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Vétheuil vu de l’Île Saint-Martin W596 par Claude Monet

Vétheuil seen from Île Saint-Martin W596 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Vétheuil · 1880 · W596

Vétheuil seen from Île Saint-Martin W596hand painted reproduction

From Île Saint-Martin, Monet looks at Vétheuil beyond a curve of the Seine and a bank covered with flowers. The church and the light houses group together in the center left, while two walkers, one of whom carries an umbrella, appear in the tall grass on the right. Painted in 1880, this oil on canvas measuring 60.4 × 79.4 cm is listed under Wildenstein number 596.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Vétheuil seen from Île Saint-Martin W596 - Claude Monet - full view
Vétheuil seen from Île Saint-Martin W596Claude Monet · 1880
1880Dating
60.4 × 79.4 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 596Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The flowery bank leads towards Vétheuil without separating the near from the distant

The Seine enters from the lower left corner and describes a gentle curve in front of the village. On the right, the embankment occupies almost half of the painting: its inclination leads the gaze to the two figures then towards the bell tower, which remains the main vertical accent.

The yellows, greens and reds in the foreground are placed in brief, tight touches. The village receives bluish whites, pinks and calmer grays, while the back hillside loses its contrasts under a clear sky covered in mauve.

The bell tower is not isolated like a monument: it emerges from a continuum of houses, trees and reflections which makes the unity of the site felt.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A diagonal of meadow that carries the view

The flowery slope rises from the lower right corner towards the village. Its colored density stabilizes the smoother curve of the Seine on the left.

02

Two figures to measure the landscape

The walkers are tiny, but their dark silhouettes and light parasols give an immediate scale to the grass, the shore and the village.

03

A bell tower built by contrasts

The light tower stands out in front of the greens of the hillside without heavy outline. A few dark touches are enough to clarify its architecture and set the distance.

Reference image

Read this specific version

The single reference image is preserved at its native definition of 1024 × 763 px then encoded as a real WebP. No artificial enlargement was applied.

Composition01

Preserve the blue curve of the Seine

It must remain visible until the village without becoming a uniform band; its violets and light reflections integrate it into the sky.

Color02

Preserve flowers with separate accents

The reds and yellows of the embankment must remain punctual. A continuous color would make the vibration of the meadow disappear.

Matter03

Keep walkers discreet but readable

Their small scale is essential: they must neither get lost in the grass nor take on the importance of a genre scene.

Documented benchmarks

Three pieces of information specific to this work

Christie's sales notice documents Vétheuil seen from Île Saint-Martin, oil on canvas from 1880, 60.4 × 79.4 cm, signed and dated Claude Monet 79 lower right, Wildenstein catalog 596.

Viewpoint01

Vétheuil observed from Île Saint-Martin

Monet places the village on the other bank of the Seine. The low position of the gaze enlarges the meadow and lets the church organize the entire distance.

Registration02

A painting dated 79 but cataloged in 1880

The signature painted at the bottom right bears Claude Monet 79. The reasoned notice and the sales notice nevertheless retain an execution in 1880.

Provenance03

A work passed by Durand-Ruel

The published provenance mentions the acquisition by Durand-Ruel from Young in 1925, then Hugo Perls in 1927 and Siegfried Oestreich in Montreal.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 596 version
  • The curve of the Seine on the left
  • The Vétheuil bell tower in the center
  • The two walkers in the flowered embankment

Work sheet

Title Vétheuil seen from Île Saint-Martin W596
Artist Claude Monet (1840 -1926)
Date 1880
Original technique Oil on canvas
Dimensions 60.4 × 79.4 cm
Orientation Horizontal
Conservation Private collection, Current non-public location
Inventory Wildenstein 596
Your reproduction Handmade oil painting on canvas
Consult the official notice - Christie's · sale 2001, documented lot

Presentation in your interior

A palette designed with the room

This horizontal landscape is suitable for a living room, bedroom or dining room. A sage green, pale blue or natural linen wall and a light wood frame accompany its spring light.

Vétheuil seen from Île Saint-Martin W596, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Vétheuil seen from Île Saint-Martin W596 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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1

You choose the size

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2

We paint the canvas

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3

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4

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