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Église de Vétheuil W505 par Claude Monet, musée d’Orsay
  • Église de Vétheuil W505 par Claude Monet, musée d’Orsay
  • Église de Vétheuil W505 par Claude Monet, musée d’Orsay
Church of Vétheuil W505 - Claude Monet

Church of Vétheuil W505 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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The format automatically adapts to the original artwork.

Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

Après le choix du format Validation photo avant expédition
Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet Claude Monet Vétheuil French painting – French artists Impressionist Japonism Musée d'Orsay

Artwork description

Reproduction details

Claude Monet · Vétheuil under the snow · Musée d'Orsay

Church of Vétheuil W505hand painted reproduction

The bell tower, houses and two small colorful pavilions appear behind a snowy bank. Monet contrasts the blues of the water and shadows with the bright red of a construction, giving this winter landscape an unexpected intensity.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Vétheuil Church W505 - Claude Monet - full view
Church of Vétheuil W505Claude Monet · 1879
1879Dating
65.5 × 50.5 cmDimensions of the original
Oil on canvasOriginal technique
RF 1973 18 · Wildenstein 505Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The Vétheuil bell tower in a snowy light

The view first passes through a strip of cold water, then a snow-covered bank before reaching the fence, pavilions and houses. This succession of tight shots raises the gaze to the bell tower. The verticality of the format reinforces this momentum without isolating the church from its daily environment.

Snow is never a uniform white. It contains blues, grays, greens and a few ochres which indicate the humidity of the ground and the irregularities of the shore. In the center, the small red pavilion acts like a warm note: it measures distance, animates the composition and by contrast accentuates the freshness of the atmosphere.

The church dominates Vétheuil without erasing the ordinary bank: Monet brings the architecture, the fences, the melting snow and the light of the river into the same view.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A vertical built in stages

The bell tower is not placed directly on the snow. Water, bank, fence, pavilions, houses then tower form a progression which gives real height and depth to the small format.

02

Red in the heart of winter

The red flag focuses attention, but its color must remain caught in the surrounding blue grays. Too saturated, it would become decorative; too brown, it would lose its luminous role.

03

Colorful whites

Monet uses light canvas, impasto and cold touches to make snow smell. Dark areas of earth and water prevent the lower part from turning into a uniform surface.

Reference image

Read this specific version

The reference image isolates the painted surface and makes the water blues, colored snow whites and central red readable. These temperature differences are essential for the accuracy of reproduction.

Composition01

A format that leads to the bell tower

The horizontal bands in the foreground slow down the gaze before climbing towards the tower.

Color02

A perfectly placed red accent

The small red construction brings a warm fireplace in a range dominated by blues, grays and broken whites.

Matter03

Thick, discontinuous snow

The material alternates covering passages and thinner touches to evoke snow, water and earth which reappears.

Documented benchmarks

Three pieces of information specific to this work

The notice from the Musée d'Orsay gives the date, dimensions, inventory and origin of this vertical version of the Vétheuil church.

Architecture01

Notre-Dame de Vétheuil

Monet painted the church which had dominated the village since the Middle Ages, but showed it through the effects of season and light rather than as an architectural study.

Acquisition02

Donation Max and Rosy Kaganovitch

The painting entered the French national collections in 1973 and is today assigned to the Musée d'Orsay.

Reference03

RF 1973 18

The work is signed and dated 1879. It measures 65.5 cm high by 50.5 cm wide and corresponds to Wildenstein number 505.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain the progression of the bodies from the water to the bell tower.
  • Shade snow with blues, grays and ochres rather than pure white.
  • Give the red flag its strength without artificially detaching it from the landscape.
  • Respect the denser material of the bank and the more fluid passages of water.

Work sheet

Title Church of Vétheuil W505
Artist Claude Monet (1840 -1926)
Date 1879
Original technique Oil on canvas
Dimensions 65.5 × 50.5 cm
Orientation Vertical
Conservation Musée d'Orsay, Paris, France
Inventory RF 1973 18 · Wildenstein 505
Your reproduction Handmade oil painting on canvas
Consult the official notice - Musée d'Orsay

Presentation in your interior

A palette designed with the room

Its vertical format easily finds a place between two openings, above a console or in a bookcase. The muted blues and broken whites match stone, gray blue or ivory walls; a patinated gold or dark wood frame highlights the small red accent.

Vétheuil Church W505, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Church of Vétheuil W505 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

How does your order work?

A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

We send you a photo to validate the result before shipping.

4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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