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View of the village of Giverny W1072 - Claude Monet

View of the village of Giverny W1072 - Claude Monet

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View of the village of Giverny W1072 - Claude Monet

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View of the village of Giverny W1072 - Claude Monet
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View of the village of Giverny W1072 - Claude Monet

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Claude Monet · Giverny · 1886 · W1072

View of the village of Giverny W1072hand painted reproduction

From a height northeast of the village, the red and pink roofs of Giverny fill the foreground. Behind them, a thick strip of trees opens onto the Essarts plain and the blue hills of Bennecourt, under a vast pink and turquoise sky. Signed and dated Claude Monet 86, this oil on canvas measuring 66 × 81.6 cm belongs to a private collection and corresponds to Wildenstein 1072.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
View of the village of Giverny W1072 - Claude Monet - full view
View of the village of Giverny W1072Claude Monet · 1886
1886Dating
66 × 81.6 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1072Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The roofs of Giverny transformed into a mosaic of colors

The houses are cut by the lower edge and observed from a steep dive. Their interlocking roofs form a first dense strip, followed by trees, fields and finally hills. The sky covers almost the upper third.

Reds, pinks, oranges and creams structure the roofs; emerald greens, blues and yellows make up the vegetation. The hills are simplified into long blue bands, while the sky receives wide pearly passages.

Rather than a descriptive panorama, Monet constructs a patchwork of roofs, trees, fields and hills where each shot has its own texture.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A landscape close to constructive abstraction

Christie's highlights how shapes and textures take precedence here over a fleeting effect of light. The village becomes an order of colored surfaces.

02

A view chosen a few minutes from Monet's house

The painter sets up his easel on the height northeast of the center. He looks towards the Essarts plain and the Bennecourt hills, about eight kilometers further.

03

The Coast farm in the foreground

The buildings belong to the owners of the Hôtel Baudy. On the left, behind the first trees, are the houses of Pressoir, an area where Monet has lived since 1883.

Reference image

Read this specific version

A single exact image of W1072 is used throughout the sheet and as the sole media for the product. The real WebP measures 2,200 × 1,774 px and retains the native definition available without artificial enlargement.

Composition01

Keep roofs cut by the bottom edge

This proximity gives the diving angle and prevents the village from becoming a conventional distant view.

Color02

Preserve successive strips up to the hills

Roofs, trees, fields and reliefs must remain clearly distinct while sharing the same blues and greens.

Matter03

Keep the pink and turquoise sky very clear

Its large, calm surface balances the density of the houses and foliage below.

Documented benchmarks

Three pieces of information specific to this work

Christie's documents View of the village of Giverny, oil on canvas from 1886, 66 × 81.6 cm, signed and dated Claude Monet 86 and listed Wildenstein 1072.

Viewpoint01

A view towards the Essarts plain and Bennecourt

Monet is placed on a height close to the village. The distant reliefs follow the Seine valley upstream of Giverny.

Style02

A construction by surfaces and textures

Roofs, trees and fields are treated less as isolated objects than as interlocking pictorial areas, momentarily bringing Monet closer to a post-impressionist logic.

Provenance03

A painting long loaned to the New Orleans museum

After several European collections, the work was deposited at the New Orleans Museum of Art from 1977 to March 2018 before its sale at Christie's in November 2018.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1072 version
  • The interlocking roofs in the foreground
  • The green plain of Essarts
  • The blue hills under the pearly sky

Work sheet

Title View of the village of Giverny W1072
Artist Claude Monet (1840 -1926)
Date 1886
Original technique Oil on canvas
Dimensions 66 × 81.6 cm
Orientation Horizontal
Conservation Private collection, Non-public location
Inventory Wildenstein 1072
Your reproduction Handmade oil painting on canvas
Consult the sales notice - Christie's · New York · November 11, 2018

Presentation in your interior

A palette designed with the room

This horizontal view is suitable for a living room, dining room or office. A deep green, powder pink or gray blue wall and a warm brown frame emphasize its colorful construction.

View of the village of Giverny W1072, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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