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L’Entrée du port de Trouville W154 par Claude Monet, 1870, Galerie nationale hongroise

Entrance to the port of Trouville W154 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

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Artwork description

Reproduction details

Claude Monet · The Trouville channel at low tide · Hungarian National Gallery

Entrance to the port of Trouville W154hand painted reproduction

Two fishermen stand at the edge of the channel while sailboats with red, white and brown sails reach the entrance to the port. The two piers frame the water without symmetry: the high dark wall on the left opposes the long low dike on the right. Monet combines a daily work scene with a very clear study of reflections.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Entrance to the port of Trouville W154 - Claude Monet - full view
Entrance to the port of Trouville W154Claude Monet · 1870
1870Dating
54 × 65.7 cmDimensions of the original
Oil on canvasOriginal technique
367.B · Wildenstein 154Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Clear channel opens between two uneven piers

On the left, a high pier descends at an angle and bears a small figure. On the right, a low quay stretches to the horizon. Between them, a green boat with a large pink sail dominates several more distant boats.

The foreground fishermen are seen almost from behind, one standing and the other sitting near a yellow basket. Their lines extend the rods into the calm water, where the sails are reflected in pink, green and gray bands.

The monumentality of the piers and the tiny scale of the fishermen make the narrow passage towards the sea a wide landscape.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Two diagonals framing the aperture

The walls converge towards the horizon but their different height avoids any regular corridor effect.

02

The pink sail as a colorful center

It immediately catches the eye and its vertical reflection connects boat, water and foreground.

03

A largely reserved sky

The upper half, almost white, gives air to the masts and accentuates the low height of the port.

Reference image

Read this specific version

The single reference corresponds to inventory 367.B of the Hungarian National Gallery. The public domain file of 3998 × 3286 px was reduced to 3000 × 2466 px, without enlargement, then encoded in WebP.

Composition01

Individualized sails

Salmon pink, cream, brown and yellow distinguish each boat despite the simplicity of the design.

Color02

Reflections longer than shapes

The colors of the sails descend into the water in vertical touches interrupted by the movements of the channel.

Matter03

A luminous reserve in the sky

The gray-blue passages remain very thin and allow the light background around the masts to breathe.

Documented benchmarks

Three pieces of information specific to this work

This oil on canvas measuring 54 × 65.7 cm, dated 1870, is kept in Budapest under inventory 367.B and classified Wildenstein 154.

Title01

Also called Jetée de Trouville, low tide

The Budapest notice precisely describes the port passage discovered at low tide, a reason associated with fishing activities.

Stay02

A decisive Norman campaign

Monet painted Trouville during the summer of 1870, between seaside scenes and views of the port, before his departure for London.

Collection03

A work from the Hungarian National Gallery

The painting belongs to the national collections of Budapest and bears the number 367.B.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Respect the two piers of different heights.
  • Keep the pink sail and its reflection without saturating them.
  • Keep fishermen and their rods in the foreground.
  • Preserve the magnitude of the sky and the faint horizon line.

Work sheet

Title Entrance to the port of Trouville W154
Artist Claude Monet (1840 -1926)
Date 1870
Original technique Oil on canvas
Dimensions 54 × 65.7 cm
Orientation Horizontal
Conservation Hungarian National Gallery, Budapest, Hungary
Inventory 367.B · Wildenstein 154
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Hungarian National Gallery - work 599, inventory 367.B

Presentation in your interior

A palette designed with the room

Its bright grays, colorful sails and balanced format match a living room or seaside house. A light oak, bluish gray or fine black frame accompanies the piers.

The Entrance to the port of Trouville W154, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Entrance to the port of Trouville W154 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

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4

Tracked delivery

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