The Seeming Waters, Dark Times W1224 - Claude Monet

The Seeming Waters, Dark Times W1224 - Claude Monet

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The Seeming Waters, Dark Times W1224 - Claude Monet

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The Seeming Waters, Dark Times W1224 - Claude Monet
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The Seeming Waters, Dark Times W1224 - Claude Monet

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Trois rendus pour une même œuvre

Claude Monet · Fresselines · 1889 · W1224

The Seeming Waters, Dark Times W1224hand painted reproduction

At the confluence of the two Creuses, the steep slopes close around dark blue water under an overcast sky. Painted in Fresselines in 1889, this oil on canvas measuring 73.5 × 92.5 cm is kept at the Von der Heydt-Museum under the number G 1235 and corresponds to Wildenstein 1224.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Seeming Waters, Dark Times W1224 - Claude Monet - full view
The Seeming Waters, Dark Times W1224Claude Monet · 1889
1889Dating
73.5 × 92.5 cmDimensions of the original
Oil on canvasOriginal technique
G 1235 · Wildenstein 1224Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The two rivers meet between almost mineral slopes

A dark bank descends from the left, while the opposite slope occupies the entire center. The water enters through the lower right edge then turns towards the bottom. This narrow curve makes you feel the depth of the ravine without an open horizon.

Blue, green, purple and red-brown intertwine on the slopes. Dark weather cools distant planes, but touches of orange and pink remain in the nearby vegetation. The water takes up the blues of the relief rather than those of an invisible sky.

In W1224, bad weather does not tarnish the valley: it brings the blues, greens and reds together until it makes the ravine a single vibrant mass.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A viewpoint above the confluence

The river is observed diving and rotates between the slopes. The absence of horizon focuses the eye on the topography and the relationships between water, rock and vegetation.

02

Slopes built by opposite touches

The gestures change direction depending on the reliefs. Red brown, green and purple reveal hollows and projections without detailed geological drawing.

03

A series carried out despite unstable weather

Monet's letters evoke the sun, gray and a time that has become sinister. He maintains several canvases in progress in order to adapt each surface to a specific effect.

Reference image

Read this specific version

Only one exact image of W1224 is used. The real WebP measures 1000 × 791 px, available institutional resolution preserved without artificial enlargement.

Composition01

Preserve the dark curve of the water

The river must remain steep and follow its bend towards the bottom. A surface that is too light or too wide would modify the perceived height of the slopes.

Color02

Keep the reds in the vegetation

Red and pink tones warm the left bank and certain strata of the ravine. They prevent the covered landscape from becoming uniformly blue-green.

Matter03

Differentiate the two sides

The nearby bank receives stronger contrasts; the large central slope becomes bluer and diffuse. This nuance establishes depth despite the density of the touch.

Documented benchmarks

Three pieces of information specific to this work

The Von der Heydt-Museum preserves The Seeming Waters, Dark Times, oil on canvas from 1889, 73.5 × 92.5 cm, inventory G 1235 and Wildenstein 1224.

Campaign01

Monet in Fresselines in the spring of 1889

Installed in the Creuse for several weeks, Monet painted the ravines and the confluence under changing lights. This campaign has around twenty-four canvases.

Pattern02

The twin waters of the Grande and Petite Creuse

The title refers to the point where the two rivers meet. Monet moves his easel around the relief in order to produce several complementary views.

Format03

A loose version of the series

With its 73.5 × 92.5 cm, W1224 is one of the group's large compositions. Its scale accentuates the density of the slopes and the sinking of the river.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1224 version
  • The confluence seen from above
  • The dark blue curve of the Creuse
  • The red, green and purple slopes under the overcast sky

Work sheet

Title The Seeming Waters, Dark Times W1224
Artist Claude Monet (1840 -1926)
Date 1889
Original technique Oil on canvas
Dimensions 73.5 × 92.5 cm
Orientation Horizontal
Conservation Von der Heydt-Museum, Wuppertal, Germany
Inventory G 1235 · Wildenstein 1224
Your reproduction Handmade oil painting on canvas
Consult the official notice - Von der Heydt-Museum · G 1235

Presentation in your interior

A palette designed with the room

Mineral blues and earthy reds are suitable for a living room, library or office. A greige, deep green or bluish gray wall and walnut highlight the depth of the ravine.

The Seeming Waters, Dark Times W1224, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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