A high point of view
Monet looks at the house from the plateau rather than from the beach. The land plunges towards the sea and gives immediate depth to the composition.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Varengeville-sur-Mer · 1882 · W739
A small customs house, seen from above, nestles in dense vegetation above the clear sea and distant cliffs. Painted in 1882, this oil on canvas measuring 61 × 74.9 cm is kept at the Harvard Art Museums/Fogg Museum under number 1934.27 and corresponds to Wildenstein 739.

Look at the work
The brown roof and the two chimneys emerge in the center right, almost swallowed up by grass and trees. The gaze then descends towards the coast before going up towards a long line of blue cliff on the horizon.
Emerald green, turquoise blue, purple and ocher respond to each other in the vegetation. The sea receives clear horizontal touches, while the blue sky is animated by white and pink clouds.
The house does not interrupt the landscape: its walls and roof become colorful fragments within the movement of grass, sea and sky.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
Monet looks at the house from the plateau rather than from the beach. The land plunges towards the sea and gives immediate depth to the composition.
The building remains identifiable, but its contours are crossed by vegetation. It appears as an element of the site, not as an isolated subject.
Dark foreground, light house, sparkling sea and distant cliff organize the space. Each area has a distinct touch direction.
Reference image
Only one exact image of W739 is used. The real WebP measures 2,400 × 1,953 px and maintains the full framing of the canvas without artificial enlargement.
These details are enough to identify the house. Thickening them or making them too geometric would disrupt their integration into the foliage.
Emerald, olive, blue and yellow overlap. A single green would flatten the relief and make the path towards the sea disappear.
Small white and blue touches should remain visible. A smooth surface would lose the luminous glare observed from the cliff.
Documented benchmarks
The Harvard Art Museums documents House of the Customs Officer, Varengeville, oil on canvas from 1882, 61 × 74.9 cm, signed lower left, inventory 1934.27 and Wildenstein 739.
The museum also gives the title Customs House, Pourville, near Varengeville. Monet explored this Norman coastline from several angles during his stay in 1882.
The critic and writer, ardent defender of impressionism, kept the work until its sale in 1919; she then moved to Durand-Ruel.
The painting entered the Fogg Museum with the bequest of Chicago collector Annie Swan Coburn and has been in print since number 1934.27.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Customs House, Varengeville W739 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1882 |
| Original technique | Oil on canvas |
| Dimensions | 61 × 74.9 cm |
| Orientation | Horizontal |
| Conservation | Harvard Art Museums /Fogg Museum, Cambridge, Massachusetts, United States |
| Inventory | 1934.27 · Wildenstein 739 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This maritime view is suitable for a living room, bedroom or entrance. A sage green, pale blue or warm white wall and an oak frame highlight its freshness.
Custom order
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Your reproduction is hand-painted entirely in oil.
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