A format twice as wide as it is high
The 83 cm width and 42 cm height require a panoramic reading. The gaze slowly travels along the bank, from the central red construction to the dark bell tower placed to the right.
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3 · Mise en situation
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Claude Monet · Panorama of the city from the other bank of the Seine · Private collection
Argenteuil stretches into a low frieze between the Seine and the hills of the horizon. The Saint-Denys church punctuates the right bank, while a vast sky of gray, white and blue clouds dominates the city. Painted in 1872, this very elongated canvas separates sailboats, walkers and factories to make the urban landscape a calm and distant presence.

Look at the work
The Seine occupies almost the lower third and remains deliberately bare. A few small blue touches are enough to suggest its movement. On the other bank, houses, trees and church are juxtaposed into a narrow strip that the purple hillsides isolate from the sky.
Clouds cover more than half of the surface. Their broken whites stand out against bluish grays and mauves, with darker passages at the corners. This disproportion gives the panorama its feeling of space and places atmospheric light before topographical detail.
Monet does not bring Argenteuil closer: he lets the water establish a distance, then reduces the city to a series of colors under the changing immensity of the sky.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The 83 cm width and 42 cm height require a panoramic reading. The gaze slowly travels along the bank, from the central red construction to the dark bell tower placed to the right.
Water line, bank, houses and hillsides overlap in strips. The trees, the red tower and especially the two points of the church introduce the rare verticals necessary for balance.
The Sotheby's notice highlights the absence of sailboats, wash houses and walkers often present in the views of the city. Monet favors an almost bucolic image here, despite the rapid industrialization of the site.
Reference image
The visual corresponds to Vue d'Argenteuil, oil on canvas from 1872, 42 × 83 cm, signed lower right and listed Wildenstein 235. The unique WebP measures 2,880 × 1,420 px, definition of the exact public file, without enlargement artificial.
The buildings are constructed in small cream, yellow, pink and blue masses. Detailing them excessively would break the desired distance from the other bank.
The densest whites are concentrated in the center, while the gray-purple edges show more of the canvas's weft. This variation maintains the depth of the clouds.
Its gray-blue bands are wide and not very contrasting. A few short lines in the foreground are enough to distinguish the surface of the Seine from the green bank.
Documented benchmarks
This oil on canvas from 1872 measures 42 × 83 cm. Preserved in private collections, it is identified by number 235 of the Wildenstein catalog raisonné.
The family arrived in December 1871 and stayed there for about six years. The city then became one of Monet's major laboratories for observing the Seine, leisure and the transformations of the suburbs.
The large body of water places the city at a distance. The hillsides of the Saint-Denis region in Pontoise close the horizon behind the houses and the church.
The painting was acquired from Monet by the Durand-Ruel gallery no later than 1891, then remained in the merchant's family collection for several decades.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | View of Argenteuil W235 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1872 |
| Original technique | Oil on canvas |
| Dimensions | 42 × 83 cm |
| Orientation | Horizontal panoramic |
| Conservation | Private collection, Non-public location |
| Inventory | Wildenstein 235 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This panorama is suitable above a sofa, sideboard or wide desk. A patinated white, old silver or smoked wood frame accompanies the sky; a gray blue, light beige or soft green wall highlights the line of the bank.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Explore the topics and styles associated with this reproduction.
L’œuvre et sa reproduction
Découvrez l’histoire et l’atmosphère de cette œuvre, puis choisissez une reproduction à l’huile réalisée à la main selon vos dimensions.
À propos de l’œuvre
Claude Monet · Panorama of the city from the other bank of the Seine · Private collection
Argenteuil stretches into a low frieze between the Seine and the hills of the horizon. The Saint-Denys church punctuates the right bank, while a vast sky of gray, white and blue clouds dominates the city. Painted in 1872, this very elongated canvas separates sailboats, walkers and factories to make the urban landscape a calm and distant presence.

