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Vernon, sun W1386 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses
Vernon, sun W1386 - Claude Monet

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Vernon, sun W1386 - Claude Monet

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Vernon, sun W1386 - Claude Monet

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Claude Monet · 1894 · ex-Brooklyn 22.59 · W1386

Vernon, sun W1386hand painted reproduction

Vernon's collegiate church stands out under a still veiled sun, above a large surface of the blue-purple Seine. Unlike the fog-dominated versions, this canvas allows the roof, the walls of the bank and the masses of trees to be read better, while maintaining diffused light which connects the planes.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Vernon, sun W1386 - Claude Monet - full view
Vernon, sun W1386Claude Monet · 1894
1894Dating
65.7 × 92.7 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1386 · ex-Brooklyn 22.59Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Vernon under a veiled sun, between the more readable architecture of the bank and the vast blue vibration of the Seine

The church occupies the left third and dominates a very low bank. The trees stretch to the right, accompanied by a light house close to the edge. The water takes up more than half of the painting and imposes a large, almost abstract area of blue, purple and gray.

The sky is clear but not bright. Very light yellows and roses warm the church, while the Seine remains dominated by cold blues. The small horizontal touches of the water become tighter in the foreground and give depth without drawn waves.

W1386 balances two readings: Vernon's concrete silhouette and a water surface already freed from detail, constructed almost entirely by color.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The first painting by Vernon's group from 1894

Wildenstein number 1386 opens the series of views devoted to Vernon that year. Monet retains the same general pattern, but varies the degree of mist, the intensity of the sun and the readability of the buildings.

02

A work long preserved at the Brooklyn Museum

The painting was acquired in 1922 with funds donated by Helen L. Babbott and Frank L. Babbott. The Brooklyn Museum sold it to Sotheby's in December 2020; its current conservation is therefore a private collection.

03

Water as the main color field

The Seine goes beyond the function of reflection. Its vast blue-purple expanse has its own rhythm of touches and occupies more space than the city. A faithful copy must maintain this amplitude without overloading the foreground.

Reference image

Read this specific version

The single cropped reference image measures 768 × 535 px. It remains at its native definition and has been preserved as a real WebP, without artificial enlargement.

Composition01

Church off-center above very low horizon

The weight of the building on the left is compensated by the trees and the light house on the right. The large surface of water maintains the distance between the viewer and the bank.

Color02

Purple blue, pearl gray, muted green and pale yellow

The sun acts by warming rather than by sharp contrast. The yellows light up the church and some portions of the sky, while the blues unify the Seine and the remaining mist.

Matter03

Denser material in the foreground

The water touches are tighter and more visible near the bottom edge. They become lighter as they approach the shore, which builds distance.

Documented benchmarks

Three pieces of information specific to this work

These landmarks concern Vernon, Soleil, Wildenstein catalog 1386 and former Brooklyn Museum number 22.59.

Identification01

W1386, ex-Brooklyn 22.59

This oil on canvas from 1894 measures 65.7 × 92.7 cm. It is signed and dated 94 at the bottom left.

Provenance02

From Durand-Ruel to Brooklyn

Durand-Ruel acquired the work from Monet in May 1895. After its passage in the Henry L. Quick collection, it entered the Brooklyn Museum in 1922.

Sale03

Awarded in December 2020

Sotheby's sold the painting to the Brooklyn Museum collections on December 8, 2020. The location of the current owner is not made public.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1386 version, old Brooklyn 22.59 inventory
  • The original format of 65.7 × 92.7 cm
  • The vast purple-blue Seine preserved without excessive texture
  • The church lit by pale yellows, without harsh architectural outline

Work sheet

Title Vernon, sun W1386
Artist Claude Monet (1840 -1926)
Date 1894
Original technique Oil on canvas
Dimensions 65.7 × 92.7 cm
Orientation Horizontal
Conservation Private collection, unpublished location
Inventory Wildenstein 1386 · ex-Brooklyn 22.59
Your reproduction Handmade oil painting on canvas
Consult the sales documentation - Sotheby's

Presentation in your interior

A palette designed with the room

Purple blue, pearl gray, muted green, pale yellow and mist pink make up a calm and deep reproduction. It is suitable for a living room, office or bedroom in mineral colors, with a light wood frame, gray or patinated gold.

Vernon, sun W1386, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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