959-0152

Presentation in your interior

A palette designed with the room

Its vertical format enlivens an entrance, a wall between two windows or a reading corner. Powder blue, light wood and sage green highlight the sky without competing with the rhythm of the trunks.

Les Trois Arbres, summer W1305, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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