A transparent container
The glass is not painted as an opaque volume. The stems, green reflections and a few dark blue lines are enough to suggest the walls.
2 · Exemple de la sélection
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Préparation de la sélection…
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3 · Mise en situation
Reproduction d’art premium
Choisissez le tirage Fine Art, le canvas imprimé, la peinture à l’huile ou la version numérique.
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Imprimez l’œuvre chez vous ou auprès de l’imprimeur de votre choix, ou utilisez la version écran sur ordinateur, tablette et téléphone.
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Comprendre les formats
Vincent van Gogh · June 1890 · Auvers-sur-Oise, France
A bouquet of white, blue and dark red carnations fits in a simple green glass. With a few nerve rods, a light yellow background and the bluish shadow of the table, Van Gogh constructs a light, almost transparent still life.
Look at the work
The flowers are divided into two asymmetrical groups. On the left, the blue and white corollas tighten around several stems which rise to the upper edge. On the right, two red-purple carnations jut out in front of a small cloud of pale flowers.
The cylindrical glass is indicated by blue-black contours and green passages which reveal the submerged rods. On the table, a blue-gray shadow goes to the left. The yellow background remains almost empty and makes the contours particularly visible.
The transparency of the container and the voids between the flowers give the bouquet a fragility very different from the large floral vases of Auvers.
Composition, touch and color
The F598 work can be recognized by its small green glass, its off-center bouquet, the long bare stems and the almost monochrome yellow background.
The glass is not painted as an opaque volume. The stems, green reflections and a few dark blue lines are enough to suggest the walls.
Corollas do not form a continuous mass. The yellow spaces between them and the long stems give an airy rhythm to the composition.
The Van Gogh Museum brings this still life closer to the artist's taste for Japanese prints: simple colored plans, visible outlines and quick execution.
Documented benchmarks
Glass with Carnations is an oil on canvas painted in Auvers in June 1890. Preserved in a private collection, it is cataloged F598 and JH2043.
Van Gogh mainly painted landscapes during his stay, but also created a varied series of floral still lifes, often for his pleasure or as a gift.
The small size matches the economy of the pattern: a glass, a few flowers, a light table and almost no accessories.
These references distinguish the carnation glass of the F280 wildflower vase and the large bouquets kept in museums.
Your reproduction
The painter must keep the lightness of the voids, the irregular contours of the eyelets and the transparency of the glass, without artificially thickening this little bouquet.
| Title | Eyelet glass |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | June 1890 |
| Place of creation | Auvers-sur-Oise, France |
| Original technique | Oil on canvas |
| Dimensions | 41 × 32 cm |
| Inventory | F598 · JH2043 · Private collection |
| Conservation | Private collection |
| Your reproduction | Handmade oil painting on canvas |
In your interior
The vertical format is suitable for a kitchen, bedroom or small office wall. Light yellows, greens and blues illuminate natural wood and cream-toned interiors.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The best identified public reference measures 1,206 × 1,704 px. It has been converted into a real WebP without artificial enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Explore the topics and styles associated with this reproduction.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
A slim, traditional frame that keeps attention on the artwork.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose a Box frame for a deeper profile and a more pronounced presence on the wall.
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Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Your painting is delivered rolled. Arrange stretching or framing locally after receipt.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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Same artist
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