Look at the work
The Seine occupies almost the lower third and remains deliberately bare. A few small blue touches are enough to suggest its movement. On the other bank, houses, trees and church are juxtaposed into a narrow strip that the purple hillsides isolate from the sky.
Clouds cover more than half of the surface. Their broken whites stand out against bluish grays and mauves, with darker passages at the corners. This disproportion gives the panorama its feeling of space and places atmospheric light before topographical detail.
Monet does not bring Argenteuil closer: he lets the water establish a distance, then reduces the city to a series of colors under the changing immensity of the sky.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The 83 cm width and 42 cm height require a panoramic reading. The gaze slowly travels along the bank, from the central red construction to the dark bell tower placed to the right.
Water line, bank, houses and hillsides overlap in strips. The trees, the red tower and especially the two points of the church introduce the rare verticals necessary for balance.
The Sotheby's notice highlights the absence of sailboats, wash houses and walkers often present in the views of the city. Monet favors an almost bucolic image here, despite the rapid industrialization of the site.
Reference image
The visual corresponds to Vue d'Argenteuil, oil on canvas from 1872, 42 × 83 cm, signed lower right and listed Wildenstein 235. The unique WebP measures 2,880 × 1,420 px, definition of the exact public file, without enlargement artificial.
The buildings are constructed in small cream, yellow, pink and blue masses. Detailing them excessively would break the desired distance from the other bank.
The densest whites are concentrated in the center, while the gray-purple edges show more of the canvas's weft. This variation maintains the depth of the clouds.
Its gray-blue bands are wide and not very contrasting. A few short lines in the foreground are enough to distinguish the surface of the Seine from the green bank.
Documented benchmarks
This oil on canvas from 1872 measures 42 × 83 cm. Preserved in private collections, it is identified by number 235 of the Wildenstein catalog raisonné.
The family arrived in December 1871 and stayed there for about six years. The city then became one of Monet's major laboratories for observing the Seine, leisure and the transformations of the suburbs.
The large body of water places the city at a distance. The hillsides of the Saint-Denis region in Pontoise close the horizon behind the houses and the church.
The painting was acquired from Monet by the Durand-Ruel gallery no later than 1891, then remained in the merchant's family collection for several decades.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | View of Argenteuil W235 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1872 |
| Original technique | Oil on canvas |
| Dimensions | 42 × 83 cm |
| Orientation | Horizontal panoramic |
| Conservation | Private collection, Non-public location |
| Inventory | Wildenstein 235 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This panorama is suitable above a sofa, sideboard or wide desk. A patinated white, old silver or smoked wood frame accompanies the sky; a gray blue, light beige or soft green wall highlights the line of the bank.
Une peinture à l’huile sur toile réalisée entièrement à la main, sans impression numérique.
Vous recevez des photos détaillées et pouvez demander des ajustements.
Les dimensions sont calculées pour respecter les proportions de l’original.
Un doute sur le format ou les couleurs ?
From order to delivery
You remain in control until your final validation reproduction.
Select the dimensions appropriate to the proportions of the work.
Production at painting at oil on canvas by a specialized artist.
Receive detailed photos and request up to 7 sets of edits before validation.
Your canvas is rolled in reinforced packaging, with tracking until delivery.
Frequently asked questions
Everything you need to know about creating, retouching, validating and delivering your painting.
Yes. Every reproduction is carried out at the painting at theoil on canvas by a specialized artist. This is neither a print nor a digital transfer.
Yes. Choose one of the formats offered or contact us for a particular dimension adapted to your wall and the proportions of the work.
When the painting and the drying is complete, we send you detailed photos before any shipment so that you can validate the result.
You can request up to 7 sets of edits from the photos received, before giving your final validation.
The canvas is shipped rolled, frameless, in reinforced packaging designed to protect it during international transport.
Upon shipment, you will receive a tracking number to track the delivery of your reproduction until its delivery.
Same artist
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