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Waterloo Bridge W1555 - Claude Monet

Waterloo Bridge W1555 - Claude Monet

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Waterloo Bridge W1555 - Claude Monet

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Waterloo Bridge W1555 - Claude Monet
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Waterloo Bridge W1555 - Claude Monet

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Claude Monet · 1900 · Santa Barbara · W1555

Waterloo Bridge W1555hand painted reproduction

Waterloo Bridge passes through a blue-green light where the chimneys and the south bank become silhouettes. In the foreground, two small boats stand out in an area of golden reflections. This 65.4 × 92.7 cm oil on canvas is kept in Santa Barbara under number 1968.20.7.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Waterloo Bridge W1555 - Claude Monet - full view
Waterloo Bridge W1555Claude Monet · 1900
1900Dating
65.4 × 92.7 cmDimensions of the original
Oil on canvasOriginal technique
1968.20.7 · Wildenstein 1555Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A morning light dissolves the bridge in the Thames

The bridge occupies the upper half of the composition and leaves plenty of room for the river. Its arches are darker than the sky, but their outline is lost in the mist. Three vertical chimneys and an industrial building on the right provide a discreet framework in the background.

The brightest area is not the sky: it sparkles on the water, in front of the bridge, in small touches of cream, yellow and pink. Two dark boats pass through this reflection. Their tiny presence makes you feel the expanse of the Thames and the height of the viewpoint.

In W1555, the bridge is not the bright center: it retains the mist while the sun shines on the river.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The Wildenstein 1555 version

The Santa Barbara Museum of Art documents this painting under number 1968.20.7: oil on canvas from 1900, 65.4 × 92.7 cm, listed Wildenstein 1555.

02

A morning view from the Savoy

The museum notice describes the factory fumes made opalescent by the morning fog. Monet watches the bridge downstream from his room at the Savoy Hotel.

03

Architecture and abstraction

The bridge remains recognizable, but the stone, water, smoke and sky share the same greens, blues and purples. This continuity announces the growing abstraction of late works.

Reference image

Read this specific version

Only one image is used: the official IIIF scan of the Santa Barbara Museum of Art, converted into a real WebP of 1,481 × 1,050 px at its native resolution.

Composition01

A bridge placed high in the frame

The large area of water must be preserved. Going down or enlarging the bridge would remove the space needed for boats and the light reflection in the foreground.

Color02

A golden shine in a cold range

The yellows and roses remain concentrated on the Thames. They should shine without turning the whole scene into a sunset.

Matter03

Permeable industrial silhouettes

Chimneys are just muffled verticals. Their edges mix with the sky so that the smoke and architecture belong to the same atmosphere.

Documented benchmarks

Three pieces of information specific to this work

The official notice fixes the data for this version: 1900, oil on canvas, 65.4 × 92.7 cm, Santa Barbara Museum of Art 1968.20.7 and Wildenstein 1555.

Collection01

Santa Barbara Museum of Art, 1968.20.7

The painting entered the museum through the bequest of Katharine Dexter McCormick, in memory of her husband Stanley McCormick.

Atmosphere02

Factory smoke and morning fog

Monet precisely chooses the effects where natural and industrial phenomena mingle, to the point of making the bridge almost immaterial.

Identification03

Waterloo Bridge, W1555

The 65.4 × 92.7 cm format, the two boats in the reflection and the dark building on the right distinguish this version from the more panoramic Waterloo Bridges.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of Santa Barbara 1968.20.7 and Wildenstein 1555
  • The original format of 65.4 × 92.7 cm
  • Golden light concentrated on water
  • Canoes and fireplaces readable without hard contours

Work sheet

Title Waterloo Bridge W1555
Artist Claude Monet (1840 -1926)
Date 1900
Original technique Oil on canvas
Dimensions 65.4 × 92.7 cm
Orientation Horizontal
Conservation Santa Barbara Museum of Art, Santa Barbara, United States
Inventory 1968.20.7 · Wildenstein 1555
Your reproduction Handmade oil painting on canvas
Consult the official notice - Santa Barbara Museum of Art

Presentation in your interior

A palette designed with the room

Smoky greens, blues and cream highlights work well in a contemporary living room, office or bedroom. Medium wood, warm gray and a few touches of brass take back the light without weighing down the fog.

Waterloo Bridge W1555, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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