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Waterloo Bridge: the sun in the fog - Claude Monet

Waterloo Bridge: the sun in the fog - Claude Monet

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Waterloo Bridge: the sun in the fog - Claude Monet

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Waterloo Bridge: the sun in the fog - Claude Monet
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Waterloo Bridge: the sun in the fog - Claude Monet

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Trois rendus pour une même œuvre

Claude Monet · 1903 · Waterloo Bridge seen from the Savoy Hotel

Waterloo Bridge: the sun in the foghand painted reproduction

An orange disk passes through the fog above the Thames; the bridge almost disappears under the cold light, while a column of warm reflections leads the eye of the sun to the foreground.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Waterloo Bridge: the sun in the fog - Claude Monet - full view
Waterloo Bridge: the sun in the fogClaude Monet · 1903
1903Dating
73.7 × 100.3 cmDimensions of the original
Oil on canvasOriginal technique
817Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The sun is the only clear outline in a dissolved city

Monet places Waterloo Bridge very low in the composition. Its apron and piles form only a long purplish-blue presence, interrupted by a few tiny boats. The south bank remains even more uncertain: the buildings and the smoke melt into a pale sky where gray, green and lilac are continually mixed.

The orange sun, off-center to the right, is the warmest and most compact note on the canvas. Its light does not draw a rectilinear path: it fragments on the water into touches of salmon, yellow and white. Between this luminous vertical and the horizontal of the bridge, Monet constructs the entire depth of the landscape.

In this version, the monument is not the real subject: the bridge gives a measure to the air, while the sun reveals the colorful thickness of the fog.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Waterloo Bridge: the sun in the fog - Claude Monet
01

A deliberately lowered horizon

The sky occupies more than half of the canvas. This expanse gives the fog room to become a colored material, and not a simple veil placed in front of the city.

02

A small but decisive sun

The orange disc is isolated in cool tones. Its high position and discontinuous reflection are enough to organize the reading of the entire composition.

03

The bridge is reduced at a pace

The piers and arches can be seen by differences of blue and purple. Monet retains the length of Waterloo Bridge without hardening its architecture.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The sun filtered by the mist - detail of Waterloo Bridge: the sun in the fog - Claude Monet
The sun filtered by the mistThis cropping shows the green and gray halo surrounding the orange disc. The edges remain soft, but the warm color retains exceptional intensity.
The bridge, the boats and the reflections - detail of Waterloo Bridge: the sun in the fog - Claude Monet
The bridge, the boats and the reflectionsBelow the bridge line, a few dark accents indicate the boats. The oranges in the reflection break upon contact with the blues and greens of the Thames.

The full view measures 1190 × 880 px after removing the margin from the reference public scan. Details of 660 × 520 px and 850 × 420 px are native cropping, without enlargement. All three files are true WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

The Canadian Museum Inventory 817

This oil on canvas measuring 73.7 × 100.3 cm is kept at the National Gallery of Canada in Ottawa under number 817. It corresponds to Wildenstein number 1573.

Series02

A variation among the Waterloo Bridges

From the Savoy Hotel, Monet takes the same bridge under different lights and fog densities. This version is distinguished by the clearly visible orange sun.

Dating03

A painting completed in 1903

The museum dates the work to 1903. Like the other London views, it belongs to the serial work begun in front of the motif then pursued with rigor in Giverny's workshop.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The reduced size and exact position of the sun
  • Fog transparency without standardizing it gray
  • The bridge line almost erased but still legible
  • The fragmented orange reflections in the middle of the cold blues

Work sheet

Title Waterloo Bridge: the sun in the fog
Artist Claude Monet (1840 -1926)
Date 1903
Original technique Oil on canvas
Dimensions 73.7 × 100.3 cm
Orientation Horizontal
Conservation National Gallery of Canada, Ottawa, Canada
Inventory 817
Your reproduction Handmade oil painting on canvas
Consult the official notice - National Gallery of Canada

Presentation in your interior

A palette designed with the room

This horizontal canvas provides calm light without becoming neutral. Its lavender blue, misty green and orange note match the off-white, pearl gray, smoky blue or light sage walls.

Waterloo Bridge: the sun in the fog, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet Claude Monet London Fog and Mists by Claude Monet

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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