A view from the top
The composition belongs to a group of three views where Monet gradually climbs the height. In the Chicago version, pine trees take the lead and the city becomes a secondary motif between the branches.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Ligurian Riviera · 1884 · W854
From a height, pines with sinuous trunks frame the ancient city of Bordighera and reveal only a narrow strip of Mediterranean. This oil on canvas measuring 65 × 80.8 cm, signed and dated Claude Monet 84, belongs to the Potter Palmer Collection of the Art Institute of Chicago under number 1922.426.

Look at the work
The trees in the foreground cross the composition diagonally and in curves. Between their trunks, the ocher, pink and cream houses tighten around the bell tower; further on, the blue of the sea almost meets that of the sky.
The greens of the foliage are crossed by yellows, blues and purples. The city receives warmer accents, but its shapes remain fragmented: it appears bathed in light rather than drawn building by building.
In W854, Monet chooses not to offer a panoramic view: Bordighera remains partially hidden, discovered through the vegetation that had initially disconcerted him.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The composition belongs to a group of three views where Monet gradually climbs the height. In the Chicago version, pine trees take the lead and the city becomes a secondary motif between the branches.
The Art Institute's technical study revealed a first position of the bell tower to the right of the central trunk. Monet places it on the left in order to improve the readability of the village through the plant screen.
The 65 × 80.8 cm format, inventory 1922.426 and reference Wildenstein 854 identify the painting from the Potter Palmer Collection, now presented in Chicago.
Reference image
Only one reference image is used. The exact scan of W854 is provided in true WebP of 3000 × 2414 px, without artificial enlargement.
Twisted pines form an irregular arch around the city. Their position, thickness and intervals must remain accurate to maintain the balance between obstruction and opening.
The sea is barely visible but essential: its deep blue cools the roofs and greens in the foreground. Making it too wide or too bright would change the hierarchy of the scene.
Examination of the museum shows a network of keys sometimes revealing the preparation, then thicker layers on the trunks and foliage. This alternation gives the vegetation its relief.
Documented benchmarks
The Art Institute of Chicago documents Bordighera, oil on canvas from 1884, 65 × 80.8 cm, inventory 1922.426, Potter Palmer Collection and Wildenstein 854.
Arriving alone in January 1884 after a first trip with Renoir, Monet extended a stay planned for three weeks and sent forty-five paintings to Paris before his return in April.
The ancient village and its bell tower are observed from the heights. Monet prefers to integrate them with local pines rather than isolate them like a conventional tourist view.
The signature and date are written at the bottom left in a dark red-brown paint, in contact with the foliage in the foreground.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Bordighera W854 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1884 |
| Original technique | Oil on canvas |
| Dimensions | 65 × 80.8 cm |
| Orientation | Horizontal |
| Conservation | Art Institute of Chicago, Chicago, United States |
| Inventory | 1922.426 · Wildenstein 854 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This landscape combines plant depth and marine light. It works in a living room, library or office, on a light stone wall with walnut, deep blue textiles and some ocher accents.
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