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Vétheuil in winter W507 - Claude Monet

Vétheuil in winter W507 - Claude Monet

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Vétheuil in winter W507 - Claude Monet

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Vétheuil in winter W507 - Claude Monet
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Vétheuil in winter W507 - Claude Monet

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Claude Monet · The first winter in Vétheuil · The Frick Collection

Vétheuil in winter W507hand painted reproduction

The village of Vétheuil extends at the foot of a snowy hill, dominated by the dark tower of its church. In the foreground, the Seine partially covered by ice is crossed by two boats loaded with figures. Monet reduces almost the entire scene to whites, blues and grays, but a few browns, reds and greens maintain village life and human presence.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Vétheuil in winter W507 - Claude Monet - full view
Vétheuil in winter W507Claude Monet · Around 1878 -1879
Around 1878 -1879Dating
68.6 × 89.9 cmDimensions of the original
Oil on canvasOriginal technique
1942.1.146 · Wildenstein 507Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The snow brings the village, the sky and the Seine closer together

Notre-Dame Church forms the darkest point of the landscape, slightly to the left of the center. Around it, the houses descend towards the bank through a mosaic of gray facades, white roofs and small brown touches. The hill behind the village almost merges with the sky.

Two boats cross the river. The closest, lower left, carries several passengers; the other advances in the middle of a strip of clear water. Plaques of ice and their bluish green reflections occupy the right, while silhouettes wait on the bank.

The snow erases the usual limits, but the boats, figures and the church tower reconstruct a very precise depth.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A composition constructed in three bands

The Seine occupies the bottom, the village forms a dense frieze in the center and the snow-capped hill blends into the sky. These areas are distinguished mainly by the direction of the touch.

02

Blue as a value rather than a local color

Cobalt blue, blue gray and turquoise are used to shape the shadows of snow, walls, water and distances. Their intensity varies to separate the planes without outline.

03

Dark accents that organize reading

The tower, the hulls, the passengers and a few trees concentrate the browns and blacks. Few in number, they give the pale landscape its balance and scale.

Reference image

Read this specific version

The unique reference corresponds to the 1942.1.146 inventory of the Frick Collection. The 6,320 × 4,848 px file was reduced to 3,000 × 2,301 px, without enlargement, then converted to high definition WebP.

Composition01

A view taken from the other bank

Monet observes Vétheuil from the Lavacourt sector, probably near his workshop boat. The river thus maintains a real depth between the spectator and the village.

Color02

Whites never neutral

The snow mixes cream, very pale pink, gray and blue. These differences show slopes, roofs and patches of ice without resorting to uniform white.

Matter03

Denser material around the church

The houses use short, layered touches, while the hill and sky are rubbed more widely. The architecture remains readable without losing the atmosphere.

Documented benchmarks

Three pieces of information specific to this work

The Frick Collection keeps this oil on canvas measuring 68.6 × 89.9 cm under inventory 1942.1.146; the Wildenstein catalog gives it the number 507.

Season01

Monet's first winter in Vétheuil

The painting dates from 1878 -1879, shortly after the painter's installation in the village. Snow and ice give it a pattern where shapes dissolve in an almost monochrome light.

Crossing02

The ferry between Vétheuil and Lavacourt

The boats and groups of figures refer to the passage which connected the two banks. This daily detail gives the vast winter view a discreet but essential activity.

Provenance03

Georges de Bellio buys it from Monet

The doctor and collector Georges de Bellio acquired the painting directly from the painter in December 1879. The Frick Collection purchased it in 1942.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Preserve the dominant blue and white without losing the values specific to the houses and the hill.
  • Maintain the position of both boats and small groups of passengers.
  • Maintain the dark tower as a pivot without detaching it with a contour that is too hard.
  • Differentiate between open water, reflections and patches of ice in the foreground.

Work sheet

Title Vétheuil in winter W507
Artist Claude Monet (1840 -1926)
Date Around 1878 -1879
Original technique Oil on canvas
Dimensions 68.6 × 89.9 cm
Orientation Horizontal
Conservation The Frick Collection, New York, United States
Inventory 1942.1.146 · Wildenstein 507
Your reproduction Handmade oil painting on canvas
Consult the official notice - The Frick Collection - inventory 1942.1.146

Presentation in your interior

A palette designed with the room

Its colorful whites and calm blues bring light to a living room, bedroom or office. An aged silver, limed oak or midnight blue setting accompanies its winter atmosphere.

Vétheuil in winter W507, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
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