A deliberately asymmetrical bouquet
The floral mass widens on the left while a few stems stretch to the right. The central vase stabilizes this irregular balance.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · A still life by Bougival in 1869 · J. Paul Getty Museum
A bouquet overflows from a decorated vase, surrounded by a basket, apples, pears and bunches of grapes. On the white tablecloth, each fruit receives a different light. Monet composes a very structured abundance and experiments with several ways of applying paint depending on the material represented.

Look at the work
The vase occupies the central axis and carries an asymmetrical bouquet which extends strongly to the left. White, red, pink, yellow and blue flowers fit together without merging. A large dark area around the bouquet reinforces their shine.
On the table, the basket tilts slightly towards the viewer and releases several fruits. Apples, pears and grapes are distributed on either side of the vase. The folds of the tablecloth lead the eye towards the bottom while connecting the scattered objects.
This still life is not based on a uniform finish: Monet changes touch to differentiate tablecloth, fruit, ceramic and petals.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The floral mass widens on the left while a few stems stretch to the right. The central vase stabilizes this irregular balance.
The tablecloth largely reveals its design and brings the fruits closer to the edge. Its perspective gives depth to the large vertical format.
The Getty distinguishes a broad and flat painting in the tablecloth, more sketched in the apples and short, tight, in the petals.
Reference image
The unique reference corresponds to inventory 83.PA.215 of the J. Paul Getty Museum, Wildenstein version 139. The Open Content file was reduced without enlargement to 2,433 × 3,000 px then encoded in WebP.
Petals and tablecloth do not share the same white: the flowers are thicker and more colorful, the fabric wider and bluish gray.
The bouquet and fruits pass in front of its shape. Its blue patterns must be readable without attracting the eye more than the flowers.
Greens, reds and yellows change on contact with the tablecloth, the vase and the shadows. No fruit is treated as an isolated local color.
Documented benchmarks
Painted in 1869, this oil on canvas measuring 100.3 × 81.3 cm is kept at the J. Paul Getty Museum under inventory 83.PA.215 and classified Wildenstein 139.
Monet produced the composition in a workshop during his stay in the summer and autumn of 1869 in Bougival, where he also carried out his outdoor research on the Seine.
The objects retain their presence, but their limits are softened and their colors affected by reflections. This research contributes to innovations that will nourish impressionism.
The Claude Monet signature appears in the dark area above the bouquet. The painting belongs to the Getty under the reference 83.PA.215.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Flowers and fruits W139 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1869 |
| Original technique | Oil on canvas |
| Dimensions | 100.3 × 81.3 cm |
| Orientation | Vertical |
| Conservation | J. Paul Getty Museum, Los Angeles, United States |
| Inventory | 83.PA.215 · Wildenstein 139 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This large vertical still life is suitable for a dining room, open kitchen or living room. A deep green, walnut or matte gold frame reinforces the dark background and makes the flowers and tablecloth shine.
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