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Au-dessus de Vétheuil, effet de printemps W587 par Claude Monet, Wallraf-Richartz-Museum
  • Au-dessus de Vétheuil, effet de printemps W587 par Claude Monet, Wallraf-Richartz-Museum
  • Au-dessus de Vétheuil, effet de printemps W587 par Claude Monet, Wallraf-Richartz-Museum
Above Vétheuil, spring effect W587 - Claude Monet

Above Vétheuil, spring effect W587 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

Après le choix du format Validation photo avant expédition
Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet Decorative Paintings French painting – French artists Impressionist Impressionist Landscapes Japonism Spring by Claude Monet Spring landscapes Wallraf-Richartz-Museum

Artwork description

Reproduction details

Claude Monet · Vétheuil · 1880 · W587

Above Vétheuil, spring effect W587hand painted reproduction

From the heights of Vétheuil, a plum tree in bloom occupies the right half of the canvas while the Seine valley opens to the left. Its light crown, made of pink, white and blue, connects the meadow near to the misty distance of La Roche-Guyon. Painted in the spring of 1880, this oil on canvas measuring 60.4 × 99.8 cm is kept at the Wallraf-Richartz-Museum in Cologne under the number WRM 3620 and corresponds to Wildenstein 587.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Above Vétheuil, spring effect W587 - Claude Monet - full view
Above Vétheuil, spring effect W587Claude Monet · 1880
1880Dating
60.4 × 99.8 cmDimensions of the original
Oil on canvasOriginal technique
WRM 3620 · Wildenstein 587Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A plum tree in bloom connects the nearby meadow to the entire Seine valley

The composition juxtaposes two ladders. On the right, the tree stands a few meters from the viewer and its crown fills the height. On the left, the land descends towards the Seine, an island lined with poplars and the distant village.

The beige preparation of the canvas remains perceptible between certain touches of the foreground. Turquoise greens, purple blues and pinks are placed side by side, while the distance receives paler values which give the atmosphere of spring.

The painting does not choose between close-up and panorama: it makes the plum tree an immediate presence while letting the valley breathe behind its branches.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A shared composition without symmetry

The plum tree dominates the right, but the vast open distance to the left balances its weight. The off-center trunk avoids too regular separation.

02

Depth without strong drawing

Differences in size, contrast and temperature are enough to keep the village away. The contours become more blurred as the gaze descends towards the Seine.

03

An open painting in the foreground

Preparation areas emerge between the quick touches of the grass. This material breathing contributes to the brightness and must not be filled.

Reference image

Read this specific version

The single high definition reference image was reduced to 3000 × 1774 px and then encoded as a real WebP. It retains the key and preparation reserves without artificial enlargement.

Composition01

Keep the aerial crown of the plum tree

Flowers should remain separated by intervals of sky and branches; a compact white mass would destroy their lightness.

Color02

Preserve the purple blues of the meadow

These cold accents structure the foreground and respond to the sky without turning the grass into uniform green.

Matter03

Keep the distance very little contrast

La Roche-Guyon and the valley must remain foggy so that the plum tree retains its scale and presence.

Documented benchmarks

Three pieces of information specific to this work

The Wallraf-Richartz-Museum and its research project document Above Vétheuil, spring effect, oil on canvas from 1880, 60.4 × 99.8 cm, signed lower right, WRM 3620 inventory and Wildenstein catalog 587.

Viewpoint01

The valley observed from the heights of Vétheuil

The painting looks towards the Seine and La Roche-Guyon. The nearby plum tree and the distant panorama are treated with almost equal spatial importance.

Matter02

A pink-beige preparation left visible

The museum's technical study highlights the open and sketched execution, particularly in the foreground, where the support directly participates in the colored chord.

Provenance03

A work donated to the museum in 1992

The first known buyer was the collector Camescasse in October 1880; the work then moved to Durand-Ruel and Bernheim-Jeune before entering Wallraf.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 587 version
  • The plum tree in bloom on the right
  • The Seine valley on the left
  • The pinkish beige reserves in the foreground

Work sheet

Title Above Vétheuil, spring effect W587
Artist Claude Monet (1840 -1926)
Date 1880
Original technique Oil on canvas
Dimensions 60.4 × 99.8 cm
Orientation Horizontal
Conservation Wallraf-Richartz-Museum & Corboud Foundation, Cologne, Germany
Inventory WRM 3620 · Wildenstein 587
Your reproduction Handmade oil painting on canvas
Consult the official notice - Wallraf-Richartz-Museum · WRM 3620

Presentation in your interior

A palette designed with the room

This very elongated panorama is suitable above a sofa, sideboard or desk. A mist blue, sea green or natural linen wall and a light frame accompany its spring light.

Above Vétheuil, spring effect W587, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Above Vétheuil, spring effect W587 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

How does your order work?

A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

We send you a photo to validate the result before shipping.

4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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